Songcraft: Spotlight On Songwriters

Beginning his career as a key player in the UK folk revival of the early 1960s, Donovan scored early hits with “Catch the Wind” and “Colours.” Embracing jazz, world music, and psychedelic influences, he expanded his sound and found success with the major hits “Sunshine Superman” and “Mellow Yellow” in 1966. Additional hits followed, including the Top 20 US singles “Epistle to Dippy” and “There is a Mountain,” as well as the Top 10 hits “Hurdy Gurdy Man” and “Atlantis.” He has recorded nearly thirty albums. Donovan’s songs have been recorded by Neil Young, Joan Baez, Judy Collins, Richie Havens, Van Dyke Parks, Jefferson Airplane, the Animals, the Allman Brothers Band, Cher, Eartha Kitt, Glen Campbell, Johnny Rivers, Duane Eddy, Buck Owens, Chet Atkins, Kenny Loggins, Susanna Hoffs, Joan Jett, Sarah McLachlan, Richard Thompson, and many others. He was awarded the prestigious BMI Icon award in 2009, inducted into the Rock and Roll Hall of Fame in 2012, and inducted into the Songwriters Hall of Fame in 2014.

Shelly Peiken is a multi-platinum songwriter best known for co-writing Christina Aguilera’s #1 hits “What a Girl Wants” and “Come On Over Baby (All I Want is You).” She was nominated for a Best Rock Song Grammy for penning “Bitch” with Meredith Brooks, who took the song to #2 on the Billboard pop chart in 1997. Additionally, she’s penned songs such as “I Wanna Be With You” for Mandy Moore and “Out From Under” by Britney Spears. Celine Dion has recorded four of Shelly’s songs, while Miley Cyrus, NSYNC, David Archuleta, Selena Gomez, Demi Lovato, Plain White T’s and Gladys Knight have each recorded two or more songs from the Peiken catalog. Others who have covered Shelly’s music include Jessie J, the Divinyls, the Pretenders, Reba McEntire, Lisa Loeb, Jennifer Lopez, Expose, Aaliyah, Backstreet Boys, Vanessa Hudgens, Smash Mouth, INXS, Keith Urban, Michelle Branch, Natasha Bedingfield, and the cast of the hit TV show, Glee. Shelly is a regular blogger for the Huffington Post and has recently released her first

After serving in World War II, Irving Burgie attended Juilliard where he studied classical voice. He eventually fell in love with folk music, and landed a steady gig as a Calypso singer at a Caribbean-themed Chicago nightclub in the early 1950s. Returning to New York, he became known as Lord Burgess on the Greenwich Village folk scene. He contributed eight songs to Harry Belafonte’s Calypso album in 1956, which became the first million selling LP in any genre, and spent an astounding 31 weeks at #1 on the Billboard pop chart. Burgie went on to write the majority of Belafonte’s hit albums Belafonte Sings of the Caribbean in 1957 and Jump Up Calypso in 1961. In total, he wrote more than thirty songs for Belafonte, including the hit singles “Jamaica Farewell,” “Day-O,” “Don’t Ever Love Me,” “Cocoanut Woman,” and “Island in the Sun.” Thanks to his strong reputation for popularizing island music, Burgie wrote the National Anthem of Barbados in 1966. In addition to Harry Belafonte, other artists who’ve tapped the I

Two-time Grammy nominee Billy Mann released a couple of solo albums as an artist via A&M Records in the mid-1990s before finding success as a songwriter in the European market. He eventually returned to the US and began getting his songs recorded by artists such as Celine Dion, Dakota Moon, and Daryl Hall & Joan Oates, who made “Do It For Love” Billy’s first #1 Billboard single as a songwriter in 2002. Other artists who charted with Billy’s songs in this era include Michael Bolton, Art Garfunkel, and Jim Brickman. He soon began finding hits with a new wave of pop stars, beginning with Jessica Simpson’s Top 20 single, “With You.” Around the same time he became a frequent collaborator with Pink, who has included many of Billy’s compositions on her albums, including “God is a DJ,” “Stupid Girls,” "Dear Mr. President," "I'm Not Dead," "Glitter in the Air.,” and "The Truth About Love." Additionally, Mann co-wrote and produced Teddy Geiger’s platinum selling single “For You I Will (Confidence).” He has work

