A History Of The World In 100 Objects

This week Neil MacGregor, the director of the British Museum, has chosen some of the great status symbols of the world around 700 years ago - objects with quite surprising links across the globe. Today he is with one of the most familiar objects at the museum; a board game, found in the Outer Hebrides but probably made in Norway - the Lewis Chessmen. They are carved out of ivory and many of the figures are hugely detailed and wonderfully expressive. They take us to the world of Northern Europe at a time when Norway ruled parts of Scotland and Neil describes the medieval world of the chessmen and explains how the game evolved. The historian Miri Rubin considers the genesis of the pieces and the novelist Martin Amis celebrates the metaphorical power of the game of chess. Producer: Anthony Denselow.

This week Neil MacGregor has been looking at objects from Japan, Britain, Java and central Europe, exploring the great arcs of trade that connected Africa, Europe and Asia a thousand years ago. Today he sifts through a selection of broken pots, found on a beach in East Africa, to see what they might tell us. Smashed pottery, it seems, can be astonishingly durable and can offer powerful historical insights. These ceramic bits - in a variety of glazes and decorations - were found on the island of Kilwa Kisiwani off Tanzania. Neil uses the fragments to tell the story of a string of thriving communities along the East African coast with links across the Indian Ocean and beyond. The historian Bertram Mapunda and the writer Abdulrazak Gurnah describe the significance of these broken pieces and help piece together the great cross-cultural mix that produced the Swahili culture and language. Producer: Anthony Denselow.

A history of the World in one hundred objects arrives on the Indonesian island of Java. This is the series that offers a new history of humanity through the individual objects that time has left behind. These items are all in the British Museum and the series is presented by the museum's director, Neil MacGregor. Throughout this week Neil is tracing the great arcs of trade linking Asia, Europe and Africa around a thousand years ago. Today he has chosen a stone head of the Buddha that comes from one of the world's greatest monuments, the giant Buddhist stupa of Borobudur. Borobudur rises from a volcanic plain in the middle of Java, built from one and a half million blocks of stone and devised as an architectural aid to spiritual practice. Neil MacGregor reports from the various levels of Borobudur and describes the trade routes that brought Buddhism to South East Asia. He also explores the impact the discovery of Borobodur had on the founder of Singapore, Sir Stamford Raffles and his ideas about the importance

The history of humanity as told through one hundred objects from the British Museum in London. This week Neil MacGregor is looking at objects from Tanzania, Britain, Java and central Europe, exploring the great arcs of trade that connected Africa, Europe and Asia around a thousand years ago. Today he arrives in Japan with an object that offers a dramatic twist on the week's theme. This small mirror from the bottom of a sacred pond comes from a time when the Japanese suddenly cut themselves off from the outside world and stopped all official contact with China, a country it had frequently borrowed ideas from. Neil tells the story of the Heian period of Japanese history, a moment of great cultural awakening in Japan, especially in literature. The object is a small mirror that was found at the bottom of a sacred pond. The writer Ian Buruma and the archaeologist Harada Masayuki help describe the Japan of this time. Producer: Anthony Denselow.

Neil MacGregor's world history as told through objects at the British Museum. This week he is looking at how objects moved around the medieval world in the context of war, trade and faith and the quite incredible degree of contact between Asia, Europe and Africa that existed around a thousand years ago. Today's object is a large glass beaker made at a time when Christians were warring with Muslims in the great crusades - a time, curiously enough, connected with a great flourishing of trade. This object was most likely made by Islamic glass workers but became associated with the miracles of a Christian saint, Hedwig. This glass container, or one of the few just like it, was what Hedwig famously used to turn water into wine! Neil describes the story of the Hedwig beaker with help from the economic historian David Abulafia and the historian of the Crusades Jonathan Riley-Smith. He also sees what happens when he pours water into this beautifully decorated vessel. Producer: Anthony Denselow.

The history of the world as told through objects that history has left behind. This week Neil MacGregor, the director of the British Museum, has chosen objects that bring life to the traders, pilgrims and raiders who swept across the vast expanse of Europe and Asia between the 9th and 13th centuries. Today he is with a great Viking treasure hoard that was discovered by metal detectors in a field in North Yorkshire. This dramatic, recent discovery, consisting of over 600 coins buried in a silver cup, dates back to the 10th century and reveals the astonishing range of Viking activity. There are coins here minted as far away as Afghanistan and Iraq! Neil describes what the England of the early 900's was really like. He unravels the cliches that abound about the Vikings. The historian Michael Wood helps set the scene and the father and son team who found the hoard, David and Andrew Whelan, recall the excitement of the discovery. Producer: Anthony Denselow.

