Europe Japan Research Centre Podcasts

Japanese anime, a global phenomenon and a locally powerful industry, has a tendency to be viewed outside Japan in relation to its extreme content, lending it a ‘cult’ air. Through such discussions, it becomes easy to paint all anime as ‘cult’ without ever considering the wider implications of this Euro-American concept for Japanese media texts. Therefore, in this talk, I revisit the relationship between cult and anime in order to examine how and when the term might be useful, taking an industrio-historical view of the relationship between cult and anime. Gainax, one of Japan’s foremost anime companies presents a useful focus for this analysis. Formed out of an amateur collective to become one of the most (in)famous companies in anime history, Gainax has helped to make anime a global phenomenon. Moreover, the founders of Gainax have gone on, in some cases, to become important voices in the debates around how to conceptualise anime. By re-examining the competing discourses aro

Aesop’s fables bookend early modern Japan’s image of a “closed country”. Their appearance in the late sixteenth and early seventeenth centuries, their disappearance and subsequent reappearance in the later nineteenth century, seems to symbolize the bracketing of Japan’s isolation from European literature. However, throughout the eighteenth and early nineteenth centuries, Aesop was never completely absent from Japan. The fables both form a link between the Portuguese-Jesuit heritage and Dutch studies, and go to show that there was an early modern Japanese interest in European discursive practices, however problematic its understanding may have been. This talk will briefly revisit studies of Japanese Aesop reception in the early seventeenth century and deal especially with fairly unknown Japanese interest in European fable literature, chief among them activities by the artist and author Shiba Kōkan (1747–1818). This seminar took place at Oxford Brookes University

Hikikimori is a category coined in the late 1990s to refer to 'youth social withdrawal,' and has been considered a social problem in Japan since the 2000s afflicting (mostly male) youth. Drawing on Mathews and Izquierdo (2009)’s four-dimensional model of well-being, this paper will examine what well-being means for youth in Japan by posting hikikomori as an issue that symbolizes youth ill-being. In so doing, I draw on examinations of media discourses and data from long-term ethnographic fieldwork. I will begin by providing an overview of the hikikomori issue as it is represented in media discourses. Based on this overview, I discuss ways in which youth isolation is problematized in physical, interpersonal, existential, and national/global dimensions of well-being. This seminar took place at Oxford Brookes University on 1 November 2017.

The Edo-period Japan (1603–1868) saw the emergence of an art music genre called Jiuta-sōkyoku. Some of the song texts were taken from classical literature, some were descriptions of nature, some celebratory, and some were songs about the emotions and thoughts of less fortunate women. Especially those in the last category were written for the specific purpose of being song texts, but how can we relate to these songs? In this presentation I give a number of examples and discuss the socio-cultural context in which they came about, and how we could relate to them in the different social context of the present day. This seminar took place at Oxford Brookes University on 25 October 2017.

On 15 August 1945, Emperor Hirohito announced Japan’s defeat in the Second World War to millions of his subjects. “Enduring the unendurable”, the nation was now to start on the road of peace and rebuilding. Yet for over 600,000 Japanese soldiers, the war was not to end on that August day. Defeated and captured by the Soviet Red Army in northeast China, these former soldiers were put in freight trains and taken to Soviet forced labour camps. For years they worked in various industries alongside Soviet prisoners and foreign POWs, longing for the day of return to their motherland. They underwent a well-planned propaganda education program that called them to stage a communist revolution upon return to Japan. Perhaps because of this education, they were greeted with suspicion and for many years struggled to take back their rightful place as Japanese citizens. In this talk, I trace the circuitous journey of the ‘Siberian internees’ from Manchuria to the Soviet camps, from camp to

It is a strange and bitter irony that the US naval bombardment which launched the Battle of Okinawa in 1945 was called the ‘typhoon of steel’, invoking the turbulent winds that annually buffet this small island. Okinawans in coastal villages, such as Sunabe where the US forces made their landings, sought shelter from this mechanical, yet elemental force of destruction in one of the many caves that scatter the landscape. War planes still fly over Sunabe today, from the United States Air Force base of Kadena. Distinguishing and measuring these sounds and their effects on the health and livelihood of Sunabe residents has been the work of a Japanese acoustic scientist, Kozo Hiramatsu. Over the past twenty five years he has listened to and made sense of these sounds through the stories of individuals like Yogi-san who as a child took refuge in the cave and after the battle returned to take up residence in a house adjacent to the boundary fence of Kadena. It is in resonant spaces like the cave (gama)