Though the father/daughter songwriting duo of Randy and Maia Sharp found their greatest collaborative success with the Dixie Chicks' recording of "Home" in 2002, they've enjoyed diverse songwriting careers, working both together and separately. Randy released his first independent album as a singer/songwriter in 1973, eventually finding chart success as a writer for other artists, including Jennifer Warnes, Marty Robbins, and Glen Campbell. Thirteen of his songs have reached Billboard’s Top 40 country chart, a half dozen of which hit the Top 10. He wrote the #1 hits “(Why Does It Have to Be) Wrong or Right” and “Tender Lie” for Restless Heart, as well as a string of hits for Exile, including “Nobody’s Talkin’” and “Yet.” He continued to write hit songs in the mid to late 1990s, such as “You Will” for Patty Loveless, “The Cheap Seats” for Alabama, and “Then What” for Clay Walker. In 2005 Emmylou Harris won a Grammy for Best Female Country Vocal Performance for Randy’s song “The Connection.” Additionally, his m

Best known for singing a string of successful trucking-themed country songs in the 1960s and 70s, Red Simpson was also a highly influential behind-the-scenes songwriter from Bakersfield, California. Buck Owens recorded more than 30 Simpson originals, including the Top 10 hits “Gonna Have Love,” “Sam’s Place,” and “Kansas City Song.” Additionally, Red penned perennial standards, such as “Close Up the Honky Tonks” and “You Don’t Have Very Far to Go.” As an artist, he released a total of seven albums for Capitol and logged seven charting singles onBillboard’s country rankings, including the Top 40 hits “Roll Truck Roll” and “The Highway Patrol.” He is perhaps best known, however, for singing “I’m a Truck,” which hit the Top 5 in 1972. Simpson played guitar on most of Buck Owens’ recording dates in the mid-1960s, including sessions that produced hits such as “Buckaroo” and “Waitin’ in Your Welfare Line.” He went on to play numerous sessions with Merle Haggard, who referred to Simpson as a “hillbilly hippy.” Merle

Mike Stoller has written more than 60 songs that have appeared on the Billboard charts, including the #1 hits “Hound Dog,” “Kansas City,” “Yakety Yak,”  “Searchin’,” “Jailhouse Rock,” “Poison Ivy,” “Stand By Me,” “Young Blood,” “Don’t,” and “Ruby, Baby." After Stoller and songwriting partner Jerry Leiber found early R&B success with recordings by Little Esther, Charles Brown, Ray Charles, and Big Mama Thornton, Elvis Presley turned their song "Hound Dog" into a #1 single on the pop, R&B, and country charts in 1956. Elvis went on to record more than 20 Leiber and Stoller titles, including the hits "Love Me," "Loving You," "Jailhouse Rock," "Treat Me Nice," "She's Not You," and "Bossa Nova Baby." Mike and Jerry signed an independent production deal with Atlantic Records in the mid-1950s, where they wrote and produced a series of hits for several artists, including the Drifters' "There Goes My Baby," "Dance With Me," and "On Broadway." Additionally, the pair wrote and produced all the Coasters' singles,

Canadian singer, guitarist, and songwriter Mars Bonfire began his professional music career with the Sparrows, a 1960s rock group that eventually morphed into the band Steppenwolf. Though he’d departed by the time they released their first album, Steppenwolf made Bonfire’s “Born to be Wild” a massive hit in 1968. The song was prominently used in the film Easy Rider the following year, cementing its place as a classic American anthem of free-spirited rebellion. The lyrics introduced the term “heavy metal” to the music world, and Rolling Stone magazine named “Born to be Wild” one of the Top 500 Songs of All Time. Steppenwolf went on to record five additional Bonfire compositions, including “Faster Than the Speed of Life” and “Ride With Me.” All Music called Mars’s 1968 self-titled psychedelic solo album a “lost masterpiece,” and in 2015 he was honored with the first ever Cultural Impact Award given by the Society of Composers, Authors and Music Publishers of Canada. In addition to Steppenwolf, Mars Bonfire’s mu

