New Books In Communications

In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. By 1932 the Atlanta World had become a daily paper and the basis of Scott's vision for a massive Southern newspaper chain - the Southern Newspaper Syndicate, later renamed as the Scott Newspaper Syndicate. At its peak, more than 240 papers were associated with the Syndicate, making it one of the largest black press institutions in the country. However, the extent of the Syndicate's reach and its centrality to Black southern life has remained largely overlooked. In The Grapevine of the Black South: The Scott Newspaper Syndicate in the Generation before the Civil Rights Movement (University of Georgia Press, 2018), Thomas Aiello offers the first critical history of this influential newspaper syndicate, tracing its roots in the early 1930s through to its eventual dissolution in the 1950s. During this critically important period preceding the the "civil rights era" ushered in by the 1954 Supreme C

Tammy Vigil’s new book, Moms in Chief: The Rhetoric of Republican Motherhood and the Spouses of Presidential Nominees, 1992-2016 (University Press of Kansas, 2019), examines the contemporary “first spouses” on the campaign trail, at the nominating conventions, and pays particular attention to how these women (and one man, the 2016 case of former President Bill Clinton) position themselves and are positioned within a fairly narrow role in relation to their candidate-husbands. Vigil’s analysis is particularly interesting and informative in how we think about the role of public women in our country, especially in relation to the White House and their unelected roles within the political sphere. Vigil frames her examination of these dyads (the winning and losing first spouses) in context of our thinking about how women should inhabit, or not inhabit, political space. This draws on classical understandings of republican motherhood, and she traces how gendered framing and traditional expectations continue to domina

Crying the News: A History of America’s Newsboys (Oxford University Press, 2019) looks at the legion of children and teenagers who sold newspapers on city streets, moving trains, and even Civil War battlefields in the 19th and early 20th centuries. Author Vincent DiGirolamo, a history professor at Baruch College, is featured in this New Books Network/Gotham Center for New York City History podcast interview with Beth Harpaz, editor of the City University of New York website SUM. A major theme of the book is the way in which the newspaper industry successfully fought efforts to ban newsboys as child labor. Instead, newspapers promoted newsboys as grand examples of the American dream, overcoming poverty through hard work on the road to success. Indeed, many famous Americans got their start as newsboys, from Thomas Edison to Walt Disney. But that may have been more an indication of the job’s ubiquity rather than its efficacy: "It was one of the most common, if not the most common, childhood occupation," DiGirola

"What I feel most moved to write, that is banned―it will not pay. Yet, altogether, write the otherway I cannot." Herman Melville wrote these words as he struggled to survive as a failing novelist. Between 1853 and 1856, he did write "the other way," working exclusively for magazines. He earned more money from his stories than from the combined sales of his most well known novels, Moby-Dick, Pierre, and The Confidence-Man. In Herman Melville: Among the Magazines (University of Massachusetts Press 2018), Graham Thompson examines the author's magazine work in its original publication context, including stories that became classics, such as "Bartelby, the Scrivener" and "Benito Cereno," alongside lesser-known work. Using a concept he calls "embedded authorship," Thompson explores what it meant to be a magazine writer in the 1850s and discovers a new Melville enmeshed with forgotten materials, editors, writers, and literary traditions. He reveals how Melville responded to the practical demands of magazine writing

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures an

During the American Revolution, printed material, including newspapers, pamphlets, almanacs, and broadsides, played a crucial role as a forum for public debate. In Revolutionary Networks: The Business and Politics of Printing the News, 1763-1789 (Johns Hopkins University Press, 2019), Joseph M. Adelman, Associate Professor of History at Framingham State University, argues that printers—artisans who mingled with the elite but labored in a manual trade—used their commercial and political connections to directly shape Revolutionary political ideology and mass mobilization. Going into the printing offices of colonial America to explore how these documents were produced, Adelman shows how printers balanced their own political beliefs and interests alongside the commercial interests of their businesses, the customs of the printing trade, and the prevailing mood of their communities. Adelman describes how these laborers repackaged oral and manuscript compositions into printed works through which political news and o

