New Books In African American Studies

What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences

Dr. Brian K. Mitchell describes Reconstruction as the most misunderstood period in American history. In the Jim Crow era, there was a concerted effort to reverse the achievements of African Americans. White supremacists also removed the history of figures such as Louisiana’s Oscar Dunn, the first Lieutenant Governor and acting governor, from the official narrative. Since the second grade, when he learned he was related to Oscar Dunn, Mitchell has been pushing against this historical amnesia. Mitchell’s graphic history Monumental: Oscar Dunn and His Radical Fight in Reconstruction Louisiana was published by The Historic New Orleans Collection in 2021. He worked on Monumental with Nick Weldon, an associate editor at The Historic New Orleans Collection. Barrington S. Edwards of the Massachusetts College of Art and Design illustrated the book. Dr. Brian K. Mitchell is an assistant professor of history at the University of Arkansas, Little Rock and an associate faculty member at the Anderson Institute on Race and

Since President Nixon coined the phrase, the "War on Drugs" has presented an important change in how people view and discuss criminal justice practices and drug laws. The term evokes images of militarization, punishment, and violence, as well as combat and the potential for victory. It is no surprise then that questions such as whether the "War on Drugs" has "failed" or "can be won" have animated mass media and public debate for the past 40 years. Through analysis of 30 years of newspaper content, Debating the Drug War: Race, Politics, and Media in the War on Drugs Debate (Routledge, 2021) examines the social and cultural contours of this heated debate and explores how proponents and critics of the controversial social issues of drug policy and incarceration frame their arguments in mass media. Additionally, it looks at the contemporary public debate on the "War on Drugs" through an analysis of readers' comments drawn from the comments sections of online news articles. Through a discussion of the findings and

Imagine a rodeo rider atop a bucking bronco, hat in hand, straining to remain astride. Is the rider in your mind's eye white? Is the person male? Popular imaginings and high level, televised, professional rodeo circuits have created a stereotyped image of who rodeo is by and for, but it is far too limited an image, and one that does not reflect reality. In Rodeo as Refuge, Rodeo as Rebellion: Race, Gender, and Identity in the American Rodeo (University Press of Kansas, 2020), Dr. Elyssa Ford, an associate professor of history at Northwest Missouri State University, paints a very different image of rodeo than what Western myth would have one believe. Ford argues that rodeo has, from its creation, both a vehicle for rebellion and a place of refuge for groups of people told they didn't belong in the American West, let alone in Western rodeo. From Hawaiian ranching culture to Black and gay rodeo, men and women have used professional riding as a powerful expression of self in a nation that has often tried to deny

The Community Relations Service (CRS) came into being alongside the Voting Rights Act—as part of the Act itself. And this organization was integrated into the Voting Rights Act in 1964 because President Lyndon Johnson wanted it to be included in that landmark legislation, in part because Johnson, as an adept politician and negotiator, saw the importance of establishing a means for mediation and negotiation on the local level in many places throughout the United States. The initial portfolio of the CRS was focused solely on issues around race and racial disputes, though it has since been formally extended to include issues around ethnicity, religion, sexual orientation, etc. The CRS is housed in the Department of Justice, but operates as an independent entity, and does not work as part of the FBI or the Civil Rights Division in the Department of Justice. Grande Lum, who is currently provost and vice president for Academic Affairs at Menlo College, had served as the Director of the CRS from 2012-2016, and he ha

The election of Barack Obama propelled the idea of a post-racial United States, or that the country had moved beyond race as a defining feature of social difference and beyond racism as an everyday reality.  Dr. Danielle Fuentes Morgan examines the ways in which African American comedians and cultural producers took aim at such claims through the lens of satire. In her book, Laughing to Keep from Dying: African American Satire in the Twenty First Century (University of Illinois Press, 2020), Morgan demonstrates and argues for satire’s capacity for social justice through its expression of Black interiority and individuality that troubles simplistic renderings of Black people. Morgan examines texts such as Insecure, Get Out, and comedy by Chris Rock and Dave Chapelle, to show how African American satire fulfills or stymies possibilities for liberation. In expressing Black interiority, satire not only provokes revolutionary laughter but aids in African American psychic and physical survival. During the interview

Paul Radin was one of the founding generation of American cultural anthropologists: A student of Franz Boas,  and famed ethnographer of the Winnebago. Yet little is known about Radin's life. A leftist who was persecuted by the FBI and who lived for several years outside of the United States, and a bohemian who couldn't keep an academic job, there are many chapters in Radin's life which have not been told.  In Anthropology and Radical Humanism: Native and African American Narratives and the Myth of Race (Michigan State University Press, 2020), Jack Glazier tells the story of Radin's work at Fisk University in the late 1920s. During his three-year appointment, he and graduate student Andrew Polk Watson collected autobiographies and religious conversion narratives from elderly African Americans. That innovative, subject-centered research complemented like-minded scholarship by African American historians reacting against the disparaging portrayals of black people by white historians. In this book, Glazier descri

