London Review Bookshop Podcasts

This event took place in association with English PEN, which exists to promote literature and its understanding, uphold writers' freedoms around the world, campaign against the persecution and imprisonment of writers for stating their views, and promote the friendly cooperation of writers and free exchange of ideas. PEN's Writers in Translation programme has, during the past five years, championed over 35 titles by writers from all over the globe, and supports the three speakers here.  See acast.com/privacy for privacy and opt-out information.

How can the same thing be said in a different language, when the language carries the assumptions of a whole culture with it? How do you balance spirit and accuracy? What do you do with slang and puns and untranslatable words? However many questions we ask about translation in the abstract, we rarely see how it actually works. This event was about giving time and attention to that process.  See acast.com/privacy for privacy and opt-out information.

An important champion of francophone literature, Mabanckou is both a writer engage, and a very engaging man. Teaching at the time in the French literature department at UCLA, he made a rare visit to London for the festival. Mabanckou talked about his work with Helen Stevenson, translator of Broken Glass and author of several books, including Instructions for Visitors: Life and Love in a French Town.  See acast.com/privacy for privacy and opt-out information.

Edward Said described Elias Khoury as an artist who gives 'voice to rooted exiles and trapped refugees, to dissolving boundaries and changing identities, to radical demands and new languages'. Khoury was in discussion with the writer and journalist Jeremy Harding, a contributing editor at the London Review of Books, who has written extensively on Khoury's life and work.  See acast.com/privacy for privacy and opt-out information.

Julian Bell and Peter Campbell talked about things that painters can and can't do, in particular about the relationship painters have had to old art and the limits and opportunities that arise from society, its technology and its institutions.  See acast.com/privacy for privacy and opt-out information.

In conversation with the novelist Tom McCarthy, Jonathan Lethem read from Chronic City and discussed, inter alia, Manhattan's virtuality, the inspiration behind the character of Perkus Tooth, the price of things, and talking animals.  See acast.com/privacy for privacy and opt-out information.

With his new play about Auden and Britten, The Habit of Art, playing to packed houses at the National Theatre, Alan Bennett visited the Bookshop to read from his introduction to the play and to answer an eclectic range of questions from the audience.  See acast.com/privacy for privacy and opt-out information.

LRB editor Mary-Kay Wilmers, and contributors Jeremy Harding and John Lanchester, discussed the pleasures and pitfalls of writing family histories, under the chairmanship of LRB publisher Nicholas Spice.  See acast.com/privacy for privacy and opt-out information.

A.S. Byatt and Adam Thirlwell both talked about their work, and discussed European literature and the art of the novel.  See acast.com/privacy for privacy and opt-out information.

Sarah Dunant and Hilary Mantel read from Sacred Hearts and Wolf Hall, their respective latest novels, and discussed the particular challenges of writing historical novels and the importance of research with Joanna Bourke, Professor of History at Birkbeck College.  See acast.com/privacy for privacy and opt-out information.

A few days after the 20th anniversary of the Tiananmen Square massacre, Ma Jian discussed his Tiananmen novel Beijing Coma with the Independent's literary editor Boyd Tonkin, interspersed with extracts from the novel read by his translator Flora Drew.  See acast.com/privacy for privacy and opt-out information.

Four past winners of the Independent Foreign Fiction Prize gathered in the Paul Hamlyn Library to discuss the difficulties of selling translated literature, the cultural resources available to translators, working on dead authors, translating dialect, and a host of other tricky areas involved in literary translation. The panel was chaired by the Arts Council's Kate Griffin.  See acast.com/privacy for privacy and opt-out information.

Faïza Guène discussed immigration in France, her success as a writer and what the French papers made of it all, the pleasures of writing in the first person and much more with her translator Sarah Ardizzone at the Bookshop's inaugural World Literature Weekend. Interpreter: Carine Kennedy.  See acast.com/privacy for privacy and opt-out information.

Launching the Bookshop's inaugural World Literature Weekend, Hanan al-Shaykh gave a lively reading from her memoir of her mother, The Locust and the Bird, as well as discussing the book with novelist Esther Freud.  See acast.com/privacy for privacy and opt-out information.

As part of Faber & Faber's 80th anniversary celebrations, the London Review Bookshop welcomed two Faber authors to read from and discuss their first works: Sarah Hall's debut novel Haweswater and Clare Wigfall's collection The Loudest Sound and Nothing.  See acast.com/privacy for privacy and opt-out information.

Iain Sinclair's appearance at the Bookshop always heralds a frantic scramble for seats. This event was no different, an opportunity to hear a reading from his new work, Hackney, That Rose Red Empire: A Confidential Report.  See acast.com/privacy for privacy and opt-out information.

A veteran of peace initiatives across the Middle East and beyond, Alistair Crooke provides an account of the wellspring of Islamist movements, a defence of their underpinning intellectual traditions, and a cogent argument for engagement and dialogue.  See acast.com/privacy for privacy and opt-out information.

In conversation with John Sutherland, Hanif Kureishi expanded on and discussed his cogitation on psychoanalysis, Something to Tell You.  See acast.com/privacy for privacy and opt-out information.

Jenny Diski was at the London Review Bookshop to be cheered up, apologise, and read from her latest book, Apology for the Woman Writing, a story drawn from the marginal notes that exist about Marie de Gournay, Montaigne's editor and onetime 'stalker'.  See acast.com/privacy for privacy and opt-out information.

In his first public appearance as Benjamin Black, John Banville read from Black's new novel The Lemur, and discussed the experience of writing as two different people.  See acast.com/privacy for privacy and opt-out information.