This week Neil MacGregor is exploring life in the great royal courts across the world during Europe's medieval period, from the heart of Europe to Mexico and Sri Lanka. Today he is in China of the Tang Dynasty around 700 AD. He tells how the elite of the time chose to leave their mark on the world by writing or commissioning their own obituaries. He is with a curious troupe of ceramic figures that were found in the tomb of a Tang general along with a stone tablet proclaiming his achievements. The China scholar Oliver Moore explains the growing ambitions of the dynasty and journalist Anthony Howard describes the enduring power of the obituary. Producer: Anthony Denselow.

The history of the world as told through one hundred of the objects. The objects are selected from the collection of the British Museum by its director, Neil MacGregor. This week, Neil is exploring life in the great royal courts across the world during Europe's medieval period. It's easy to forget that the civilisations of Tang China, the Islamic Empire and the Maya in Mesoamerica were all at their peak during this time and today we discover what was happening in South Asia during this period. He tells the story through a beautiful statue of the female Buddhist deity, Tara, crafted for a powerful ruler in Sri Lanka 1,200 years ago. Richard Gombrich explains what Tara means to Buddhism and the historian Nira Wickramasinghe describes the powerful interaction between Hinduism and Buddhism, India and Sri Lanka at this time. Producer: Anthony Denselow.

This week, Neil MacGregor is exploring life in the great royal courts around the world during Europe's medieval period. It's easy to forget that the civilisations of Tang China, the Islamic Empire and the Maya in Mesoamerica were all at their peak during this time. He is describing the life of these courts through individual objects in the British Museum's collection. In the last programme he was with the Abbasid court North of Baghdad and an exotic wall painting; today's object is an engraved rock crystal connecting a biblical tale to a real life story of royal intrigue at the heart of Europe. The Lothair Crystal was made in the mid-ninth century and offers scenes in miniature from the biblical story of Susanna, the wife of a rich merchant who is falsely accused of adultery. The crystal was intended to exemplify the proper functioning of justice but, intriguingly, the king for whom the piece was made was himself trying to have his marriage annulled so he could marry his mistress! The historian Rosamond McK

Neil MacGregor's world history as told through objects at the British Museum. This week, he is exploring life and intrigue in the great courts of the world at the same time as the European medieval period. Today he is with the women of Samarra in Iraq. This ancient city, north of Baghdad, was once home to the Abbasid court and was one of the great Muslim capitals of the world. Portraits from a mural in the palace harem offer a vivid insight into the lives of the rulers and the slave women whose job was to entertain them. What was life really like in this great court? The historian Robert Irwin, an expert on the tales of the Arabian Nights, looks at how the reality of life in the harem matches the sensual fantasy that has become associated with the period. And Amira Bennison, of Cambridge University, explains what conditions were like for the women of the harem and the qualifications they needed just to get there. Producer: Anthony Denselow.

The history of the world as told through objects. This week Neil MacGregor, the Director of the British Museum, is exploring power and intrigue in the great royal courts of the world around 800 AD. Today's object offers a story of authority, pain and belief from the world of the ancient Maya. It is a limestone carving showing a king and his wife engaged in an agonising scene of ritual bloodletting. Neil describes a great city in the jungle of modern day Mexico and the culture that produced it. Virginia Fields, the expert on Maya iconography, and the psychotherapist Susie Orbach help explain an object that has the power to unsettle the modern viewer. Producer: Anthony Denselow.

Throughout this week, Neil MacGregor has been exploring the world of the late 7th century, with objects from South America, Britain, Syria and Korea. Today's object is from the 4000 mile tangle of routes that has become known as the Silk Road - that great conduit of ideas, technologies, goods and beliefs that effectively linked the Pacific with the Mediterranean. His chosen object which lets him travel the ancient Silk Route is a fragile painting telling a story of "industrial espionage". It comes from the Buddhist kingdom of Khotan, now in Western China, and tells a powerful story about how the secrets of silk manufacture were passed along the fabled route. The cellist and composer Yo Yo Ma, who has long been fascinated by the Silk Road and who thinks of it as "the internet of antiquity", and the writer Colin Thubron consider the impact of the Silk Road - in reality and on the imagination. Producer: Anthony Denselow.

4 Extra Debut. Korea: source of modern-day electronic components. Neil MacGregor delves into the history of an artefact from the region.

