School Of Motion Podcast

Imagine you've spent the last few years building up a sizable portfolio for 3D work...but 2D is what your heart desires. Is it possible to rebrand this far into your career? Our guest today has DONE IT… and she is sharing her secrets. The multi-talented Monique Wray is here to spill the beans about how she made a fairly drastic change to her personal brand, the type of work she does, and the impact her work is having on the world.

Imagine if you had the chance to work with one of the greatest bands of the modern age. How hard would you work to get there...and what did it take? Bomper Studio’s Emlyn Davies and Josh Hicks challenged their team to learn how to produce high-end character-driven work, and that effort directly led to a contract...with the Foo Fighters.

Chris Schmidt is a really good 3D artist. He was one half of the wacky Greyscalegorilla team back in the early days of the site, and quickly gained a reputation for his MacGyver-like ability to rig things up in the most clever ways imaginable. Some of his tutorials were instant classic, and helped many artists learn their way around Cinema 4D. Now, we're talking to him about his new site, Rocket Lasso, and the future of 3D art and design. Check it!

Even if you don't pay close attention to industry news, you've likely heard of NFTs. Crypto art, led by a growing list of pioneering artists, is revolutionizing not only our industry but art as a whole. However, there have been some valid concerns raised over the viability of the market and the environmental impact of cryptocurrency. That's why we gathered to grapple with this topic and share our observations...plus what we’ve been hearing from artists and studios.

What do you do when you get a great idea? Not just something you enjoy thinking about, but a brain worm that burrows deep and won't let go. Even when we're confident that we have a handle on something great, the road ahead can be so daunting that we just give up. Today we're joined by Max Keane, creator of the new Netflix animated series Trash Truck, to hear about his journey from concept to reality.

Demo reels aren’t just a reflection of your past—they’re also a signpost to your future. The work you show can directly connect to the jobs you'll land...which adds all sorts of pressure to an already stressful task. We're getting real about reels and talking to Laura Porat, a freelance motion designer with a seriously impressive client list. In this conversation, we cover her most recent (and magnificent) reel, which was hyper-focused on the work she wants to find in her future. 

No matter where you are in your career—whether you're just starting out, freelancing like a boss, or running a studio—marketing is a key to your success. It's easy to say, "Have a social media presence," but what does that actually mean? Our dear friends at Motion Hatch have been helping artists and designers find their paths forward, and now they want to share actionable tips on mastering marketing. You don't want to miss this one!

Katie Menzies and Abel Reverter founded Cabeza Patata in Barcelona, Spain in 2018. There, they consider themselves artists first and motion designers second, with a focus on inclusiveness, positivity, and having a hands-on approach to motion design. Cabeza Patata just opened up their new studio where not only do they work for big clients such as Spotify and Google, but their studio is also a gallery—a place they open up to the community, teaching workshops for kids and adults alike, showing them how they can get their hands dirty creating art.

Mike Winkelmann is well known in the digital art world. His work is often provocative, sometimes downright shocking, but always has a style that is uniquely his. Better known as Beeple, Mike has demonstrated an incredible focus on his craft, releasing a brand new piece every day for over 5,000 consecutive days. Now he's revolutionizing the art world as a pioneer of crypto artwork...and we've hogtied him to a chair until he spills the beans on what any of that means. 

Our mission at School of Motion is to break down the barriers to the Motion Design industry so that everyone can share their voice. That is a journey more than a destination, and we have a long way to go. Macaela VanderMost is a titanic talent, but she has faced some—unfortunately—all-too-common barriers to entry along the way. Listen to Macaela VanderMost's journey as a driven creative director. 

2020 was...well, it was certainly a year. Not just for the MoGraph industry and for School of Motion, but for everyone. We know you don't need a recap of all the challenges and craziness that made this year what it was. Instead, we want to focus on the positive. While 2020 certainly presented a difficult road, we have seen our community emerge stronger and better than ever. On the 2020 End of Year Podcast episode, our founder Joey Korenman is joined by Creative Directors EJ Hassenfratz and Ryan Summers—along with a special guest—to talk about the artists, studios, tools, trends, and events that made MoGraph news in 2020…plus all the exciting plans (and bold predictions) for the coming year. This is a long one—but worth it—so grab a comfy seat and join us.

When we talk about motion graphics, we refer to motion and design. Our guest today, Cartoon Saloon, takes that approach to the next level with their animated feature films. From Secret of Kells to Song of the Sea to their new film, Wolfwalkers, their unique style stands out even in an incredibly saturated market. Join directors Tomm Moore and Ross Stewart as they discuss the new film and the art of motion.

What is the future of advertising agencies? As the world modernizes and the old methods give way to native, targeted, and subversive advertising, how is a studio meant to keep up? Strange as it may seem, the issues facing independent ad agencies are very similar to the evolution of the motion design industry. We're chatting with Creative Director Roger Baldacci of Strange Animal!

We've mentioned it a few times, but one of the most important steps in any project is the storyboard, and specialized artists work tirelessly to bring the story to life. Alex Quintas' career path took a few turns before she wound up creating artwork for some of the biggest animated shows on TV and streaming today, from BoJack Horseman to Paradise PD. Grab a snack and check this out!

Animated movies are a part of the fabric of our creative culture, and as motion designers, we share the same principles and design foundations.  Our guest today helped shape the animation industry, creating iconic characters and unique worlds. He is an Academy Award-winning director, and he just released an amazing new animated movie on Netflix, Over the Moon. Strap in tight, because we're blasting off with Glen Keane.

Adobe MAX 2020 is on, and they just announced a slew of improvements to their After Effects 3D Workflow. We had a chance to sit down with Victoria Nece, Senior Product Manager for Motion Graphics and Visual Effects at Adobe, to discuss how this new workflow will affect the Motion Design community. More than that, we had a chance to discuss Adobe MAX, building a MoGraph career, and staying ahead of the competition.

Medical Illustration is a fascinating path for Motion Designers. This challenging work requires a clear understanding of anatomy, and the ability to toe the line between style and accuracy. We talked with Director Emily Holden of Campbell Medical Illustrations on how her studio brings the human body to life.

It is incredibly difficult to know where our industry is headed—almost as challenging as defining "motion design" itself. Where is animation or experiential or VR/AR going over the next five years—or even the next five months? Then there are the tools we use everyday, and the ones on our list to learn. Does anyone have the answers? We asked some industry experts to sit down and think about the future...and the results were inspiring. Check out this sneak peek from our brand new course, Level Up!

In the wild early days of the Internet, Motion Design was a much smaller community. Unless you had proper training, it was easy to feel overwhelmed by the learning curve. With many people struggling to get their careers off the ground, one person decided to be their copilot. Andrew Kramer is synonymous with Motion Design. As an artist, a teacher, and a friendly cohort, Andrew inspired countless people to join this community. For the 100th episode of our podcast, we are incredibly proud to share his story, his wisdom, and his wit. Grab a seat, because your copilot has arrived.

Motion design can be used for a number of purposes. It can be an advertisement, a stunning piece of art, or even a moving message. Kentucky-based studio The Furrow partnered with some of the top artists in the industry to collaborate on a powerful project, providing information and insight into a changed world following COVID-19. We joined Creative Director Seth Eckert to talk about his journey into motion design, what it’s like to collaborate with other artists, and tips to succeed in an evolving industry.