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at the State University of New York at Geneseo--interviews Dr. Belinda Stillion Southard (she/hers)--Assoc. Prof. of Communication at the University of Georgia--on the illuminating new book, How to Belong: Women’s Agency in a Transnational World from Penn State University Press (2018). In How to Belong, Dr. Stillion Southard examines the discourse of international women leaders seeking agency for women, the traditional subjects of violence across the global south. From the Liberian Women’s Initiative (LWI) to Ellen Johnson Sirleaf to Michelle Bachelet, Stillion Southard argues that the rhetorical choices of these actors embodied their particular transnational context, pushing back against the violent entails of nationalism and citizenship, traditionally conceived. As part of a broader conversation centered on exposing the violence of national citizenship and proposing ways of rejecting that violence, this book se

In this episode of New Books in Buddhist Studies, I am joined by Daniel Veidlinger to discuss his exciting new book From Indra’s Net to Internet: Communication, Technology, and the Evolution of Buddhist Ideas (University of Hawaii Press, 2018), which offers a theoretically compelling exploration of the types communicative “ecosystems” in which Buddhist ideas have flourished throughout history. Drawing inspiration from evolutionary biology and media theory, Veidlinger’s book begins by isolating some particular traits that were unique to (or at least most well-developed in) early Buddhism, and then tracing how these traits were particular well-suited for transmission in two specific historical, cultural, and communicative contexts: namely, communities in early India and along the Silk Road in the first centuries of the Common Era. His book concludes with a lengthy exploration of the ways that the Internet Age represents a third such epoch, and propounds the provocative theory that the technological, discursive

How does thinking about gender and work help to rethink cultural hierarchies? In Cultural Production and the Politics of Women’s Work in American Film and Literature(Routledge, 2019), Polina Kroik, who teaches at Fordham University and Baruch College, CUNY, explores the relationship between work and gender in American culture. The book offers a wide-ranging discussion, from early twentieth century literature to the Hollywood studio system of the 1920s and 1930s, as well as mid-century literary publishing and contemporary television. The book analyses a wealth of well-known authors and examples, including Sylvia Plath and Mad Men, as well as figures, such as Nella Larsen, who have seen less public attention. The book is essential reading across humanities and social sciences, as well as for anyone interested in gender, race, and culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How do women experience gender inequality in film and television production industries? In Women, Inequality and Media Work (Routledge, 2019), Dr Anne O’Brien, lecturer in the Department of Media Studies at Maynooth University, answers this question with a case study of the Irish media industry. Blending a critical engagement with feminist and media theory with a wealth of empirical material, the book looks at the barriers to women in media occupations. The book highlights the subjectivities within media industries that resist and are responsible for these inequalities, ultimately demanding change in both Irish and Global modes of media production. The book is an important and essential read across a range of academic readers, and for anyone interested in why we have the media we have, and how we can change it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

David Resnick combines two of his passions, movies and education, in his book, Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues (Palgrave Macmillan, 2018). Films are powerful messengers which both project and reflect particular values, ideas and social behavior. Using many examples of Hollywood movies, Resnick analyzes the way movies perform in a variety of formal and informal educational settings, including sports, arts and religion. In this lively and engaging interview David Resnick shares insights he gained through decades of experience in education and research. Renee Garfinkel is a Jerusalem-based psychologist, writer, and television & radio commentator.  Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The American press is older than the United States itself. Ever since its catalytic role in the American Revolution, journalism has evolved to meet changing political, economic, and technological demands. Gregory Borchard traces this history in A Narrative History of the American Press (Routledge, 2018). He calls for a better understanding of journalism's past, at a time of acute concern about its future. Borchard is a professor at the Hank Greenspun School of Journalism and Media Studies at the University of Nevada, Las Vegas. He is the editor of Journalism History, a quarterly scholarly journal. Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the social role of data? In The Data Gaze: Capitalism, Power and Perception (Sage, 2019), David Beer, a professor of sociology at the University of York, considers this question by introducing the concept of the data gaze. The book is the third in Beer’s loose trilogy of work on data. It draws on Foucault’s work in The Birth of the Clinic to think through various theoretical and empirical examples of how the data gaze functions. The book considers theories of temporality and acceleration, along with the practices of analysts, engineers, and organisations in data capitalism, with the aim of questioning the objectivity assumed to be inherent in ‘data’. It will be essential reading to anyone seeking to understand contemporary, data, society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