The history of the world as told through one hundred objects arrives in 7th Century Peru. Throughout this week Neil MacGregor is exploring along the Silk Road and beyond, ranging from Korea to East Anglia. But what was life and culture like in South America during the same period that Islam was transforming the Middle East? In today's programme, Neil introduces us to a remarkable lost civilisation from present day Peru. He explores the story of the Moche people through a pot in the shape of a warrior, with help from expert Steve Bourget and the potter Grayson Perry. Producer: Anthony Denselow.

The history of the world as told through one hundred objects. This week Neil MacGregor, the director of the British Museum, is exploring the world in the 7th Century, at a time when the teachings of Islam were transforming the Middle East and goods and ideas were flowing both ways along the tangle of connections that have become known as the Silk Road. But what was happening in Britain at this time? In today's programme, Neil travels to East Anglia to describe the sensational burial discovery that has been hailed as a "British Tutankhamen". He tells the story of the Sutton Hoo helmet, the world it inhabited and the imagination it has inspired. The poet Seamus Heaney reflects on the helmet in the context of the great Anglo-Saxon epic poem, Beowulf, and the archaeologist Angus Wainwright describes the discovery of the great grave ship where the helmet was found. Producer: Rebecca Stratford.

The history of the world as told through one hundred of the objects that time has left behind. The objects are from the British Museum and tell the story of humanity over the past 2 million years. They are chosen by the museum's director, Neil MacGregor. This week he is exploring the world along and beyond the Silk Road in the 7th century AD at a time when the teachings of the prophet Muhammad were transforming the Middle East forever. Today he looks at how the Syrian capital Damascus was rapidly becoming the centre of a new Islamic empire. He tells the story through two gold coins that perfectly capture the moment - with contributions from the historian Hugh Kennedy and the anthropologist Madawi Al-Rasheed. Producer: Rebecca Stratford.

Throughout this week Neil MacGregor is looking at how the great faiths were creating new visual aids to promote devotion around the world of 1700 years ago. Having looked at emerging images from Hinduism, Zoroastrianism, Christianity and Buddhism he turns his attention to the religious climate of pre-Islamic Arabia. The story is told through a life sized bronze hand cut at the wrist and with writing on the back. It turns out to be not a part of a god but a gift to a god in a Yemeni hill village. Neil uses this mysterious object to explore the centrality of Arabia at this period, with its wealth of local gods and imported beliefs. The hand surgeon Jeremy Field considers whether this was the modelled from a real human hand while the religious historian Philip Jenkins reflects on what happens to the old pagan gods when a brand new religion sweeps into town. Proudcer: Anthony Denselow.

This week Neil MacGregor is exploring how many of the great religions, less than 2000 years ago, began creating sophisticated new images to aid prayer and focus devotion. Many of the artistic conventions created then are still with us. In today's programme Neil MacGregor introduces us to one of the earliest known images of the face of Christ. This life sized face is part of a much bigger mosaic. It was made somewhere around the year 350 and was found not in a church but on the floor of a Roman villa in Dorset. What does this astonishing survival say about the state of Christianity at this time and what sort of Christ was imagined in Roman Britain? The historians Dame Averil Cameron and Eamon Duffy help paint the picture. Producer: Anthony Denselow.

Throughout this week Neil MacGregor is describing how people across the globe around 1700 years ago found new images to express their religious beliefs. Today's object is a dramatic visualisation of power and faith in 4th Century Iran. It is a silver plate that shows King Shapur II out hunting deer. Neil describes how this apparently secular image reveals the beliefs of the day, when the king was seen as the agent of god and the upholder of the state religion - Zoroastrianism. How might we read this hunting scene as a religious image? And why did the belief system of such a powerful dynasty fail to become a dominant world religion? With contributions from the historian Tom Holland and the Iranian art historian Guitty Azarpay. Producer: Anthony Denselow.

This week Neil MacGregor is exploring how several of the great religions around the world, less than 2000 years ago, began creating sophisticated new images to represent their beliefs and their deities. Many of the images created then are still with us today and remain essential forms of veneration. These include the images of the gods and goddesses of Hinduism, whose recognisable modern form can be seen on coins from the Gupta empire which flourished in India from around 320 to 550 AD. The Gupta period is regarded by many Indians as a golden age, a time when Indian cultural life and religion came together to create temples and texts that are central to Hinduism today. The growing sophistication of the time is explored with the help of the historian Romila Thapar and the Hindu cleric Shaunaka Rishi Das Producer: Anthony Denselow.