New Books In Middle Eastern Studies

The Mongols are widely known for one thing: conquest. Through the ages, word "horde" has entered the English lexicon with a negative connotation, conjuring up images of warriors on horseback, sweeping across the plain--a virtual human flood destroying everything in its path and then receding, leaving a wave of devastation and grief. Such is often the popular perception of the Mongol empire under Chingghis Khan and his successors, who came to control much of Eurasia in the mid-thirteenth century. In the past few decades, scholarship has started emphasizing other aspects of the three hundred year Mongol project--after all, waves of destruction don't tend to also be referred to by names like "Pax Mongolica," or "the Mongolian Peace." In this majestic new study, Marie Favereau (Paris Nanterre University) takes us inside one of the most powerful sources of cross-border integration in world history. For three centuries, the Mongol Empire was no less a force for global development than the Roman Empire. The Horde--u

Ahmad Ibn Tulun: Governor of Abbasid Egypt, 868-884 (Oneworld Academic, 2021), by Matthew S. Gordon (Miami University (Ohio)) is an innovative look at the Abbasid governor of Egypt from 868-884, and the short-lived dynasty that succeeded him for just two decades.  Ibn Tulun is perhaps best known for the mosque that still bears his name in Cairo--arguably the city's oldest Islamic monument that survives in its original form--which was the centerpiece of the capital city that he built. While ibn Tulun is often depicted in Egyptian historiography as an autonomous leader, aspiring toward independence away from the greater Abbasid state, Gordon makes a convincing argument that ibn Tulun--the son of a Turkic slave-soldier gifted to the Abbasid caliph--was instead a product of the political turmoil in Iraq, but that he was very much an Abbasid in spirit and politics. This intriguing and convincing reframing of ibn Tulun's life and career offers a new interpretation of this understudied period in Egyptian history, as

In today's program, I speak with Richard E. Antaramian about his recent monograph, Brokers of Faith, Brokers of Empire: Armenians and the Politics of Reform in the Ottoman Empire (Stanford University Press, 2020).  In Brokers of Faith, Brokers of Empire, Antaramian shows that the Armenian Church and clergy--spread across the empire in a vast ecclesiastical network--played an important role in the application of Ottoman reform programs during the mid-nineteenth century. His main intervention to the scholarship is to show that Armenians were not uniformly opposed to Ottoman centralization. Furthermore, Through his study of the Armenian Church, he challenges the well-known paradigm of "center and periphery" by offering a networked model of empire. For experts and novices alike, this book will not only offer a compelling new perspective into Ottoman and Armenian history, but also surprise you with new insights on Kurdish-Armenian relations in Eastern Anatolia in the 19th century. Deren Ertas is a PhD student in t

A vivid ethnography of Egyptian migrants to the Arab Gulf states, Migrant Dreams: Egyptian Workers in the Gulf States (AU in Cairo Press, 2020) is about the imagination which migration thrives on, and the hopes and ambitions generated by the repeated experience of leaving and returning home. What kind of dreams for a good or better life drives labor migrants? What does being a migrant worker do to one’s hopes and ambitions? How does the experience of migration to the Gulf, with its attendant economic and legal precarities, shape migrants’ particular dreams of a better life? What do those dreams—be they realistic and productive, or fantastic and unlikely—do to the social worlds of the people who pursue them, and to their families and communities back home upon their return? Based on ten years of ethnographic fieldwork and conversations with Egyptian men from mostly low-income rural backgrounds who migrated as workers to the Gulf, returned home, and migrated again over a period of about a decade, this fine-grai

A Physician on the Nile: A Description of Egypt and Journal of the Famine Years (NYU Press, 2021) is a unique text that will fascinate specialists and general readers alike. Written by the polymath and physician ʿAbd al-Laṭīf al-Baghdādī, and intended for the Abbasid caliph al-Nāṣir (r. 1180-1225 CE), the first part of the book offers detailed descriptions of Egypt’s geography, plants, animals, and local cuisine, including a recipe for a giant picnic pie made with three entire roast lambs and dozens of chickens. ʿAbd al-Laṭīf’s text is also a pioneering work of ancient Egyptology, with detailed observations of Pharaonic monuments, sculptures, and mummies. An early and ardent champion of archaeological conservation, ʿAbd al-Laṭīf condemns the vandalism wrought by tomb-robbers and notes with distaste that Egyptian grocers price their goods with labels written on recycled mummy-wrappings. The book’s second half relates his horrific eyewitness account of the great famine that afflicted Egypt in the years 597–598/

On Heels in the Middle East (Pardes Publishing, 2020) is the first book of Ksenia Svetlova, an Israeli journalist of Russian origin who covered the Middle East extensively during the last two decades. Svetlova takes us on a journey to Hizbullah dominated parts of Beirut, refugee camps in Gaza, Qaddafi's Libya and the revolutionary squares of the Arab Spring. She describes the fateful events that had changed the face of the Middle East such as the US invasion to Iraq or the second Palestinian Intifada and disengagement from Gaza from a unique point of view of female reporter, and explains the processes that culminated in revolutions, armed conflicts or peace agreements. "On heels in the Middle East" ties together first-hand impressions, rare interviews with key figures such as Yassir Arafat and Sheikh Ahmad Yassin, the founder of Hamas and expert analysis of developments in the Middle East. Ksenia Svetlova is an Israeli journalist, researcher of the Middle East and writer. She was born in Moscow and grew up in

In the 1970s, American curator Donna Stein served as the art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2021) is a vivid account of Stein’s experience at the helm of this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world. Kirstin L.

