Dig Me Out - The 90's Rock Podcast

You may know him from the "avant-punk" of 1990s Shudder To Think, but you'd probably been listening to Craig Wedren in some way in the last twenty years. From his frequent collaborations with writer/director David Wain on the various Wet Hot American Summer television seasons and movie, Role Models, Stella and Wainy Days, to his recent work on shows like Fresh Off The Boat, GLOW, Powerless, Hung and Blunt Talk, or his contributions on films such as Velvet Goldmine, School of Rock, Search Party, Wanderlust and many more, Craig has put his ear for 70s rock radio and 80s MTV to work. He stops by to talk about his latest solo release, Adult Desire from 2016, and discuss the virtual reality component that took us back to the immersion of yesteryear when audio and visual worked in thoughtful tandem. We also discuss his years spent in the Cleveland area, fronting teenage coverbands and enjoying the sounds of the Michael Stanley Band and Donnie Iris on WMMS, his apprehension writing music for 1990s based television,

There are independent artists, and then there is Ani DiFranco. Forging her own path since starting Righteous Babe Records at age nineteen, busking tapes out of the back of her car in Buffalo, NY, DiFranco has remained as proficient and relevant for three decades. After a string of critically acclaimed albums and a well received live album, she released Little Plastic Castle in 1998 and was nominated for a Grammy for Rock Female Vocalist. Known for her folk rock staccato, Little Plastic Castle opens up the sound to incorporate horns, extra percussion, keyboards and more, and finds her breaking the rapid-fire delivery for songs built around mood and groove. Those alterations provide her with a large sonic pallet to play with, but come with some questionable choices, which left us split on what we liked and didn't like about the album. Intro - Glass House 9:03 - Fuel 12:26 - Pulse 15:25 - As Is 19:44 - Independence Day 22:52 - Pixie Outro - Little Plastic Castle Subscribe at Patreon   Facebook / Twitter 

Like so many previous artists and bands referred to as "power pop," The Tories debut album Wonderful Life from 1997 came and went with little fanfare. Perhaps it was timing, as the early and mid-nineties alternative rock gold rush led to a unwieldy number of releases, most which got lost in the shuffle. Perhaps it was due to the label, which specialized in East Coast jazz and house music instead of California pop rock. Or was it the songs? No, it wasn't the songs. The Tories have the songs, as well as the melodies, the harmonies, the guitar fuzz, everything you expect when the chemistry is right, and creates a power pop album worth checking out. Along with our Patreon special guest, we try to figure out what went right and wrong with Wonderful Life. Intro - Flying Solo 13:39 - Gladys Kravitz 23:40 - Happy 29:12 - Spaceships in the Sky Outro - Not What it Appears Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

"We live in urban hell, we destroy rock and roll." Those were the closing sentiments of the 1991 single Motown Junk by the Manic Street Preachers, a band of Welsh nihilist iconoclasts who declared greatness from the start, aligning themselves with The Clash, Public Enemy and Guns n' Roses. Four albums and the disappearance of one member later, the band was no longer a confrontational blitzkrieg. 1998's This Is My Truth Tell Me Yours is the sound of a band collectively exhaling and confronting both the past and their heartache, while building upon the success achieved on the previous album, Everything Must Go. On TIMTTMY, the band embraces a clean pop production that would propel the single "If You Tolerate This Your Children Will Be Next" to number one in the UK, trading in guitars for organs, electric pianos and sitars. We revisit the record recognizing now that the band would continue on the path of deconstruction with Know Your Enemy three years later and the synth heavy Lifeblood in 2004. In fact, it woul

There was a brief flicker of a moment at the end of the 90s, before the garage rock rival of The Strokes and White Stripes, before the post-post-punk of Interpol and Bloc Party, before Jimmy Eat World and Dashboard Confessional took emo to the mainstream, that the American underground punk of the New Bomb Turks and Rocket From The Crypt were going to have their moment. At the same time, across the pond in Scandinavia, it took the shape of The Hellacopters signing to Sub Pop and veterans Turbonegro refining their sound with the 1998 release Apocalypse Dudes. Maybe it was wishful thinking that those who previously embraced AC/DC, Motley Crue and Buckcherry would find common cause with the action rock crowd, one that favored Iggy and Stooges as much as Bob Seger and Lynyrd Skynyrd. While The Hellacopters and Gluecifer traffic'd in their own brand of riffage gymnastics, Turbonegro added an extra layer - social and political commentary via bombastic lyrics and outrageous stage presence. In retrospect, it may have