Japan is increasingly characterised by late age at marriage and rising rates of singlehood. Women’s growing educational attainment and labour market participation are often argued to be the key reasons behind these trends. In particular, it is frequently assumed that the dominant gender norms which prescribe that women must shoulder most of the burden of domestic work and childcare are a greater barrier to marriage for women with higher earning potential. A number of existing studies analyse the effects of education and earning power on women’s marriage probability. These give us insights into actual marriage trends, but tell us little about the beliefs and attitudes behind these outcomes. This paper will look at the matter from a different angle. I will analyse the ways women with different levels of earning power advertise themselves in the marriage market. Such an analysis will offer a view into women’s beliefs about the characteristics of a desirable wife and how and to which extent working women are will

This paper seeks to examine several manifestations of futurity in contemporary Japan through readings of a science fiction manga. It is interested in the relationship between historical time and subjectivity or, in other words, how people make sense of their contemporary experiences within discourses of the past, present and future. The paper offers no uniform vision of a future for or by Japan, but reveals that ‘futurity’ is a site of much contestation in the present as Japanese people continue to grapple with the triple challenges of economic, social and ecological change. This paper will examine how politics have been constituted in Japan after 3.11 by re-reading a pre-3.11 SF comic that foreshadowed an irradiated future. Coppelion (2008), a futuristic story about a 2016 nuclear catastrophe in Tokyo’s Odaiba district triggered by an earthquake, surprisingly speaks to the post-3.11 condition in multiple ways. The paper will address the following questions: What are the role of traditional time/space concep

This paper looks at the idea, popularized in the postwar period by D.T. Suzuki, Erich Fromm, and Alan Watts, that psychotherapy and Buddhist practice essentially get at the same thing: working through false layers of the self towards something more authentic. Reaching out to the Buddha, they argued, is a matter of reaching inwards. But much of this thinking was rooted in a modernist take on Zen Buddhism that emerged largely from Western cultural and philosophical concerns. What about the view from Japan? In this paper we explore the roots of Japan’s prewar psychotherapies in the much larger Shin Buddhist tradition, and look at the fundamental questions these therapies raised about history, culture, authoritarian politics, and the meaning of religious experience. Christopher Harding is Lecturer in Asian History at the University of Edinburgh. He is a cultural historian of modern India and Japan, working on these two regions’ encounters with western religion, philosophy, and psychiatry from the late nineteenth

Between 1989 and 2004, over 40 Japanese directors were introduced to major festivals and distribution networks. In the last decade, barely a handful of young directors have managed to find an audience. Ryusuke Hamaguchi, Katsuya Tomita, Momoko Ando count among the exceptions. How and why did this happen? On the other hand, the number of retrospectives of Japanese filmmakers, established and in the margins of Japanese film history, has seen a surge all over the world, raising the issue of which Japan are audiences interested in, and which stories contemporary filmmakers are not telling. This seminar took place at Oxford Brookes University on 22 November 2016.

My presentation will approach the issue of Dowa Project Policies (DPP) by trying to suggest answers to the following questions: Should we regard the introduction of DPP as the acceptance by the Japanese state of its ‘positive obligations’ avant la lettre? Does an examination of the evolution of Dowa policy suggest a commitment by the Japanese government to human rights that has so far not been acknowledged? How is policy developing in the twenty first century following the end of the national level DPP? This seminar took place at Oxford Brookes University on 16 November 2016.

Why does anyone voluntarily want to learn a foreign language? Really, why on earth would someone in Oxford study Japanese? What is the whole point of this? Of course many answers are given to this question, but mostly these answers are either not very profound or they are somebody else’s opinion. Of the first type are answers like “I wanted to learn a language totally different from mine” or “I have always been fascinated by Japan”, and of the second type are answers such as “only learning another language makes you understand your own language” (Goethe’s opinion) or “so that I can inform others about my country and its culture (opinion of the Japanese Ministry of Education). While such type of discourse may be fine for small-talk in some quarters, we should avoid it in scholarly discourse on language education. Understanding the motive and the motivation for learning a foreign language is vital for designing language education programs and for un

Following their acclaimed art and poetry exhibition, ‘Sketches from the Poem Road’, shown in the Glass Tank this June and July, Isao Miura and Chris Beckett return to Oxford Brookes University to discuss some of the ways that words can be translated into visual and textual images. Translation in its broadest sense not only improves our appreciation of old texts, but can lead us to create exciting new multi-media work out of the old. The Japanese call this process uta makura, a sort of literary pilgrimage that prompted Bashō to set out on a long risky journey in the spring of 1689, which he described in his prose and haiku masterpiece, The Narrow Road to the Deep North. More details can be found on the Exhibitions page of the Oxford Brookes Poetry Centre website: http://www.brookes.ac.uk/poetry-centre. This seminar took place at Oxford Brookes University on 19 October 2016.