Working Out Desire: Women, Sport, and Self-Making in Istanbul (Syracuse UP, 2020) examines spor merakı as an object of desire shared by a broad and diverse group of Istanbulite women. Sehlikoglu follows the lat­est anthropological scholarship that defines desire beyond the moment it is felt, experienced, or even yearned for, and as something that is formed through a series of social and historical makings. She traces Istanbulite women’s ever-increasing interest in exercise not merely to an interest in sport, but also to an interest in establishing a new self—one that attempts to escape from conventional feminine duties—and an investment in forming a more agentive, desiring, self. Working Out Desire develops a multilayered analysis of how women use spor merakı to take themselves out of the domestic zone physically, emotionally, and also imaginatively. Sehlikoglu pushes back against the conventional boundaries of scholarly interest in Muslim women as pious subjects. Instead, it places women’s desiring subjectiv

In his majestic and magisterial new book Law, Empire, and the Sultan: Ottoman Imperial Authority and Late Hanafi Jurisprudence (Oxford UP, 2020), Samy Ayoub examines and demonstrates the entanglement of Islamic law and imperial political authority in the early modern period. Focused on the incorporation of Ottoman imperial authority and edicts in the late Hanafi jurisprudential tradition, this brilliant book interrupts and questions widely held assumptions about the separation between the domains of imperial politics and the Islamic legal tradition in the premodern period. The strength of this book lies in the way it provides a meticulous and dazzling intellectual history of the Hanafi legal tradition showing its internal dynamism and nuanced forms of reasoning while constantly connecting that intellectual history to broader theoretical questions about the interaction of law, juridical authority, and empire. Combining philological rigor with razor sharp conceptual dexterity, this book fundamentally reorients

Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. Kevin M. Jones' The Dangers of Poetry: Culture, Politics, and Revolution in Iraq (Stanford University Press, 2020) is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates

Completed in 1938, the Trans-Iranian Railway connected Tehran to Iran's two major bodies of water: the Caspian Sea in the north and the Persian Gulf in the south. Iran's first national railway, it produced and disrupted various kinds of movement—voluntary and forced, intended and unintended, on different scales and in different directions—among Iranian diplomats, tribesmen, migrant laborers, technocrats, railway workers, tourists and pilgrims, as well as European imperial officials alike. Iran in Motion: Mobility, Space, and the Trans-Iranian Railway (Stanford UP, 2021) tells the hitherto unexplored stories of these individuals as they experienced new levels of mobility. Drawing on newspapers, industry publications, travelogues, and memoirs, as well as American, British, Danish, and Iranian archival materials, Mikiya Koyagi traces contested imaginations and practices of mobility from the conception of a trans-Iranian railway project during the nineteenth-century global transport revolution to its early years

The Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza: Architectures of Hope ( American University in Cairo Press, 2021) engages the Gaza Strip within and beyond the logics of si

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora (Stanford University Press, 2020) is a history of migration and nation-building from the vantage point of those who lived between states. Author Devi Mays traces the histories of Ottoman Sephardi Jews who emigrated to the Americas—and especially to Mexico—in the late nineteenth and early twentieth centuries, and the complex relationships they maintained to legal documentation as they migrated and settled into new homes. Mays considers the shifting notions of belonging, nationality, and citizenship through the stories of individual women, men, and families who navigated these transitions in their everyday lives, as well as through the paperwork they carried. These Ottoman Sephardi migrants resisted unequivocal classification as either Ottoman expatriates or Mexicans through their links to the Sephardi diaspora in formerly Ottoman lands, France, Cuba, and the United States. By making use of commercial and familial networks, Sephardi mig

In 2013, Egyptian authorities detained a migratory stork for espionage. This incident is the focus of Heba Y. Amin’s The General’s Stork, an ongoing project that investigates the politics of aerial surveillance. It is also the subject of the most recent book in the Research/Practice edited by Anthony Downey. Research/Practice focuses on artistic research and how it contributes to the formation of experimental knowledge systems. Drawing on preliminary material such as diaries, notebooks, audiovisual content, digital and social media, informal communications, and abandoned drafts, the series examines the interdisciplinary research methods that artists employ in their practices. In their often speculative and yet purposeful approach to generating research, what forms of knowledge do artists produce? Anthony Downey, editor of The General's Stork (Sternberg Press, 2020) speaks with Pierre d'Alancaisez about the work of Heba Y. Amin and her exhibition at the Mosaic Rooms, London, which he curated and the epistemic

