New Books In African American Studies

By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora (Oxford University Press, 2017) offers new insight about how this remarkable woman built political solidarity through the arts. One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. The author makes the argument that Dunham was more than a dancer she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into

What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop’s performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson’s “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music’s

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass’ position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory’s preoccupation with and assumptions abo

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go int

First Martyr of Liberty: Crispus Attucks in American Memory (Oxford University Press, 2017) explores how Crispus Attucks’ death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans’ struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Boston Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. First Martyr of Liberty traces Attucks’ career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence ex

Addie Wyatt stands at the intersection of unionism, feminism, and civil rights activism in post-World War II America. In Reverend Addie Wyatt: Faith and the Fight for Labor, Gender, and Racial Equality (University of Illinois Press, 2016), Marcia Walker-McWilliams recounts her life within the context of a nation she helped to change. Born in Mississippi, Addie Cameron grew up in Chicago, where despite her skills as a typist she could only find employment on the floor of a meatpacking plant. As a member of the interracial United Packinghouse Workers of America, she soon moved full time into union work, organizing workers and fighting for their rights. In her capacity as a union official she began a lifelong participation in the civil rights movement by raising funds on behalf of Montgomery Improvement Association during the 1955 bus boycott campaign, and in the 1970s formed coalitions designed to promote African American and female participation in the labor movement. As Walker-McWilliams demonstrates, through

Tanya Ann Kennedy‘s book, Historicizing Post-Discourses: Postfeminism and Postracialism in United States Culture (SUNY Press, 2017), is a complex and important exploration of our collective understanding of questions of racial and gender equality, or lack thereof. The text specifically interrogates the theoretical concepts of postracialism and postfeminism and the discourse surrounding these terms and their meaning. Kennedy examines these ideas, where they were initially linked together, and how they have been pursued separately, often without attention paid to the intersectional nature of how race and gender actually interact within American culture and society. Historicizing Post-Discourses examines these concepts within a variety of cultural venues, including television series like Mad Men, The Wire, and Gray’s Anatomy; within films like The Help, Perfect Stranger, The Blind Side, and Monsters Ball; within popular non-fiction like Lean-In and The End of Men; and in political speeches and rhetoric that have

Rosalind Rosenberg‘s book Jane Crow: The Life of Pauli Murray (Oxford University Press, 2017) is a multi-layered and rich biography of Pauli Murray, an activist, lawyer and Episcopal priest whose life intersected with the most significant civil and human rights issues of the twentieth century. As a mixed raced woman who felt that her identity was at odds with her body before transsexual had become part of the popular consciousness, Murray’s life provides insight into a lived intersectionality of race, class, gender, and sexuality. Beginning with her southern upbringing, we follow Murray through multiple educational, vocational and identity challenges she suffered. In a journey through a dislocated life, she contributed to multiple movements and institutions working with many key social leaders such as Thurgood Marshall, Eleanor Roosevelt and Betty Friedan. Appearing as a one-person social movement with a deep religious faith she pursued justice not only for herself but also for others. Rosenberg has provided

The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood (Temple University Press, 2017) is a book-length justification for the burgeoning field of Black Male Studies. The author posits that we should conceptualize the black male as a victim, oppressed by his sex. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. The Man-Not argues that black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerabili

In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing r

Jackson Poetry Prize Winner Speaks Patricia Spears Jones has been writing poetry since she was twenty and then she was “good.” Today, the prolific poet is the winner of one of the most prestigious poetry prizes–the Jackson Poetry Prize. She has numerous published collections, and A Lucent Fire, New & Collected Poems (White Pines Press, 2015), is a report on the current state of everything. “Poetry is hard work,” Jones says. Yet the job of the poet is to say something that will matter, that can improve the daily and momentary experience of living and speak back to American capitalist business when it comes to gentrification, stolen history, and racist hatred. Rachel Levistsky of Bomb Magazine writes “Jones’s poems insist on making vibrantly possible American, black, female, queer, poor, jazz, assimilated, heroic, unemployed, crazy, displaced lives that, considering the constant assault on them, can appear merely endangered and precarious.” Additionally, A Lucent Fire croons with blues and gospel, on Cuban an

Leigh Fought is an assistant professor of history at Le Moyne College. Her book Women in the World of Frederick Douglass (Oxford University Press, 2017) offers a detailed and rich portrait of Frederick Douglass’ private and public life and his many relationships with women. From his enslaved mother Harriet, Sophia Auld the slave mistress that sparked his interest in reading, to his wife of forty-four years Anna Murray, daughter Rosetta and his white second wife Helen Pitts; these were the women who populated his private world. From each he learned lessons about the workings of race, gender and class in America and prepared him to collaborate with many antislavery women including Julia Griffiths, Maria Weston Chapman and Amy Post. He saw his fight for abolition as part of “woman’s cause” bringing him into contact with Elizabeth Cady Stanton and Susan B. Anthony. Seeing himself as “woman’s rights man,” who had attended the Seneca Falls Woman’s Rights Convention in 1848, he was perplexed by the betrayal of many