It's time to travel back twenty years and revisit the albums of 1998. What albums were overlooked upon release that have gained critical acclaim and fans in the years since? Which albums were big releases that have stood the test of time, and which ones have failed that same test? Are there albums we bought back in 1998 and immediately regretted the purchase? And what are our favorite albums from this wildly divergent year that witnessed the rise of nü-metal bands like Korn and Limp Bizkit along with the pop of Britney Spears and the Backstreet Boys, that also featured new albums from major artists like Madonna, the Beastie Boys, Pearl Jam and The Smashing Pumpkins. To help us dig into it all, we're joined by Andy Derer of The Andy Derer Show, Chip Midnight of Kids Interview Bands and Jim Hanke of Vinyl Emergency. Intro - 1998 Medley (Marilyn Manson, The Smashing Pumpkins, Semisonic, Beastie Boys) 15:54 - Starfighter Pilot by Snow Patrol 23:18 - Poets by The Tragically Hip 36:29 - Something' Hot by The Af

We haven't reviewed much (or any) European progressive gothic doom metal shoegaze trip-hop, so thanks to our latest Patreon pick, we're checking out the 1998 double-album How to Measure a Planet? by The Gathering. The question we ask is - how to measure a band that is equal parts Massive Attack, the Cocteau Twins, Pink Floyd, Radiohead, Dream Theater and Slowdive? What we do know is that in the age of overlong compact discs, a double album had better be worth it, and like most 90s double albums, the indulgence doesn't quite live up to the output. However, there is definitely something unique and interesting happening, providing us with a true album that sounds best listened to as a whole rather than searching for singles. The ambitions are grand, but surprisingly it is the restraint in both the playing and production that make HTMAP? an album that both reinterprets the past and forges a path for bands of the 2000s. Intro - My Electricity 15:31 - Liberty Bell 26:03 - Travel 29:44 - Great Ocean Road Outro

On their third full-length album, Adelaide, Australia's The Mark Of Cain enlisted Henry Rollins to produce their rooArt debut, 1995's Ill At Ease. The band scored a number one on the independent album chart and managed two successful Triple J singles. Recalling Rollins work with his own Rollins Band, as well as post-hardcore bands such as Helmet and Quicksand, Ill At Ease succeeds and suffers thanks to lead singer and guitarist John Scott, whose guitar riffing alternates between inspired and generic, and whose voice maintains a consistent bark. But while there are all the hallmarks pinning this band to its 1990s influences, we also discovered sounds reminiscent of the alternative metal of 2000's band like Mastodon.. Give a listen and share your thoughts on Ill At Ease. Intro - First Time 9:52 - LMA 13:43 - The Contender 21:14 - You Let Me Down Outro - Point Man Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

Another season is complete, so we’re looking back at our favorite album discoveries, roundtables, interviews and more from 2017. We also pick our five favorite tunes from season seven, which featured everything from the guitar power pop of Brendan Benson and pop punk of Ruth Ruth to the Indian-meets-Britpop sounds of Cornershop and alternative fuzz of Violetine. We also give a sneak peak of 2018 - discussing some of the early reviews picked by our Patreon patrons and our various roundtables. Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Tre earphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase. Songs in this Episode: Intro - Dig Me Out by Sleater-Kinney 7:43 - Freak by Silverchair 11:44 - All Sideways by Scarce 17:53 - I Think I’m In Love by Spiritualized 29:08 - Crosseyed by Brendan Benson 32:23 - Uptight by Ruth Ruth 37:38 - 6am Jullander Shere by Corne