Known as a respected “songwriter’s songwriter,” Jim Lauderdale is a versatile and highly prolific artist who is equally comfortable writing country, bluegrass, soul, or pop. His 1991 debut, Planet of Love, was packed with original songs that went on to be covered by George Strait, The Dixie Chicks, Gary Allan, Lucinda Williams, Mandy Barnett, and others. Since then, Lauderdale has recorded nearly thirty albums, including the Grammy winning releases Lost in the Lonesome Pines and The Bluegrass Diaries. Patty Loveless has recorded five of his songs, including the Top 10 single “Halfway Down” and her hit duet with George Jones, “You Don’t Seem to Miss Me.” Likewise, George Strait has covered well over a dozen Jim Lauderdale compositions, including the Top 5 hits “We Really Shouldn’t Be Doing This,” “What Do You Say to That,” and “I Gotta Get to You.” Others who have recorded Jim’s songs include Elvis Costello, Dave Edmunds, Tracy Nelson, Shelby Lynne, Vince Gill, The Nitty Gritty Dirt Band, Blake Shelton, Gary A

Arkansas native spent his formative years playing in a jazz band with future President Bill Clinton, before going on to write a ton of #1 pop and adult contemporary hits, including Michael Johnson’s “Bluer Than Blue,” Steve Perry’s “Foolish Heart,” Toto’s “I’ll Be Over You,” El DeBarge’s “Who’s Holdin’ Donna Now,” and Anne Murray’s “You Needed Me,” which earned Goodrum a Grammy nomination and became the ACM Song of the Year.   Additionally, he wrote Chicago’s “If She Would Have Been Faithful,” Steve Perry’s “Oh Sherrie,” and “A Lesson in Leavin’,” which was a #1 country hit for both Dottie West and Jo Dee Messina. In 1981 Randy won six ASCAP awards in a single year and was named ASCAP country songwriter of the year. His music has been recorded by Gladys Knight, Reba McEntire, Ray Charles, Michael McDonald, Al Jarreau, Chet Atkins, Natalie Cole, The Commodores, Kansas, Dusty Springfield, Vince Gill, Trisha Yearwood, Michael Bolton, Isaac Hayes, Tammy Wynette, and many others. Goodrum was inducted into the Nash

Long before Little Big Town took her song “Girl Crush” to the #1 spot on the Billboard country chart for a record-breaking thirteen consecutive weeks in 2014, Lori McKenna established herself as a highly respected singer/songwriter on the Boston-area folk scene. She recorded four independent albums in the late 1990s and early 2000s before country superstar Faith Hill released her versions of four of Lori’s songs in 2005. The pair appeared together on The Oprah Winfrey Show, and McKenna soon signed a deal with Warner Bros. Records. After releasing the Top 20 country album Unglamorous in 2007, she returned to her folk roots with the critically acclaimed independent albums Lorraine, Massachusetts, and Numbered Doors. McKenna has expertly balanced both her career as an emotionally evocative musical poet and consistent mainstream success as a commercial songwriter. Her songs have been recorded by Sara Evans, Tim McGraw, Mandy Moore, Keith Urban, Alison Krauss, Ashley Monroe, Hunter Hayes, Reba McEntire, Carrie Und

After a successful career in commercial real estate, Tom Douglas scored his first charting single as a songwriter when Collin Raye took "Little Rock" to the top of the charts in 1994. "Little Rock" earned Tom a CMA Song of the Year nomination and marked the start of a long string of Top 10 singles that has stretched for more than two decades. His catalog of hits includes "The Gift" for Jim Brickman; "Love's the Only House" and "God's Will" for Martina McBride; "Grown Men Don't Cry," "My Little Girl," "Let it Go," "Southern Voice," and "Meanwhile Back at Mama's" for Tim McGraw; "Something Worth Leaving Behind" for Lee Ann Womack; "I Run to You" and "Hello World" for Lady Antebellum; "I Got a Car" for George Strait; "Raise 'Em Up" for Keith Urban and Eric Church; and Miranda Lambert's recording of "The House That Built Me," which was nominated for two Grammy awards, and won Song of the Year honors from the Country Music Association, the Academy of Country Music, and the Nashville Songwriters Association Interna