The civil rights movement was among the most important historical developments of the twentieth century and one of the most remarkable mass movements in American history. Not only did it decisively change the legal and political status of African Americans, but it prefigured as well the moral premises and methods of struggle for other historically oppressed groups seeking equal standing in American society. And, yet, despite a vague, sometimes begrudging recognition of its immense import, more often than not the movement has been misrepresented and misunderstood. For the general public, a singular moment, frozen in time at the Lincoln Memorial, sums up much of what Americans know about that remarkable decade of struggle. In The Movement: The African American Struggle for Civil Rights (Oxford UP, 2021), Thomas C. Holt provides an informed and nuanced understanding of the origins, character, and objectives of the mid-twentieth-century freedom struggle, privileging the aspirations and initiatives of the ordinary

Today I talked to Kali Nicole Gross about her new book (co-authored with Daina Ramey Berry) A Black Women's History of the United States (Beacon Press, 2020). This episode covers a litany of instances in which black women have shown remarkable courage and resiliency. Yes, the episode starts with Meghan Markle, Harry, their son Archie, and how the Royals are emblematic of British society’s troubled history with racism. But the episode also covers Ida B. Wells campaigning against black suppression after the Civil War in Memphis; how the Great Migration was spurred in no small part by black domestic servants being subject to rape in the households where they served; and how Anita Hill and Pauli Murray are among a long list of black heroines who had to battle both racism and sexism at the hands of black leaders. From “Jane Crow” to the fact that the Statue of Liberty was meant to celebrate the abolitionist cause, the episode is full of surprises. Kali Nicole Gross is Acting Professor of African American Studies a

Political theorists Melvin Rogers and Jack “Chip” Turner have produced a truly magisterial edited volume centering the work by African American thinkers over the past centuries. With thirty contributed chapters, ranging across time, place, and person, this Collected History opens up the dialogue among theorists, writers, students, and scholars to explore the work that has often been considered vital to understanding African American political thought specifically, and American political thought in general. As the authors note in their introduction, they intentionally chose to focus each chapter on an individual and that individual’s work as a thinker, moving away from other approaches that often pull together thinkers and activists under broad topics or approaches. African American Political Thought: A Collected History (University of Chicago Press, 2021) is both a reference, providing insight into one or more African American thinkers, and also an education, since the depth and span of the included work are

Elizabeth L. Jemison, who teaches American religious history at Clemson University, South Carolina, has written an outstanding new book, Christian Citizens: Reading the Bible in Black and White in the Post-Emancipation South (University of North Carolina Press, 2020). Focusing on the Lower Mississippi River Valley, and working from the 1860s to 1900, Jemison explains how white and African-American protestants developed strikingly different accounts of Christian citizenship. Paying attention to the variety of perspective within and between the Methodist, Baptist, Presbyterian and Episcopalian denominations, and to the perspectives of men and women, Jemison asks troubling questions about white violence and the religious character of the segregated society to which the white protestant counter-revolution eventually led. Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://new

The middle decades of the 19th century witnessed the expansion of slavery and white settlement and dispossession of Indigenous lands west of the Mississippi River, the abolition of slavery in the British Empire followed by the importation of indentured laborers from India and China into the West Indies, the consolidation of British rule in India followed by the so-called Indian Mutiny, and the expansion of settler colonialism in Australia. These processes were all tied together by commerce, empire, and the spread of racial ideologies, yet their histories have largely been written separately. Until now. Zach Sell’s new book Trouble of the World: Slavery and Empire in the Age of Capital (University of North Carolina Press, 2021) highlights the connections between the “second slavery” in the Deep South of the United States, efforts to socially engineer mono-crop agriculture in India by a British colonial state that lip service to laissez-faire and free labor even as it tried to import plantation management techn

Nate Chinen's Playing Changes: Jazz for the New Century (Vintage, 2019) is an essential guide to 21st century jazz. Named a best book of the year by NPR, GQ, Billboard, JazzTimes and many more, Chinen's book profiles many of the most exciting voices in jazz, from Kamasi Washington to Henry Threadgill to Cécile McLorin Salvant. Chinen shows that contemporary jazz thrives off its interplay with genres including classical, hip-hop, R&B, and rock. Jazz, now as always, is an ever-evolving polyglot genre, not a set of canonical works captured in amber. This is a great book for jazz aficionados looking to expand their knowledge of today's foremost players or for general music fans looking for a window into the diverse and exciting world of jazz.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a prem