Formed after the untimely death of Stevie Ray Vaughan, Arc Angels pick-up the Texas blues-rock torch on their 1992 self-titled release. Pairing the seasoned rhythm section of drummer Chris Layton and bassist Tommy Shannon with guitarist and singers Doyle Bramhall II and Charlie Sexton, the band expands upon Vaughan’s blues template and mildly dips its toes in more pop and radio friendly territory. At times it works, but at other times it comes off sound like imitations of better known tunes. We discuss, as well as where this fit in the early 1990s landscape. Songs in this Episode: Intro - Living In A Dream 8:54 - Too Many Ways To Fall 17:58 - Shape I’m In 23:34 - Good Time 27:02 - Spanish Moon Outro - The Famous Jane Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

In 1993 Living Colour released an album filled songs of alienation, social commentary and heavy themes that still resonate today. Stain was the first album with Doug Wimbish on bass, and the band fires on all cylinders with their unique brand of metal, sliding easily from funk to experimental to thrash and hard rock with ease. But two years later the band would take a five year break, and Stain would temporarily leave the band frozen on dark and foreboding note. Thanks to a Patreon pick, we revisit the record with fresh ears and take in all that Vernon Reid and his arsenal of guitar wizardry has to offer. After checking out our review of Stain, visit our Patreon page to hear our quick review of Living Colour’s latest release - Shade from this past September. Make sure to sign up at Patreon to hear bonus content from this and other episodes, as well as be eligible to win our 2017 4th Quarter Giveaway of the exclusive Newbury Comics limited edition white vinyl pressing of Sleater-Kinney’s 1997 album Dig Me Ou

We’re back with another “In The 90s” episode, this time tracking the chronology of rock legends KISS through the decade. After rising to fame in the 70s, the 80s were less kind to the band, who shed the makeup, band members and eventually albums sales through a turbulent time They entered the 90s on a positive note, with 1989′s Hot In The Shade scoring a hit with the power ballad “Forever,” but faced tragedy with the death of fan favorite drummer Eric Carr. While 1992′s Revenge initially sold well, it struggled to reach Gold and hte ensuing tour sputtered as the shifting musical landscape at the beginning of the decade pointed the band in a heavier direction foretold by the Revenge single “Unholy.” The eventual result would be 1997′s Carnival of Souls, with heavy nods to Alice In Chains and Soundgarden, but by the time of release it was an afterthought thanks to the 1995 MTV Unplugged performance that reunited the original line-up and stoked a short lived KISS revival in popular culture. The end result would

Rick Ruhl and Every Mother’s Nightmare are back with a new album, and he stops by to share their story. He takes his back to his formative years, his first concert (Alice Cooper!) and his earliest bands before forming EMN, who ended up signed by the legendary Clive Davis to Arista records after just thirteen gigs together. We dig into the awkward early 90s when bands with ballads and hair were lumped together regardless of their sound, and then written off collectively as grunge and alternative exploded. We discuss the Perris Records years, the various guest artists who appear on the new album, and a whole lot more. Special thanks to Bill Chavis at HighVolMusic for helping put this together! Songs in this Episode Intro - Loco Crazy 1:46 - Loco Crazy 50:56 - Upper Hand Outro - Blown Away Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

On the follow-up to their breakthrough album, The Cardigans 1998 release Gran Turismo asks you to put on headphones and chill. Though known for their bouncy pop single Lovefool, words like moody and introspective better represent their overall sound. Taking cues from a wide range of musical styles and distilling them into a controlled and unique album that owes as much to 90s downtown electronica and trip-hop as well as metal and industrial music. Yes, we’re dead serious, there more on going here than you probably noticed at first glance, so allow us to indulge our digressions, then let us know if you agree or disagree on our take. Songs in this Episode Intro - Erase/Rewind 9:44 - My Favorite Game 18:22 - Paralyzed 21:27 - Do You Believe 32:43 - Your Love Alone Is Not Enough (Manic Street Preachers feat. Nina Persson) Outro -  Explode Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