Though a prolific singer/songwriter in his own right, Chip Taylor’s music has been covered by a wide range of artists, including Fats Domino, Frank Sinatra, Dean Martin, Johnny Cash, George Strait, Nina Simone, Emmylou Harris, Linda Ronstadt, Bonnie Raitt, The Pretenders, Jackie DeShannon, Ronnie Spector, Cheap Trick, and many others. He has written 39 songs that have appeared on Billboard’s pop, R&B, country, or adult contemporary charts, with many of them appearing on multiple charts simultaneously. Chip was born James Wesley Voight in Yonkers, New York, He joined a country band in high school, started writing songs, and signed a contract with King Records while still a teenager. As a songwriter he began finding success in the early 1960s with recordings by Johnny Tillotson, Aretha Franklin, and Willie Nelson. In 1966 The Troggs took Taylor’s “Wild Thing” to the #1 spot, which caught the attention of Jimi Hendrix, who covered it the following year. In 1968 he wrote “Angel of the Morning,” which became a

Growing up in Greenwich Village, New York, John Sebastian cut his teeth on American roots music. He formed the Lovin’ Spoonful in the mid-1960s, blending folk, blues, country, rock, and pop to create a string of seven consecutive Top 10 hits, including “Do You Believe in Magic,” “You Didn’t Have to Be So Nice,” “Daydream,” “Did You Ever Have to Make Up Your Mind,” Summer in the City,” Rain on the Roof,” and “Nashville Cats.” Each of them was written or co-written by Sebastian, and two of his compositions - “Summer in the City” and “Do You Believe in Magic”- are listed in Rolling Stone magazine’s ranking of “The 500 Greatest Songs of All Time.” In 1976 he scored a #1 solo hit with “Welcome Back,” the theme song to the popular TV show Welcome Back Kotter. He has continued to create engaging roots-oriented sounds with his celebrated J-Band. The Lovin’ Spoonful was inducted into the Rock and Roll Hall of Fame in 2000, and Sebastian became a member of the Songwriter’s Hall of Fame in 2008. His songs have been reco

Find a Way to Care is John Mayall’s 64th official album, and the most recent release from the 81-year-old singer, keyboardist, guitarist, harmonica player, and composer who’s been dubbed the “Godfather of British Blues.” The Grammy-nominated Mayall is a renowned band leader, with several veterans of his group, the Bluesbreakers, going on to find success in their own right. A short list of those who passed through his band includes Eric Clapton and Jack Bruce, who went on to form Cream; Peter Green, John McVie, and Mick Fleetwood, who later formed Fleetwood Mac; Andy Fraser, who formed Free; and Mick Taylor, who went on to join the Rolling Stones. Other notable guitarists who’ve spent time in Mayall’s band include Walter Trout, Coco Montoya, Sonny Landreth, Buddy Whittington, and former Canned Heat member Harvey Mandel. Between 1966 and 1971 Mayall released eleven albums that hit the Top 40 on the UK chart, three of which also reached the Top 40 on the Billboard chart in the U.S. Though he has covered songs by

Part 2 of 2: Hailing from Lubbock, Texas, Mac Davis began his music career working for Vee Jay Records and Liberty Records in Atlanta. Relocating to Los Angeles in the late 1960s, he became a staff songwriter for Nancy Sinatra’s music publishing company. His early songwriting success came when Elvis Presley recorded several of his songs, including “A Little Less Conversation,” “Memories,” “Clean Up Your Own Backyard,” “Don’t Cry Daddy,” and “In the Ghetto.” Soon his songs were being recorded by O.C. Smith, Kenny Rogers and the First Edition, Glen Campbell, Ray Price, and Bobby Goldsboro, who enjoyed a major hit with Mac’s “Watching Scotty Grow” in 1971. Thanks to his success as a songwriter, Davis signed an artist deal with Columbia Records, and later Casablanca Records, scoring thirty-three charting singles between 1970 and 1986. Most of those hits were written by Davis himself, including “I Believe in Music,” “One Hell of a Woman,” “Stop and Smell the Roses,” “It’s Hard to be Humble,” “Texas in My Rearview,

