New Books In East Asian Studies

Is Kiribati in the American lake, Indo-Pacific or Chinese Pacific? In this Episode, Julie Yu-Wen Chen talks to Rodolfo Maggio, a senior researcher at the University of Helsinki to conceptualize Kiribati as an interstitial island in the Chinese Pacific. Rodolfo Maggio is a social anthropologist of moral and economic values in the Asia-Pacific region. At the University of Helsinki, he is working on an ERC-funded project “properties of units and standards”. In 2023, he published an article in Political Geography that critically analyzes the case of a 2020 Chinese diplomatic visit in Kiribati. The event became known on August 16th, 2020, when Michael Field, a journalist writing with a focus on the South Pacific, posted a visually shocking photograph on Twitter. He typed the following words as a commentary to the exceptional circumstances that the picture depicted: “KIRIBATI - Event in which Chinese Ambassador Tang Songgen walked on backs of children as part of a welcome took place Friday/Saturday at Marakei, 80 k

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture? In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art"

Dr. Andy Jackson’s The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a

A uniquely powerful marker of ethnic, gender, and class identities, scent can also overwhelm previously constructed boundaries and transform social-sensory realities within contexts of environmental degradation, pathogen outbreaks, and racial politics. Hannah Gould and Gwyn McClelland's edited volume Aromas of Asia: Exchanges, Histories, Threats (Penn State University Press, 2023) critically examines olfaction in Asian societies with the goal of unlocking its full potential as an analytical frame and lived phenomenon. Featuring contributions from international scholars with deep knowledge of the region, this volume conceptualizes Asia and its borders as a dynamic, transnationally connected space of olfactory exchange. Using examples such as trade along the Silk Road; the diffusion of dharmic religious traditions out of South Asia; the waves of invasion, colonization, and forced relocation that shaped the history of the continent; and other “sensory highways” of contact, the contributors break down essentializ

Conceptualising China through Translation (Manchester University Press, 2023) by Dr. James St Andre provides an innovative methodology for investigating how China has been conceptualised historically by tracing the development of four key cultural terms (filial piety, face, fengshui, and guanxi) between English and Chinese. It addresses how specific ideas about what constitutes the uniqueness of Chinese culture influence the ways users of these concepts think about China and themselves. Adopting a combination of archival research and mining of electronic databases, it documents how the translation process has been bound up in the production of new meaning. In uncovering how both sides of the translation process stand to be transformed by it, the study demonstrates the dialogic nature of translation and its potential contribution to cross-cultural understanding. It also aims to develop a foundation on which other area studies might build broader scholarship about global knowledge production and exchange. This

Kondo the Barbarian: A Japanese Adventurer and Indigenous Taiwan's Bloodiest Uprising (Eastbridge Books, 2023) is a gripping and revealing account of the colonial Japanese era in Taiwan, focusing on the Musha Rebellion and its brutal suppression by the Japanese military. The book presents the translated account of Kondō Katsusaburō, a Japanese adventurer who married into an indigenous Taiwanese family. Kondō's journals offer an intimate and personal perspective on the events, though they can also be unreliable and prone to sensationalism. To help readers navigate Kondō's account, Barclay has provided a deeply-researched introduction, extensive notes, and context essential to understanding what really happened during the Musha Rebellion. The book sheds light on the cultural clashes and sporadic violence that characterized Taiwan during this period. Through the writing of Kondō, interpreted and contextualized by Barclay, readers gain insight into the complexities of colonialism, imperialism, and indigenous resi

Why did the letter-writing culture of Korea diversify in the sixteenth century? How did this “epistolary revolution” change textual norms, modes of knowledge production, the ways that people interacted, and the methods of political mobilization? The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) by Hwisang Cho tackles these questions, exploring the materiality of epistles in Chosŏn Korea. It demonstrates how letter-writing practices were used by women, Confucian scholars, and provincial schools — those who had no other means of political activism — to advance political goals, thus offering a new perspective on the relationship between writing and politics in the Chosŏn period. While The Power of the Brush does focus on Korea, it does a wonderful job of continually contextualizing Korea’s epistolary culture within a global context. The parallels that are drawn in this book between letter writing in Europe, America, Islamic societies, and East Asia thus offer entirely new pe