American society is deeply divided at this moment—not just on values and opinions but on basic perceptions of reality. In their latest book, One Nation, Two Realities: Dueling Facts in American Democracy (Oxford University Press, 2019), Morgan Marietta and David Barker attribute such division to the natural human tendency towards having different versions of reality. They introduce the concept of ‘dueling fact perceptions’ based on years of research, and for our interview, Morgan Marietta explains how they arrived at such conclusions and their implications for our country’s future. We have a sobering conversation about how fact-checking and greater education will not fix the problem of dueling fact perceptions, and we address the importance of trust—in our politicians, media, and other information sources—can ultimately shape how we use information to advance our beliefs. This interview is essential for those seeking to making sense of our current political climate and will provide realistic but thoughtful an

Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco (Oxford University Press, 2018) explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbaniza

Popular conceptions of Catholic censorship, symbolized above all by the Index of Forbidden Books, figure prominently in secular definitions of freedom. To be intellectually free is to enjoy access to knowledge unimpeded by any religious authority. But how would the history of freedom change if these conceptions were false? In Reading and Rebellion in Catholic Germany, 1770-1914 (Cambridge University Press, 2019), Jeffrey T. Zalar exposes the myth of faith-based intellectual repression. Catholic readers disobeyed the book rules of their church in a vast apostasy that raised personal desire and conscience over communal responsibility and doctrine. This disobedience sparked a dramatic contest between lay readers and their priests over proper book behavior that played out in homes, schools, libraries, parish meeting halls, even church confessionals. The clergy lost this contest in a fundamental reordering of cultural power that helped usher in contemporary Catholicism. Michael E. O’Sullivan is Professor of Histor

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingc

People value loyalty. We prize it in our dogs. We loyally carry loyalty cards to claim discounts at our favourite stores and coffee shops. We follow sports teams, even when they lose. Loyalty is also deeply political. It is signified in oaths of office, in pledges of allegiance, and in the machinations of party politics. Loyalty, like justice, is taken to be an unalloyed good. As Don Corleone taught us: ‘Blood makes you related, loyalty makes you family’. It is not surprising that loyalty has a deep and complex history in Anglophone political thought. The seventeenth century in Britain was a period in which political loyalties were shaped, tested, and sometimes fractured. Edward Vallance is Professor of History at the University of Roehampton. He was written widely on the politics of early modern Britain, and on topics such as oaths and covenants, the Revolution of 1688, and the radical history of Britain. In a range of essays, he has explored topics in political thought from the Renaissance to Thomas Paine.

Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. In her book, “Trash,” Censorship, and National Identity in Early Twentieth-Century Germany (Cambridge University Press, 2016), Kara Ritzheimer explains how both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these law

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Sharon Kirsch (she/hers)--Associate Prof. of English and rhetorical studies in the New College at Arizona State University--on the scintillating and beautifully written Gertrude Stein and the Reinvention of Rhetoric from University of Alabama Press (2014). This book is truly a must-read for lovers of language; through Stein, Kirsch redelivers the “rules” of language and persuasion (organization, clarity, grammar) as heuristics or starting points for thinking about what language might be made to do. Stein re-emerges as a major twentieth-century rhetorician, not a spin doctor, as the word might suggest to some, but as someone who follows as sure as she remakes the rules of writing, expression, and language. Readers are also encouraged to learn more about the important work that Kirsch is doing with Save Our Schools Arizona. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becomin