New Books In Popular Culture

When Virginie Despentes (1969) published her provocative debut novel Baise-moi in 1994, no one could have anticipated how she would gradually become a literary, feminist, and punk icon. This book is the first holistic, interdisciplinary approach to Despentes's novels and evolution as an author. Using feminist, queer, literary, and punk theories, the book examines how Despentes has developed and refined her Grrrl writing in Baise-moi, Les Chiennes savantes, and Les Jolies choses. Michèle Schaal's Grrrl Writing: Virginie Despentes's Authorial Politics (Peter Lang, 2026) specifically illustrates how her unique authorial politics, infused with punk, genre- and genderbending praxes, have provided an acerbic critique of still largely heteropatriarchal French society. Despentes's Grrrl writing denounces how this system engenders and thrives on injustice and social inequities, but also how conventions at play in classic or populist literary genres can perpetuate oppression as well Learn more about your ad choices. Vi

In 99 Ways to Die: And How To Avoid Them (St. Martins Press, 2026) emergency medicine doctor Ashley Alker presents an illuminating, hilarious, and practical guide to 99 of the most terrifying ways to die and how to avoid them. Dr. Alker is a self-described death escapologist—or, in more familiar terms, an emergency medicine doctor. She has seen it all, from flesh-eating bacteria to the work of a serial killer to the more mundane but no less deadly, and her work outwitting the end has uniquely prepared her to write this book. Dr. Alker manages to shock readers while making them laugh, educating them on how to outsmart a wide range of deadly situations and conditions. Many of the chapters include stories from her experiences in life and medicine, at times heartwarming, others heartbreaking. Sections include explorations of sex, poison, drugs, biological warfare, disease, animals, crime, the elements, and much more. An Anthony Bourdain-style greatest hits tour of death, 99 Ways to Die is entertaining while it in

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette.

In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors. British Blonde: Women, Desire and the Image in Post-War Britain (Yale UP, 2025) by Professor Lynda Nead examines postwar Britain through the changing ideals of femininity that reflected the nation’s evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process. Richly illustrat

Is the home still a site for feminist resistance? In Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity Jessica Martin, a Lecturer in Sociology and Social Policy at the University of Leeds, examines the rise of postfeminist celebrities in the era of covid and the cost-of-living crisis. Drawing on 4 case studies, the book demonstrates how much of the seemingly feminist celebrity activism of recent years has reinforced and justified social inequalities. The book explains and contextualises many current media issues, from the ‘trad wife’ and nostalgic gender politics, to the complicated politics of mumsnet, blogging and business coaches. Offering a nuanced account of the possibilities for alternatives, whilst cautioning that even explicitly anti-poverty feminist campaigning is constrained by a reactionary media landscape, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding contemporary life. Learn more about you

Written by Professor Santiago Fouz-Hernández (Durham University), The Films of Bigas Luna (Manchester UP, 2025) is the first comprehensive English-language study of the complete filmography of Spanish filmmaker Bigas Luna, spanning from Tatuaje (1976) to DiDi Hollywood (2010).Engaging with theoretical frameworks such as haptic cinema, erotic cinema, auteur theory, and studies of gender, sexuality, and national identity, the book situates close readings of Bigas Luna’s films within broader discussions of production and marketing. Fouz Hernández draws on extensive archival research―including original screenplays, press materials, and interviews with industry professionals―while engaging with previous scholarship in multiple languages.Structured into five thematic chapters, the book explores key concerns in Bigas Luna’s work, including genre, gender representation, Iberian and Mediterranean identities, and meta-cinematic narratives. It can be read as a cohesive study of his oeuvre or as a reference for specific

In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. The American Mirage addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation. Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news. By taking seriou

All over the world, masses of people watch, follow, document, and obsess over baseball. Everything remarkable about the impact of baseball derives from the game's history and cultural status as events that draw people together in these ways. Understanding baseball as a cultural phenomenon is therefore less a matter of mastering the vocabulary of the game or merely recollecting its iconic stadiums, players, and stats. While all those details compel insiders and inspire fans, baseball's peculiar and persistent appeal can only be understood by adopting a wider lens. It requires reckoning with the history of structured competition. The classic backyard game of catch between a father and son draws meaning from its associations with the organized sport and its history. The challenge lies less in finding one perfect spot to look, but rather in identifying the many different places where baseball has accumulated significance. Out of the Ballpark: How to Think about Baseball (Oxford University Press, 2026) reconsider

An accessible introduction to the concept of the auteur (author) in film theory. In The Film Auteur: Angles of Vision (Routledge, 2026) Robert Kolker and David Wyatt provide readers with a history of auteur theory, from its initial origins in France in the late 1940s as an outgrowth of the cinematic theories of the French film critics and theorists André Bazin and Alexandre Astruc, to the canonizing work of American film critic Andrew Sarris in the 1960s. After a streamlined account of the various postwar renaissances in film - the shock of “Neorealism”, the “New Wave,” and “New American Cinema” - the book features detailed examinations of the work of forty-eight auteurs, including F.W. Murnau, Jean-Luc Godard, Ida Lupino, Alfred Hitchcock, Yasujirō Ozu, Stanley Kubrick, Spike Lee, Pedro Almodóvar, and Jane Campion. In its focus on a limited number of auteurs, this book aims to offer a map of representative figures rather than an exhaustive or comprehensive list, providing an informative entry point to the