In 2007, Japan’s health minister referred to women ages 15-50 as “birthing machines.” The context was a speech about Japan’s declining birthrate and projected population shrinkage. As Sujin Lee shows in Wombs of Empire: Population Discourses and Biopolitics in Modern Japan (Stanford UP, 2023), neither population anxieties nor the idea of women as childbearing devices whose wombs were the property of the state are new. However, when the “population problem” became a public preoccupation for politicians, scientists, and activists in the 1910s, it was an expression of worries about overpopulation and carrying capacity in a “resource-poor” nation and empire. Wombs of Empire traces the trajectory of population discourses and practices from these years through wartime Japan, with particular attention to the ways in which notions of motherhood were constructed hierarchically within the context of empire and war, and how Malthusian population control discourses formulated by leftists, feminists, scientists, and polit

Tibetan Buddhist Philosophy of Mind and Nature (Oxford UP, 2019) offers an engaging philosophical overview of Tibetan Buddhist thought. Integrating competing and complementary perspectives on the nature of mind and reality, Douglas Duckworth reveals the way that Buddhist theory informs Buddhist practice in various Tibetan traditions. Duckworth draws upon a contrast between phenomenology and ontology to highlight distinct starting points of inquiries into mind and nature in Buddhism, and to illuminate central issues confronted in Tibetan Buddhist philosophy. This thematic study engages some of the most difficult and critical topics in Buddhist thought, such as the nature of mind and the meaning of emptiness, across a wide range of philosophical traditions, including the "Middle Way" of Madhyamaka, Yogacara (also known as "Mind-Only"), and tantra. Duckworth provides a richly textured overview that explores the intersecting nature of mind, language, and world depicted in Tibetan Buddhist traditions. Further, thi

This episode’s host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans. The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Despite its extraordinary diversity, life in the People’s Republic of China is all too often viewed mainly through the lens of politics, with dynamics of top-down coercion and bottom-up resistance seen to predominate. Such a binary framing is particularly often applied to analyses of the country’s media which is understood in terms of mouthpieces of the party-state or vanishingly rare dissident voices. Yet as Maria Repnikova lucidly shows in her book Media Politics in China: Improvising Power under Authoritarianism (Cambridge University Press, 2017) there may be much more at play here than a straightforward cleavage between collaboration and resistance. Through discussion of the work of ‘critical journalists’ and their interactions with officialdom, Repnikova paints a rich and provocative picture of the flexible, creative, if nevertheless precarious, nature of state-media interactions whose implications go far beyond the media sphere. Repnikova suggests that journalistic ‘change-makers within the system’ (to

Michael R. Sheehy and Klaus-Dieter Mathes's edited collection The Other Emptiness: Rethinking the Zhentong Buddhist Discourse in Tibet (SUNY Press, 2019) brings together perspectives of leading international Tibetan studies scholars on the subject of zhentong or “other-emptiness.” Defined as the emptiness of everything other than the continuous luminous awareness that is one’s own enlightened nature, this distinctive philosophical and contemplative presentation of emptiness is quite different from rangtong—emptiness that lacks independent existence, which has had a strong influence on the dissemination of Buddhist philosophy in the West. Important topics are addressed, including the history, literature, and philosophy of emptiness that have contributed to zhentong thinking in Tibet from the thirteenth century until today. The contributors examine a wide range of views on zhentong from each of the major orders of Tibetan Buddhism, highlighting the key Tibetan thinkers in the zhentong philosophical tradition. A

