New Books In Critical Theory

When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy? Redacted: Writing in the Negative Space of the State (punctum books, 2024) brings together essays, poems, artwork, and memes—a bricolage of media that conveys the experience of living in state-inflected worlds in flux. Critically and poetically engaging with redaction in politically charged contexts (from the United States and Denmark to Russia, China, and North Korea), the volume closely examines and turns loose this disquieting mark of state power, aiming to trouble the liberal imaginaries that configure the political as a left-right spectrum, as populism and nationalism versus global and transnational cosmopolitanism, as east versus west, authoritarianism versus democracy, good versus evil, or the state versus the people—age-old coordinates

Located in the Papantla municipality of the Mexican state of Veracruz, El Tajín is a UNESCO World Heritage site but a lesser-known tourist destination and national symbol. The Indigenous Totonac residents of the region know well that the site’s relative absence from discussions of global archaeology and heritage belies a century of wide-ranging labor, extractive industries, and commodity exchange.In the Shadow of El Tajín: The Political Economy of Archaeology in Modern Mexico (U Nebraska Press, 2025) tells the story of how a landscape of ancient mounds and ruins became an archaeological site, brings to light the network of actors who made it happen, and reveals the Indigenous histories silenced in the process. By drawing on the insights of Indigenous Totonac peoples who have lived and worked in El Tajín for more than a century, Sam Holley-Kline explores historical processes that made both the archaeological site and regional historical memory. In the Shadow of El Tajín decenters discussions of the state and t

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi

“Liberal egalitarianism” refers to a family of political views that are “liberal” in taking individual rights to be of premier importance and “egalitarian” in holding that justice requires that political, social, and economic inequalities be minimized as much as possible. The standard approach to liberal egalitarian theorizing, influenced greatly by John Rawls’s A Theory of Justice (1971), is to specify a set of normative principles to guide the design and functioning of society’s primary institutions (its “basic structure”). In The Anatomy of Justice: On the Shape, Substance, and Power of Liberal Egalitarianism (Oxford UP, 2024), Gina Schouten argues for a reorientation in liberal egalitarian theorizing about justice. She proposes that, instead of prescriptive principles, we should instead think of a liberal egalitarian theory’s most important product to be “evaluative discernment”: theorizing should aim to discern those achievements or values the realization of which would make society more just overall. Sc

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as la

Despite reform efforts that have grown in scope and intensity over the last two decades, the machine of American mass incarceration continues to flourish. In Ghost in the Criminal Justice Machine: Reform, White Supremacy, and an Abolitionist Future, formerly incarcerated activist and organizer Emile Suotonye DeWeaver argues that the root of the problem is white supremacy. During twenty-one years in prison, DeWeaver covertly organized to pass legislation impacting juveniles in California’s criminal legal system; was a culture writer for Easy Street Magazine; and co-founded Prison Renaissance, an organization centering incarcerated voices and incarcerated leadership. DeWeaver draws on these experiences to interrogate the central premise of reform efforts, including prisoner rehabilitation programs, arguing that they demand self-abnegation, entrench white supremacy, and ignore the role of structural oppression. DeWeaver intervenes in contemporary debates on criminal justice and racial justice efforts with hi

Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitio

Desert Imaginations: A History of Saharanism and Its Radical Consequences (U California Press, 2025) traces the cultural and intellectual histories that have informed the prevalent ideas of deserts across the globe. The book argues that Saharanism—a globalizing imaginary that perceives desert spaces as empty, exploitable, and dangerous—has been at the center of all desert-focused enterprises. Encompassing spiritual practices, military thinking, sexual fantasies, experiential quests, extractive economies, and experimental schemes, among other projects, Saharanism has shaped the way deserts not only are constructed intellectually but are acted upon. From nuclear testing to border walls, and much more, Brahim El Guabli articulates some of Saharanism’s consequential manifestations across different deserts. Desert Imaginations draws on the abundant historical literature and cultural output in multiple languages and across disciplines to delineate the parameters of Saharanism. Against Saharanism’s powerful and redu

Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin’s work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin’s work. In Nguyen’s revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism (Bloomsbury, 2024), he navigates through Benjamin’s complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole. Nguyen argues that Benjamin’s work demonstrated a holistic philosophical project, and he takes the reader through the latter’s early critical engagement with anarchist praxis and Kantian thought, through to Benjamin’s ‘Mar