“Allying with a Hamas cell (on a Palestinian university campus) is not the same as joining the College Republicans at the University of Kansas...in the West Bank and Gaza, we are not in Kansas anymore” - Cary Nelson Why is there no academic freedom on university campuses in the Palestinian territories? In Not in Kansas Anymore: Academic Freedom in Palestinian Universities (AEN, 2021), Cary Nelson examines this question in the first empirical study of campus life under the Palestinian Authority and Hamas governance. For years, anti-Zionist activists have accused Israel of undermining academic freedom and campus free speech in both Gaza and the West Bank. Not in Kansas Anymore demonstrates conclusively that the major threats to academic freedom come from Palestinians themselves, including from both the Palestinian Authority and from paramilitary and terrorist groups, Hamas most prominent among them. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Ne

Today, I am introducing a recording of an event on Israel-Palestine organized by members of the history department at the University of North Carolina at Chapel Hill. The event took place on May 19th, 2021 and was co-sponsored by the Jadaliyya e-zine as well as the New Books Network. Here is the text of the event poster: When it comes to Palestine, there is a sharp disconnect between the ways academics specializing in the contemporary Middle East frame the dispute, and the discussions by journalists and mainstream media outlets. The current crisis must be placed within its longer context that includes decades of occupation of Palestinian territory by the Israeli military and Israeli settlers. This panel seeks to reframe the issue by providing scholarly, historical perspectives on the multiple factors that have led to the current events taking place in the Jerusalem neighborhood Sheikh Jarrah, which are now expanding outward. Furthermore, this panel will speak not to intellectual abstractions, but will provide

How to Make a Wetland: Water and Moral Ecology in Turkey (Stanford UP, 2021) tells the story of two Turkish coastal areas, both shaped by ecological change and political uncertainty. On the Black Sea coast and the shores of the Aegean, farmers, scientists, fishermen, and families grapple with livelihoods in transition, as their environment is bound up in national and international conservation projects. Bridges and drainage canals, apartment buildings and highways—as well as the birds, water buffalo, and various animals of the regions—all inform a moral ecology in the making. Drawing on six years of fieldwork in wetlands and deltas, Caterina Scaramelli offers an anthropological understanding of sweeping environmental and infrastructural change, and the moral claims made on livability and materiality in Turkey, and beyond. Beginning from a moral ecological position, she takes into account the notion that politics is not simply projected onto animals, plants, soil, water, sediments, rocks, and other non-human b

In this ground-breaking work, Michael Sells (the Barrows Professor Emeritus of the History and Literature of Islam and Professor emeritus of comparative literature at the University of Chicago) translates sixty-one poems that form the Tarjuman al-ashwaq or The Translator of Desires by Muhyiddin Ibn 'Arabi (Princeton University Press, 2021). The poems are presented here both in Arabic and English, and are accompanied by an introduction and commentary. The masterful and accessible translations are truly a thrilling literary experience. Ibn ‘Arabi’s poems evoke numerous themes, such as of flora and fauna, nature, sacred spaces, especially of the Kaaba, love, longing, and grief. For instance, the longing of a lost beloved, which Sufis would have read as the Divine, is a central thematic thread woven throughout the collection of poetry, and is gendered feminine. The collection of poems along with Sells critical introduction and notes provides stunning insights to both the tradition of Arabic love poetry and to the

Mirza Ghalib is one of the most celebrated poets in the Urdu literary canon. Yet, at the time, Ghalib was prolific in both Urdu and Persian. His output in Persian output dwarfs his Urdu writing (at least in its published form), and he often openly dismissed his Urdu works, once writing: Look into the Persian so that you may see paintings of myriad shades and hues; Pass by the collection in Urdu for it is nothing but drawings and sketches. Ghalib: A Wilderness at My Doorstep: A Critical Biography (Allen Lane, 2021) by Professor Mehr Afshan Farooqi explores the work of Mirza Ghalib to perhaps explain why the power made the switch from Urdu to Persian and back to Urdu. In this interview, I ask Mehr to introduce us to Ghalib and his work. We explore Ghalib as both a poet and a person, and why he made the switch from writing in Urdu to Persian and back again. Mehr Afshan Farooqi is currently an associate professor of Urdu and South Asian Literature at the University of Virginia. Her research publications address c

Everything, in the end, comes down to Exodus. Everything that we are as a civilization goes back to Exodus. Every person, religious or not, who wants to consider him or herself educated needs to engage with Exodus. And, fortunately for us, the noted academic Leon Kass has provided us with that unique thing—a book that is both magisterial and readable. We will discuss with him his 2021 work, Founding God's Nation: Reading Exodus (Yale University Press, 2012). Kass examines Exodus in meticulous detail. We learn, among other things, that Exodus is a story of how all human beings can rise from the depths of despair and oppression and of how one group, in particular, formed a society that has influenced many others down to this day in everything from compassion for the downtrodden to humane treatment of animals to wise stewardship of the land. Not to mention the fact that our foundational laws and traditional family and current government structures derive from the events narrated in Exodus. Kass writes, “I undert