Part 1 of 2: Hailing from Lubbock, Texas, Mac Davis began his music career working for Vee Jay Records and Liberty Records in Atlanta. Relocating to Los Angeles in the late 1960s, he became a staff songwriter for Nancy Sinatra’s music publishing company. His early songwriting success came when Elvis Presley recorded several of his songs, including “A Little Less Conversation,” “Memories,” “Clean Up Your Own Backyard,” “Don’t Cry Daddy,” and “In the Ghetto.” Soon his songs were being recorded by O.C. Smith, Kenny Rogers and the First Edition, Glen Campbell, Ray Price, and Bobby Goldsboro, who enjoyed a major hit with Mac’s “Watching Scotty Grow” in 1971. Thanks to his success as a songwriter, Davis signed an artist deal with Columbia Records, and later Casablanca Records, scoring thirty-three charting singles between 1970 and 1986. Most of those hits were written by Davis himself, including “I Believe in Music,” “One Hell of a Woman,” “Stop and Smell the Roses,” “It’s Hard to be Humble,” “Texas in My Rearview,

One of the most successful and prolific writers and producers of all time, Desmond Child’s songs have resulted in nearly six dozen Top 40 singles on Billboard’s pop, rock, country, and R&B charts. His band Desmond Child & Rouge attracted the attention of Paul Stanley. He partnered with Child to write “I Was Made For Loving You,” which became a major hit for KISS in 1979. Desmond first collaborated with Jon Bon Jovi and Richie Sambora for Bon Jovi’s 1986 album, Slippery When Wet. That partnership resulted in the #1 hits, “You Give Love a Bad Name” and “Livin’ on a Prayer.” Desmond has appeared as a co-writer on every Bon Jovi album since, co-writing additional hits such as “Bad Medicine,” “Born To Be My Baby,” “This Ain’t a Love Song,” and “(You Want To) Make a Memory.” He formed a similar alliance with Aerosmith, with whom he wrote the hits “Dude (Looks Like a Lady),” “Angel,” “What It Takes,” and “Crazy.” He co-wrote Joan Jett’s “I Hate Myself for Loving You” and all of the tracks on Alice Cooper’s w

Pop and R&B legend Bill Withers released nine albums between 1971 and 1985 that included such classic songs as “Lean on Me,” “Ain’t No Sunshine,” “Grandma’s Hands,” “Use Me,” “Lovely Day,” and “Just the Two of Us.” Though he stepped away from the limelight in the mid-1980s, his songs have become classics that have withstood the test of time and been covered by iconic artists including Aretha Franklin, Michael Jackson, Gladys Knight, Garth Brooks, Willie Nelson, Paul McCartney, Ike & Tina Turner, Smokey Robinson, Al Green, The Staple Singers, Diana Ross, Neil Diamond, Sting, Linda Ronstadt, Roberta Flack, Buddy Guy, Barbra Streisand, and George Benson. Additionally, his music has been sampled by Jay-Z, Dr. Dre, L.L. Cool J, Tupac Shakur, R. Kelly, and Kanye West. Withers was in the inaugural class of the West Virginia Music Hall of Fame, and is a nine-time Grammy nominee. He won three Grammy awards for Best R&B song for “Ain’t No Sunshine” in 1971, “Just the Two of Us” in 1981, and the Club Nouveau

Nashville native Jaren Johnston co-founded the rock band American Bang which released one album for Warner Bros. He went on to form the Cadillac Three, a Southern rock-infused trio that was named one of the “10 New Artists You Need to Know” by Rolling Stone Country in 2014. While finding success with his own self-described “country fuzz” sound, Johnston forged a second career as a behind-the-scenes songwriter for top country artists. Since 2012, he has seen more than a half dozen of his songs hit the country Top 10, four of which have climbed to the #1 position. He has co-written the songs “You Gonna Fly” and “Raise ‘Em Up” for Keith Urban, “Southern Girl” and “Meanwhile Back at "Mama’s” for Tim McGraw, “Days of Gold” and “Beachin’” for Jake Owen, “Sunshine and Whiskey” for Frankie Ballard, “Don’t It” for Billy Currington, and “The South,” a Top 40 hit for his own band, which featured guest appearances by Florida Georgia Line, Dierks Bentley, and Mike Eli. Additionally, his songs have been recorded by Sara Ev