Blue Texas: The Making of a Multiracial Democratic Coalition in the Civil Rights Era (University of North Carolina Press, 2016) is about the “other” Texas, not the state known for its cowboy conservatism, but a mid-twentieth-century hotbed of community organizing, liberal politics, and civil rights activism. Beginning in the 1930s, the author tells the story of the decades-long struggle for democracy in Texas, when African American, Mexican American, and white labor and community activists gradually came together to empower the states marginalized minorities. At the ballot box and in the streets, these diverse activists demanded not only integration but economic justice, labor rights, and real political power for all. Their efforts gave rise to the Democratic Coalition of the 1960s, a militant, multiracial alliance that would take on and eventually overthrow both Jim Crow and Juan Crow. Using rare archival sources and original oral history interviews, historian Max Krochmal reveals the often-overlooked democ

It’s A Love Story. Set in the 1800s, Ruth’s Redemption (Lift Every Voice, 2012), is an unusual depiction of the lives of slaves and free blacks in pre-Civil War America. Although a slave, Bo is educated. When he gets his freedom, he becomes a property owner of a farm. He purchases slaves only to grant them their freedom. As a man of God and widower, his life changes when the proud and hard-hearted slave girl, Ruth, appears. Ruth has never known a man like Bo. She wants freedom from slavery, from men and from her past. She is drawn to Bo but not to his Godly devotion. Bo is unwillingly attracted to Ruth. Can their relationship and love push through the personal and cultural hardships? Does love really heal all wounds? A gripping novel, Ruth’s Redemption is a story of love, forgiveness, and redemption. Surrounding the events of the Nat Turner Rebellion the light of God’s unconditional love shines into the darkness of a woman’s heart, a mans violent mission and a cultures cruel and socially accepted inhumanity

Dr. Brittney C. Cooper, who is an assistant professor of women’s and gender studies at Rutgers University, explores the intellectual genealogy and geography of the work of African-American women over the course of more than a century in her book, Beyond Respectability: The Intellectual Thought of Race Women (University of Illinois Press, 2017). While knitting together an understanding of the intellectual achievements and contributions of many African-American women, Cooper pays particular attention to Anna Julia Cooper, Fannie Barrier Williams, Mary Church Terrell, Pauli Murray, Toni Cade Bambara and the engagement that these women had with ideas, highlighting the contributions they made to racial knowledge, questions of gender, and civic engagement within the United States, from the period after Reconstruction through the 1970s. Cooper than provides a contemporary epilogue, integrating into her research the conversation around the beginnings of the #blacklivesmatter movement and the women who started it, Pat

When the Sun comes back And the first quail calls Follow the Drinkin’ Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin’ Gourd. -“Follow the Drinkin’ Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night, often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. Through Darkness to Light: Photographs Along the Underground Railroad (Princeton Architectural Press, 2017) presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it

In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora. Using analysis inspired by “the ways in which the enslaved and their descendants took and have continued to take back control over their bodies”, and focusing on cultural production, Commander traces the points of intersection and divergence between the two modes of return, rather than dealing with them as mutually exclusive. Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Josie Flint, known as Jaybird, narrates her story of life in Atlanta during the turbulent South as Jim Crow laws come to an end. Her school desegregates. The country meanders through new ideas brought about by the Civil Rights movement. And the perfect childhood Jaybird treasured is shattered. The narrative alternates between Josie’s childhood and thirty-five years later when her grandmother, Annie Jo, dies. A family secret brings a new heartache for Josie as she struggles to rise against tragedy with grace while maintaining family loyalty. Not only does Jaybird’s Song (Kathy Wilson Florence, 2017) have strong female characters, but also the turbulent 1960s South is its own character. Additionally, for the modern woman, Jaybird’s Song grapples with sexuality and aggression from the opposite sex in a time before trigger warnings and rape culture awareness. Florence notes she too dealt with an embarrassing sexual incident as a child which she has not told her parents, even as an adult. “Why do girls feel guilt

The “ownership” of Southern food is a divisive cultural issue, reflective of the ongoing struggle for racial justice in America. Michael Twitty shares with us that struggle in The Cooking Gene: A Journey Through African American Culinary History in the Old South (Harper Collins: Amistad 2017). He brings to life the unsung heroes of American food history, the black cooks in slavery and freedom who created an innovative and syncretic cuisine. Like them, he builds upon the South’s diverse botanical ecosystems, a continent of indigenous nations, and the long roots of memory, extending back across the middle passage to West Africa. For Twitty, this is also a tale of family. He shares his ancestors experiences through stories, recipes, genetic tests, and historical documents. He travels from abandoned cotton plantations to black-owned organic farms, from synagogues in Georgia to vodun rituals in New Orleans. As Twitty takes us on this journey, he shows how food and memory together can heal. He reminds that as unc

What is Black Power? Does it still exist in the so-called post-racial 21st Century? How does Black Power relate to similar movements, like Black Lives Matter? There as so many questions, but there may now be a scholar and text to help answer many of them. Mainstreaming Black Power (University of California Press, 2017) upends the narrative that the Black Power movement allowed for a catharsis of black rage but achieved little institutional transformation or black uplift. Retelling the story of the 1960s and 1970s across the United States and focusing on New York, Atlanta, and Los Angeles this book reveals how the War on Poverty cultivated black self-determination politics and demonstrates that federal, state, and local policies during this period bolstered economic, social, and educational institutions for black control. Mainstreaming Black Power shows more convincingly than ever before that white power structures did engage with Black Power in specific ways that tended ultimately to reinforce rather than ch