New Books In Art

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them. However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors

In the arc of Soviet history, few government programs were as tenacious as the anti-religious campaign, which systematically set out to debunk organized religion as "the opium of the people." This political storm of heaven lasted from the earliest days of Bolshevik power up until the early eighties, when it simply ran out of steam, as did the Soviet State. But while it lasted, the anti-religious campaign was a sustained and virulent attack on the centuries-old bedrock of Russian culture and left a wave of violence and destruction in its wake. Faced with an almost feudal society and a population of predominantly illiterate peasants, the State cannily deployed one of its most potent propaganda weapons: the vibrant graphic art illustration in posters and atheist magazines that were distributed throughout the USSR. For a superstitious peasant, the images of an idealized Soviet worker smashing the idols of Orthodox Christianity must have been as horrific as they were ultimately compelling. The iconography of the a

From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. This book invites you to take a new look at this timeless topic, with a compilation of research and information worthy of a text book, accompanied by over 200 beautiful color illustrations that transform this into the ultimate coffee table book. In The Golden Ratio: The Divine Beauty of Mathematics (Race Point Press, 2018), Gary Meisner shares the results of his twenty-year investigation and collaboration with thousands of people across the globe in dozens of professions and walks of life. The evidence will close the gaps of understanding related to many claims of the golden ratio’s appearances and applications, and present new findings to take our knowledge further yet. Whoever you are, and whatever you may know about this topic, you’ll find something new, interesting, and informative in this book, and may find yourself challenged to see, a

What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.su

Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiting Chinese art through the story of renowned curator and museum director Sherman E. Lee (1918-2008). This book provides one of the first forays into post-war North American collecting and exhibiting, carefully reconstructing the rise of the USA as the scholarly hub on Chinese art, in many ways displacing Europe’s dominance in this area. As such, Separating Sheep from Goats, contributes hugely to the historiography of the field of East Asian art and gives sense of individuals and their contributions, rather than institutions. Relying on extensive archival research, Noelle Giuffrida shines light on the so-called ‘Monuments Men’ and namely their time in East Asia in this engaging and lavishly illustrated book. In this podcast, Noelle and I talk about we talk about the archival research that went into writing this boo

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017

What’s the first image that comes to mind when you hear the words “Paris” and “photography”? Is it a famous photo, perhaps an Atget, Brassai, or Doisneau? In her new book, Paris and the Cliché of History: The City in Photographs, 1860-1970 (Oxford UP, 2018), Catherine Clark explores the history of how and why photographic images have been central to understanding and imagining the city’s present and past, figuring profoundly in the representation and documentation of change over time in the French capital. In this beautifully illustrated and fascinating book, Clark recounts and analyzes the story of the collection, mobilization, and recollection of photographs as historical documents, a visual archive of urban transformation and memory. From the inauguration of the city’s first photo archives at the Musée Carnavalet, to the illustrated “photohistory” books that used images as documentary evidence, to the photographic museum exhibits, commemoration, and even a citywide contest, in which past and pictures were

The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performative element to this series in that Gabriel invited friends to pretend to pose at a party, he focused his camera towards them but not on them which allowed him to actually photography the situations taking place in the background of the scene. The photographs were taken with early cellphone cameras, and have mostly been reframed to show only the situations and compositions that sparked the artist’s interest the most. This tight cropping resulted in highly pixelated images, and Jones applied some retouching techniques to further accentuate the strangeness of the scenes in his collections. Gabriel photographed the album cover The Suburbs, for Canadian Indie-Rock band Arcade Fire. The album won the 2012 Grammy Award for Best Record Packaging, and 2011Album of the Year. In 2010 and 2014, Jones curated an exhibition call

How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member!

In her book, The Caesar of Paris:  Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of Napoleon’s fascination with ancient Rome, and how this obsession shaped not only France in the early part of the nineteenth century, but also the city of Paris we know today.  In this interview, she traces the cultural history and legacy of the Napoleonic era, discussing topics such as the looting of artworks from conquered states, the creation of the Empire style by architects Charles Percier and Pierre Fontaine, the Roman inspirations for the Arc de Triomphe, the Arc du Carrousel, and the Vendôme column, and the politics of art repatriation after Napoleon’s defeat at Waterloo. Susan Jaques is a Los Angeles-based author and journalist with a consuming interest in history and art. Her biography, The Empress of Art: Catherine the Great and the Transformation of Russia explores the tsarina’s bold, unprecedented use

In Changing Saudi Arabia, Art, Culture and Society in the Kingdom (Lynne Rienner, 2019), Sean Foley offers eye-opening insights into a changing society that is under the international magnifying glass. Using the prism of an exploding arts scene populated by artists, comedians, actors, directors and masters of new media from diverse backgrounds, Foley paints a granular picture of a country that figures prominently in global geopolitics. Breaking with the traditional geopolitical, political and economic paradigm that dominates scholarship and analysis of a kingdom widely viewed as increasingly autocratic and brutal under de facto ruler Crown Prince Mohammed bin Salman, Foley illustrates the margins within which the arts scene seeks to stimulate conversations on often taboo subjects and express criticism by couching it in constructive rather than explicitly critical terms. It involves a balancing act in which artists are forced to be critical and supportive of the regime at the same time. In describing the evolu