Adults over 60 are the fastest growing age group in Japanese prisons, and unlike other countries many offenders commit crimes as older adults. The problems of the aging prison population and ex-offender recidivism are increasing, but few studies have been able to explore the whole story. This forum brings together scholars from gerontology, history, demographic statistics and anthropology to examine the context of Japan's aging population, the factors contributing to elder crime, the meaning of incarceration in Japanese society, and the ways communities try to meet the challenge of reintegration after release.

Many Japanese Buddhist intellectuals and leaders, both lay and priestly, joined in the global intoxication with Wilsonian idealism and held out hope that the Peace Conference of 1919 would be the venue in which delegates drafted the blueprint for a new international order no longer based upon the acute economic and political competition, and fragile balance of powers, that culminated in the First World War. This window of optimism, as we know, closed all too quickly. My talk will discuss the reasons it did so for many Japanese Buddhists and will seek to demonstrate three things. First, unlike the simplistic and, predominantly negative, portrayal of early twentieth-century Japanese Buddhism as “conservative” and supportive of Japanese imperialism, many of its leading figures supported an internationalism undergirded by universal principles. Second, far from being peripheral to the Japanese experience, the decisions taken at the Peace Conference were carefully monitored and had profound repercussions in the yea

What does it mean to speak of dolls, robots and relationship simulation games as significant others? A recent revival of interest in notions of Japanese animism have been fueled by post-human concerns in anthropology on one hand and the so-called ontological turn on the other. This paper critically examines these discourses by looking at what kind of otherness is recognized when we speak, for example, of "techno-animism". Using my own fieldwork material on disposal, I attempt to reverse-engineer an understanding of sentient/non-sentient relationships with reference to Donna Haraway`s notion of "companion species" and "significant otherness". I shall argue that insentient social others must be understood in a context of what Anne Allison calls "orphanism" and that we celebrate Japan as a post-humanist utopia at the cost of excluded human others that are deemed not significant enough. Fabio Gygi was born and raised in Switzerland, but spent his formative years in Japan, Germany and England. After receiving an M

It is a widespread assumption that the comic spirit must not be associated too closely with the sacred, as if it were a distraction, if not a negation of the earnestness and holiness of the religious task, and an insult to the truth. You can laugh with God, because God is pure joy, but you do not laugh at God. And God does not laugh. Yet for Zen Buddhism, the comic spirit is a fundamental experience. The great masters have always used the full range of its nuances: from good-natured sarcasm to irreverent laughter, from irony to paradox. They were convinced that the comic would represent a much more serious perception of reality and a deeper form of moral awareness and inner awakening. In the Zen tradition, laughter, far from being the expression of a childish and foolish spontaneity, is the result of a rigorous and original theoretical speculation on the relationship between language and the absolute truth of emptiness. Massimo Raveri, anthropologist, is professor of Japanese religions and philosophies at Ca’

This talk examines the concept of “modernity” in the sociological sense, with reference to the dramatic changes in social life that accompanied modernization in Japan. It focuses on the influence of Confucianism on didactic literature as the path that assured the continuity between epochs. Texts like “survival guides”, “almanacs”, and “manuals for the right attitude”, lend a new perspective on gender roles of the time, just as gender studies provides a critical perspective on didactic literature. This seminar took place at Oxford Brookes University on 22 April 2015.

Following their defeat of Japan in the second World War the occupying American forces imposed radical policies of suffrage, demilitarisation and wide ranging social reforms. Part of the allied policies included strict censorship on what could be shown in cinemas. This lead to the wide scale importation of Hollywood cinema into a country where until recently it had not only been banned but audiences had been fed a strict diet of anti-american propaganda. In light of the developing field of audience research and memory studies in Japanese cinema this seminar will look at primary research with surviving women to see how in watching Hollywood cinema and phrasing their own experiences through those of popular films and Hollywood stars, women were able to make sense of their own pasts. This seminar took place at Oxford Brookes University on 11 March 2015.

Following their defeat of Japan in the second World War the occupying American forces imposed radical policies of suffrage, demilitarisation and wide ranging social reforms. Part of the allied policies included strict censorship on what could be shown in cinemas. This lead to the wide scale importation of Hollywood cinema into a country where until recently it had not only been banned but audiences had been fed a strict diet of anti-american propaganda. In light of the developing field of audience research and memory studies in Japanese cinema this seminar will look at primary research with surviving women to see how in watching Hollywood cinema and phrasing their own experiences through those of popular films and Hollywood stars, women were able to make sense of their own pasts. This seminar took place at Oxford Brookes University on 4 March 2015.