In 1836, an enslaved six-year-old girl named Med was brought to Boston by a woman from New Orleans who claimed her as property. Learning of the girl's arrival in the city, the Boston Female Anti-Slavery Society (BFASS) waged a legal fight to secure her freedom and affirm the free soil of Massachusetts. While Chief Justice Lemuel Shaw ruled quite narrowly in the case that enslaved people brought to Massachusetts could not be held against their will, BFASS claimed a broad victory for the abolitionist cause, and Med was released to the care of a local institution. When she died two years later, celebration quickly turned to silence, and her story was soon forgotten. As a result, Commonwealth v. Aves is little known outside of legal scholarship. In The Case of the Slave-Child, Med: Free Soil in Antislavery Boston (University of Massachusetts Press, 2019), Karen Woods Weierman complicates Boston's identity as the birthplace of abolition and the cradle of liberty, and restores Med to her rightful place in antislave

Today I talked to David A. Lees about his book Memphis Mayhem: A Story of the Music That Shook Up the World (ECW Press, 2020) David Less has studied Memphis music for over 40 years, including work done for the National Endowment for the Humanities, the Smithsonian Institution, and the Gibson Guitar Foundation. He’s been published in Rolling Stone and DownBeat, among other places. This episode seizes first on three major events that happened in Memphis: the formal start of the blues (W.C. Handy 1909), the start of rock n’ roll (Elvis Presley 1954), and the tragic assassination of Martin Luther King (1968). Along the way, this episode explores everything from the impact of yellow fever epidemics on Memphis racial dynamics, including the rise of the South’s first (black) millionaire; and later the development of Beale Street into “Black America’s Main Street.” Other highlights include: the creation of America’s first all-female radio station (WHER, 1955) by Sam Phillips of Sun Studio fame; and the wealth of inde

Shelter in A Time of Storm: How Black Colleges Fostered Generations of Leadership and Activism (University of North Carolina Press, 2020) by Dr. Jelani Favors fills the “missing pages” of history by highighting the enduring role that Black colleges have played in African American freedom movements in the long-twentieth century.  Favors shows that Black colleges created freedom fighters whose organizing, dedication, and fearlessness made the Black Freedom Struggle’s most pivotal moments possible. Favors also argues that Historically Black Colleges and Universities (HBCUs) were fortified interstitial spaces for consciousness-raising and solidarity-building among race women and race men. HBCU students, faculty, and administrators were vital players in fashioning blueprints for Black liberation and ensuring the inter-generational transmission of resistance wisdom.  Taking the long view and moving through a tour of Black higher education, Favors theorizes that a hidden second curriculum and a Black college communi

Edited by Drs. Erica Ball, Tatiana Seijas, and Terri L. Snyder, As if She Were Free (Cambridge University Press, 2020) is a collective biography of African and African-descended women across the Americas.  This collection of twenty-four beautifully crafted chapters, spans across centuries and geographies, giving us a varied and textured reading of women’s lives and experiences. More importantly than that, and herein lies the revolutionary character of this book, As If She Were Free changes our ways of understanding and conceptualizing freedom and emancipation, ultimately transforming how we narrate the past of our societies and understand our present.  As the editors of the book tell us in this interview, this is a feminist project at its core, a useful history for today because African and African-descended women in the Americas, both in the past and present, have crafted their own understandings of freedom, advocated for new ways of defining and living freely, and achieved revolutionary changes in our socie

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black

What does it mean to be an American? The story of the African American past demonstrates the difficulty of answering this seemingly simple question. If being "American" means living in a land of freedom and opportunity, what are we to make of those Americans who were enslaved and who have suffered from the limitations of second-class citizenship throughout their lives? African American history illuminates the United States' core paradoxes, inviting profound questions about what it means to be an American, a citizen, and a human being. Jonathan S. Holloway's The Cause of Freedom: A Concise History of African Americans (Oxford University Press, 2021) considers how, for centuries, African Americans have fought for what the black feminist intellectual Anna Julia Cooper called "the cause of freedom." It begins in Jamestown in 1619, when the first shipment of enslaved Africans arrived in that settlement. It narrates the creation of a system of racialized chattel slavery, the eventual dismantling of that system in t

William Still looms large in the history of the Underground Railroad, both for his role coordinating the Eastern Line and the records he maintained of the fugitives he saved. In William Still: The Underground Railroad and the Angel at Philadelphia (University of Notre Dame Press, 2021), William C. Kashatus provides his readers with both an account of Still’s life and a comprehensive database compiled from the many interviews his subject conducted with the runaway slaves he assisted. Himself the son of former slaves, Still grew up in the free black community of Philadelphia, at that time the largest in America. Employed by the Philadelphia Anti-Slavery Society (PASS), Still worked alongside many of the leading figures of the abolitionist movement throughout the 1850s, playing a vital role in helping people escape from bondage. Though Still left PASS in 1861 for a successful career in business and philanthropy he remained a prominent figure in the postwar civil rights movement, while his authorship of the first