Ming China in 1642 had suffered a series of disasters. Floods, and then drought had destroyed successive rice crops, sending the price of grain to astronomical levels. As one schoolteacher wrote: “There was no rice in the market to buy. Even if a dealer had grain, people passed by without asking the price. The rich were reduced to scrounging for beans or wheat, the poor for chaff or rotting garbage. Being able to buy a few pecks of chaff or bark was ecstasy.” The Ming Dynasty collapsed two years later. Timothy Brook, in his latest book The Price of Collapse: The Little Ice Age and the Fall of Ming China (Princeton University Press: 2023), points to environmental disaster as the spark that helped cause the Ming Dynasty’s fall, relying on a history of surging prices to show how the over-275 year dynasty eventually fell to the Qing. In this interview, Timothy and I talk about inflation in Ming China, how it connects to climate change, and how short-term environmental shocks can cause a market to break down. Timo

Since the first translations of Lewis Carroll’s Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan’s internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere—in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders.  In Alice in Japanese Wonderlands: Translation, Adaptation, Mediation (U Hawaii Press, 2023), Amanda Kennell traverses the breadth of Alice’s Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-

Hongwei Bao’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base, Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies. Learn more about your ad choices. Visit megaphone.fm/adchoic

“In Mao’s China, to curate revolution was to make it material.” Denise Y. Ho’s new book explores this premise in a masterful account of exhibitionary culture in the Mao period (1949-1976) and beyond. Curating Revolution: Politics on Display in Mao's China (Cambridge University Press, 2017) argues that “curating revolution taught people how to take part in revolution,” and it develops that argument in a series of case studies that take readers into the local context of museums, revolutionary monuments, model neighborhoods, and more in Shanghai, while paying careful attention to the ways that the Shanghai case resonates with the larger scope of Maoist China as a whole. It’s a study that will be of interest to readers of Chinese history, museum studies, material cultures, and more. Enjoy! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our

Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order. As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China’s glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic c

Have you ever felt that the grammar of Asian languages does not fit with the framework that we use to describe them? In the late 19th century, Asian grammarians began adapting the European-based grammatical frameworks describing their languages, but this application was not straightforward. In Japan, the question of grammar eventually became entangled with larger debates about cultural identity, heritage, and nationalism. In this episode, Jonathan Puntervold unfolds the story of conservative Japanese language scholar, Yamada Yoshio (1875-1957) and his legacy on Japanese linguistics, in conversation with Tyra Orton. Jonathan is a PhD fellow at the Department of Global Studies at Aarhus University and is currently a visiting researcher at NIAS. With a background in general linguistics and Japanese studies, his research has generally focused on the nature of Japanese grammar and the many different descriptions of it across time and space. The episode focuses on his recently submitted PhD thesis, If the shoe fits

In his monumental new book, Interpreting Islam in China: Pilgrimage, Language, and Scripture in the Han Kitab (Oxford University Press, 2017), Kristian Petersen takes his readers on an unforgettable journey through the layers and complexities of Sino-Muslim intellectual and social history. On the way readers meet the major scholars and texts that played a formative role in the development of the Han Kitab tradition, and revel in navigating the terms and stakes of their discourses and debates on critical questions of pilgrimage, scriptural interpretation, and the sanctity of the Arabic language. In addition to constituting a field turning contribution to the study of Islam in China, this book is also among the most dazzling interventions in translation studies. All students and scholars of Islam, Religion, Asian Studies, and Translation Studies will have much to benefit from this brilliant study. It will also make an excellent text in both undergraduate and graduate courses on Muslim intellectual history, Asia

On an August night in 1933 Harbin in then-Japanese controlled Manchuria–Semyon Kaspe, French citizen, famed concert musician, and Russian Jew, is abducted after a night out. Suspicion falls on the city’s fervently anti-semitic Russian fascists. Yet despite pressure from the French consulate, the Japanese police slow-walk the investigation—and three months later, Semyon is found dead. The abduction, murder and trial catch the world’s attention right as Japan is trying to win international support for the puppet state of Manchukuo—and it’s the subject of Scott Seligman’s latest book, Murder in Manchuria: The True Story of a Jewish Virtuoso, Russian Fascists, a French Diplomat, and a Japanese Spy in Occupied China (U Nebraska Press, 2023) In this interview, Scott and I talk about Harbin, the major players in Semyon’s abduction and murder, and how the investigation and trial became an international sensation. Scott D. Seligman is a writer and historian. He is the national award-winning author of numerous books, i