In this segment of New Books in History, Jana Byars talks with Elizabeth “Libby” Otto, Associate Professor of Art History and Visual Studies and Executive Director of the Humanities Institute at the University of Buffalo about her forthcoming work, Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics (MIT Press, 2019). The MIT press release appropriately notes that Otto “liberates Bauhaus history” with this work, drawing the focus from the handful of male artists like Klee and Breuer outward as she considers the other 1200 odd Bauhäusler. Otto discusses spiritism, gender constructions, and the nature of queer before turning her attention to the unavoidable political landscape of the 1930s. Our conversation was wide ranging and as edifying as it was fun. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A work of art about doing nothing; a work of art that invites people to take it apart; a work of art that consists of two people walking in a town in the Dominican Republic. These are just some examples Carlos Garrido Castellano takes up in Beyond Representation in Contemporary Caribbean Art: Space, Politics, and the Public Sphere (Rutgers University Press, 2019), his provocative and complex exploration of conceptual art in the Caribbean as it has been presented over the last thirty years. He argues for a way of experiencing and writing about art that explodes all of our assumptions, and makes new spectators of us all. This book proposes that we can understand this art as creating agency in and through space. Its success is evident in the urgency it generates: we need to experience these creative interventions in order to better understand the Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2018, Melissa McCormick discusses all of the fifty-four paintings by Tosa Mitsunobu and calligraphies in the album, thus providing a unique companion to Murasaki Shikibu’s eleventh century masterpiece of prose and poetry, The Tale of Genji. Ricarda Brosch is an Assistant Curator at the V&A’s Asian Department, East Asia section. You can follow her on Twitter: @RicardaBeatrix. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

If there’s one thing that conjures up the – rightly contested – idea of a ‘civilisation’, it is grand palatial or religious buildings, and many such structures are foremost in how China is imagined throughout the world. But as Nancy S. Steinhardt notes in Chinese Architecture: A History (Princeton University Press, 2019), many iconic edifices such Beijing’s Forbidden City or Shanxi’s temples share features in common with the humblest ordinary dwellings which people in what we now call China have inhabited for centuries. Steinhardt here draws on decades of exhaustive reading and tireless fieldwork to tell the story of Chinese building practices, principles and techniques across space and time, from the earliest archaeological traces of construction right up to the present day. Both highly accessible and richly illustrated with hundreds of colour photographs, as well as intricate technical diagrams, this extraordinary treasure trove of a book is much more than an architectural compendium. The countless insights

The metaphor “object lesson” is a familiar one, still in everyday use. But what exactly does the metaphor refer to? In her book Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World (Oxford University Press, 2018), my guest Sarah Anne Carter reveals that object lessons were a classroom exercise, in wide use during the nineteenth century. She traces them from the Swiss educational reformer Pestalozzi, through his English adherents, to seemingly unlikely outposts of educational revolution as the Oswego, New York school system. And she takes the story into politics, advertising, and racial segregation. Her book is study of intellectual history and of intellectual culture. But Sarah’s book, and this conversation, is also about asking questions of things which cannot speak. Sarah’s interest in objects comes not simply from her training as an intellectual historian, but as a curator of museums. She is curator and director of research at the Chipstone Foundation in Milwaukee, a

“Fashion is universal,” writes my guest Kimberly Alexander in her book Treasures Afoot: Shoe Stories from the Georgian Era (Johns Hopkins UP, 2018), “enabling historians across time, place, and culture to form an understanding of the people who made clothes and who wore them. But shoes are different. As shoe scholar June Swann opines, ‘No other garment or accessory maintains the imprint of its wearer–even over long spans of time.’ A shoe molds to the foot and captures a facet of the physical characteristics of its wearer, as well as, by extension, an element of his or her personal history. We can study how much wear occurred and on what part of the shoe, how a shoe was altered or repaired, why a shoe or a pair of shoes were saved and handed down–and, from this, form a idea of the ordinary lives of the people who wore them.” Together Kimberly and I discuss her new book; why shoes are important; why fashion is important; and even how to talk about material culture in class. Al Zambone is a historian and the hos

Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco (Oxford University Press, 2018) explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbaniza

Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author and commentator Ilya Ehrenburg published the novel that would give a name to this era, “The Thaw,” which probed the limits of cultural expression, now expanded by Khrushchev’s political pivot. One of the critical hallmarks of The Thaw is an almost immediate deluge of foreign culture into the Soviet Union, which for most of the population was entirely new: in pre-revolutionary Russia, culture was the prerogative of wealthy aristocrats and intellectuals, and for the much of the first three decades of the nascent Soviet state, access to foreign culture was strictly forbidden.  Suddenly, the vast country was flooded with international books, films, paintings, and music.  The impact was seismic, and the reverberations are still felt today.