Winners Take All meets Nickel and Dimed: a provocative debunking of accepted wisdom, providing the pathway to a sustainable, survivable economy. Confronted by the terrifying trends of the early twenty-first century - widening inequality, environmental destruction, and the immiseration of millions of workers around the world - many economists and business leaders still preach dogmas that lack evidence and create political catastrophe: Private markets are always more efficient than public ones; investment capital flows efficiently to necessary projects; massive inequality is the unavoidable side effect of economic growth; people are selfish and will only behave well with the right incentives. But a growing number of people - academic economists, business owners, policy entrepreneurs, and ordinary people - are rejecting these myths and reshaping economies around the world to reflect ethical and social values. Though they differ in approach, all share a vision of the economy as a place of moral action and account

Is culture good for you? In Art Cure: The Science of How the Arts Save Lives (Cornerstone Press, 2026) Daisy Fancourt, a Professor of Psychobiology & Epidemiology and head of the Social Biobehavioural Research Group at University College London offers a comprehensive and compelling argument for the ways arts and culture offer health and social benefits for individuals and societies. The book offers both the evidence for the benefits of arts and culture, whilst at the same time showing how many people and places are missing out and excluded from the positive impact of engagement and experiences. A powerful call for the importance of art and culture, backed by a blend of rigorous scientific and medical evidence, as well as engaging personal stories and narratives, the book is essential reading across the arts, humanities and sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In A Dirty History of Photography: Chemistry, Fog, and Empire (U Chicago Press, 2026), Professor Michelle Henning presents an environmental history of chemical photography through the lens of its deep connections to empire and industry. Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Professor Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water. Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology li

Who are the people staffing the digital economy? In The Social Codes of Tech Workers: Class Identity in Digital Capitalism (MIT Press, 2025) Robert Dorschel an Assistant Professor in Digital Sociology at the University of Cambridge, explores an occupation that has emerged as central to modern economies and societies. Drawing on an extensive range of interview fieldwork, the book offers a compelling picture of the working lives, along with the social and cultural interests of these workers, giving details on a section of the tech profession that is neglected in discussions that focus on the billionaire founders and owners in the sector. The book is also theoretically rich, considering the nature of work in modern society, the question of where these workers fit within social class structures, and crucially how they experience and understand both work and class. A significant addition to research on the tech sector, the book is essential reading across the humanities and social sciences, and is available open

Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book Carbon Colonialism: How Rich Countries Export Climate Breakdown (Manchester UP, 2023) opens our eyes.  Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Outsourcing climate breakdown explores the murky practices of exporting a country's environmental impact. A world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approa

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West’s

In The Care of the Self and the Care of the Other: From Spiritual Exercises to Political Transformation (Columbia UP, 2025), Daniel Wyche examines the political implications of what he calls practices of ethical self-change. These include Pierre Hadot’s notion of “spiritual exercises”; what the French sociologist of labor Georges Friedmann terms “interior effort”; Michel Foucault’s ethics of the “care of the self”; Martin Luther King Jr.’s understanding of “self-purification” as integral to direct action; and Audre Lorde’s claim that caring for herself constitutes a form of “political warfare.” Each reading furnishes Wyche with a lexicon of concepts and practices that he develops with great care toward a critical account of the self in relation to others.Daniel Louis Wyche is a Senior Scholar with the Columbia Center for Contemporary Critical Thought.Nathan H. Phillips is an independent scholar working out of South Bend, Indiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show

Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas,

What is the future of museums? In Deconstituting Museums: Participation’s Affective Work Helen Graham, an Associate Professor in School of Fine Art, History of Art and Cultural Studies at the University of Leeds, considers the current state of the sector and stresses the need for significant change. Drawing on both professional reflections and academic analysis, the book introduces the concept of the museum constitution as a key site for struggle within the institution. It shows the challenge of making participation meaningful, and the scale of transformation needed to reframe museums’ central ideas and activities. Essential reading for both academics and museum professionals, as well as audiences, the book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A provocative collaborative project, China as Context challenges the marginalization of Chinese-grounded ideas in academia, arguing that neglecting China distorts our understanding of global complexities. Through diverse ethnographic perspectives, this volume repositions China, urging a holistic, post-global approach to the social sciences amid shifting global dynamics. Decades-old calls to recognise China’s significance for anthropological theory and the social sciences are more urgent than ever. Yet, Chinese-grounded ideas remain marginal, with China often seen as a distant “Other” rather than a source of widely applicable theory. Drawing on East Asian postcolonial scholarship, this volume argues that without taking China seriously as a knowledge producer and a key agent in a post-global world, social scientists risk misinterpreting the global present. As Western globalisation wanes and anthropology reassesses the relationship between ethnography and theory, we show how “China” must be understood as an ord