Talking Out Your Glass Podcast

As a storyteller, John Moran’s work is constructed from a series of anecdotes, references, and experiences. While he draws ties to American pop culture, politics, and social issues, it’s not done arbitrarily. The artist attempts to illustrate how he sees the barrage of consumerism, religion, and politics colliding with depictions of social injustice, secular beliefs, and popular culture. These hot sculpted works pack an emotional punch through unforgettable imagery as seen in pieces such as New Times Roman and Sale of the Deathman. Moran States: “I myself am a product of all of these things; I am American, and America was founded on dissent. To paraphrase Picasso: my work is a collection of lies, hopefully helping the viewer realize the truth. Though for me the truth is not absolute, it is simply how I see the world. It is not necessarily an attempt at subversion, but more an attempt to reconcile, and in a way celebrate, the absurdity and hypocrisy of society.” These attributes and ideologies made Moran’s app