Bethany Albrecht

As many of you know, I had a career in the early 90s as a recording engineer in Hollywood.  I left that to make money to feed my family, as I didn’t want to put them through the ‘hit & miss’ nature of that industry.  After 25 years back in the tech space, I didn’t agree with where it was going, and in my mid 50s left it to return to my recording work.  The result was the building of a massive private recording studio in central Mexico.  I wanted to talk through the business case for this and why we need some serious ‘out of the box’ thinking when it comes to funding art in all forms for the future.