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of diss

The average estimated words-per-minute in a feature film is 90; His Girl Friday (1940) clocks in at 240. And yet the fast dialogue is only one of its many fascinations. Everything about it perfectly lands: the script, the casting, the camerawork, the minor players–all contribute to what can be called, without the kind of hyperbole found in the Morning Post, a perfect film. It’s as cynical as Network yet as joyful as Singin’ in the Rain and skewers the news-tainment complex with an affection for its perpetrators. Join us for an appreciation for one of the best. Incredible bumper music by John Deley. Admirers of the film will enjoy this beautifully designed book edition of the original screenplay, in which the original dialogue from the film is reproduced complete with an accompanying commentary. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminute

Paul Rees' Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986 (De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before

Fast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one “sidequel,” copious spin-offs, and licensing deals from board games to theme park rides. In Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood (U Minnesota Press, 2026), Dr. Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series’s development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the

The story of The Cure: a tall tale of a truly unique British band. The Cure's story is a fantastical pop fable, but their trajectory has not been one of unbroken success. Along the way, their uneven, uneasy pop odyssey has taken in fierce intra-band tensions and fall-outs, numerous line-up changes and even a bitter court case that saw original group members feuding over payments and ownership of the band's name. There has been alcoholism, substance abuse and countless long, dark nights of the soul, many of which have been translated into luscious dark-rock symphonies. From gawky teenage art-punks in Crawley to gnomic, venerable rock royalty with 30 million record sales to their name, their journey has been a scarcely believable, vivid pop hallucination. The Cure: A Perfect Dream (Gemini Books, 2025) is the tall tale of a truly unique British band. It's the story of The Cure. This fully updated edition includes a deep dive into the band's long-awaited 14th studio album released in 2024: Songs of a Lost Wor

It’s The Pop Culture Professors, and we consider the final three episodes of The Night Manager, season two. We ask what went wrong with the second season, as some promising beginnings are overwhelmed by an unwise decision to bring back a central character. At an ideological level, we consider whether the season’s themes of patrimony and imperialism manage to break through the somewhat cliché-ridden nature of the dramatization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

K-Pop Fandom: Performing Deokhu from the 1990s to Today (U Michigan Press, 2026) insists that K-pop fan practices and activities constitute a central productive force, shaping not only K-pop’s explosive global popularity, but also K-pop’s cultural impacts, politics, and horizons of possibility. Over the past three decades, the K-pop fandom and its activities have expanded, intensified, and diversified along myriad dimensions, assuming novel social, technological, and economic forms, some of which are unique to K-pop, and some of which reflect broader cultural and industrial logics of globalized mass entertainment culture. Areum Jeong argues that K-pop fans, in performing deokhu—a Korean term connoting an “avid fan”—perform a materialization of affective labor that also seeks to produce good relationships between asymmetrically positioned actors in the K-pop ecosystem. Through an autoethnography of becoming a K-pop deokhu, Jeong connects their experiences to generations of K-pop fans, showing simultaneously h

As the world prepares for the 2026 World Cup, Jonathan Wilson’s new book, The Power and the Glory: The History of the World Cup (Bold Type Books, 2025), presents a new history of what has become the greatest celebration of humanity on earth, and reveals how the World Cup has grown hand in hand with the political, economic, and social forces of our time. Since 1930, the World Cup has become a truly global obsession. It is the most watched sporting event on the planet, and 211 teams competed to make it into the 2022 tournament. From its inception, it has also been a vehicle for far more than soccer. A tool for self-mythologizing and influence-peddling, The World Cup has played a crucial role in nation-building, and continues to, as countries negotiate their positions in a globalized world.The Power and the Glory is a comprehensive history of the matches and goals, the tales of scandal and triumph, the haggling and skullduggery of the bidding process, and the political and cultural tides behind every tournament

As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas. In the pages of What’s the Big Idea? (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation. Author of the critically acclaimed Disturbing the Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden’s Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you’re really second-guessing yourself now, right? As it turns out, there’s

In Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos (Headpress, 2026), Robert Guffey deconstructs the most powerful taboos of the twentieth century (and the initial decades of the twenty-first century) by analyzing how disturbing and transgressive ideas involving Theosophy, Gnosticism, Freemasonry, Darwinian Evolution, Surrealism, Freudian and Jungian psychology, race relations, paranoia, UFOs, xenophobia, political conspiracies, the JFK assassination, virtual reality, and alternate dimensions have been reflected in films — both American and foreign — throughout the past one hundred years. Popular films and TV shows that fall under cutting-edge scrutiny include Guillermo del Toro’s Nightmare Alley, Larry Wade Carell’s Girl Next, Matt Shakman’s WandaVision, Anthony and Joe Russo’s Avengers: Infinity War, Scott Derrickson’s Dr. Strange, Steven Spielberg’s Ready Player One, Jennifer Kent’s The Babadook, Christopher Nolan’s Inception, Stanley Kubrick’s Eyes Wide Shut, Vince Gilliga

Italian Dumplings and Chinese Pizzas: Transcultural Food Mobilities (Fordham UP, 2025) by Dr. Gaoheng Zhang designs a novel analytical framework to approach transcultural food mobilities, a culinary phenomenon that has been with us for decades as a result of colonialism and globalization.Why is it surprising for some of us to read the pairing of “Chinese” with “pizzas” and “Italian” with “dumplings,” such as proposed in the book’s title? After all, in some regions of the two countries, Italians eat frequently dumplings, and Chinese frequently make baked, steamed, or fried flatbread with toppings or fillings. Furthermore, when dumplings are made in Italy by Chinese migrants or Chinese Italians, or when pizzas are made in China by Italian migrants, Chinese Italians, or Chinese without apparent ties with Italy, are these culinary products Chinese, Italian, Chinese-Italian, or something else? Why do we need to care for such labeling dilemmas?This book shows how China-Italy food mobilities relayed in popular cultu