On the follow-up to their teenage debut, Silverchair fattened the sound but not the sales, we try to figure out what happened. When 1995′s Frogstomp exploded, the kids from Australia were pegged as Nirvana wannabes with plenty of growing to do. The still managed to sell millions of albums and score a bunch of hit singles. The sophomore release Freakshow from 1997 actually fared better with critics, but the sales dipped considerably, both in the US and their native Australia. To help us determine if this is truly a sophomore slump, we’re joined by Jeff Takacs (Rocketfuel podcast), Joe Royland (Sit and Spin with Joe vidcast) and Steve Muczynski (Hollow Earth) to revisit the record with fresh ears. Hear bonus content from the show over at Patreon. Songs in this Episode: Intro - Freak 14:31 - Slave 25:21 - Cemetery 47:56 - Roses Outro - Abuse Me Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

On her sophomore release Firecracker, Lisa Loeb mixes pop hooks and confessional ballads with mixed results. Known for the hit “Stay” from the Reality Bites soundtrack and the 1995 album Tails, her 1997 release under her own name has some made for radio pop singles as well as more intimate material. Sometimes the sparse approach works, adding flavor to the sound, and other times the musicians backing her leave us wondering who this album is for - pop listeners? Adult contemporary stations? Coffee house singer songwriters? Our confusion left us with mixed opinions - give a listen and share your thoughts if we got it right or wrong on Firecracker. Songs in this Episode: Intro - I Do 11:38 - Falling In Love 16:47 - Let’s Forget About It 18:50 - Firecracker Outro - Truthfully Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

It’s Halloween, a perfect time thanks a requested review to revisit the the Groovie Ghoulies 1997 album Re-Animation Festival. With a mixture of early rock ‘n roll riffs courtesy Chuck Berry and Buddy Holly, mixed with Ramones energy and Monkees goofiness, all wrapped in a Misfits-style horror punk sound, the Ghoulies give us some good creeps on All Hallows Eve. The band hit their stride keeping it simple, and our complaints are few. We also wonder if the Ghoulies were ahead of their time and missed out on an opportunity to cross platforms and launch a Doc McStuffins/Jake and the Neverland Pirates kids show. Songs in this Episode Intro - Graveyard Girlfriend 8:46 - Zombie Crush 12:03 - Tunnel of Love 14:30 - Graceland 15:45 - If You Need Me 18:47 - Evading The Grays Outro - Chupacabra Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com

Cornershop’s 1995 sophomore album Woman’s Gotta Have It gives a hint of the hit they would release two years later. The album shifts between rhythm driven “Hindi Pop” and jarring, dissonant indie guitar rock. While both have their merits, the melodies flow smoother on the former leaving the latter wanting. This album may have been out of step with the UK Battle of Britpop taking place between Blur and Oasis in 1995, but we contemplate if the sounds of Woman’s Gotta Have It would influence Damon Albarn’s songwriting on future Blur releases. Bonus audio from this episode can be found at Patreon, including a mini-review and discussion on the Foo Fighters latest album Concrete and Gold. Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Regent headphonesto test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping. Songs in this Episode: Intro - Wog 8:48 -

The second album from Hot Water Music gives us plenty to like, but much to scratch our heads at as well. Whether you call them punk, post-punk, post-hardcore or emo, HWM forge a unique path on 1997′s Forever and Counting, avoiding the rhythms and structures traditionally associated with punk rock. While we dug the diversity, the presentation left us wanting, as a dynamic-less mix and some questionable guitar and bass tones muddied the water. Give a listen and share your thoughts. Special thanks to Sudio Sweden (Facebook/Instagram), who hooked us up with two pairs of Regent headphones to test out. We’re reporting on them all month - if you like what you hear and want to grab a pair, use the code DIGMEOUT15 for 15% off your purchase with free worldwide shipping. Songs in this Episode: Intro - Translocation 14:26 - Just Don’t Say You Lost It 18:36 - Manual 22:24 - Man The Change 33:45 - Three Summers Strong Outro - Position Subscribe at Patreon   Facebook / Twitter / Instagram   Zazzle Merch Store   htt

We’re heading to the land of ten thousand lakes to uncover the Minneapolis St. Paul music scene of the 1990s. With names like The Replacements and Husker Du, the twin cities have been established as an 80s mecca for underground hardcore and punk rock, but the story of the city is much deeper and broader. In the 90s bands like Soul Asylum and Semisonic scored massive hits, while The Jayhawks, Low and the Dillinger Four expanded the sonic pallet. And of course, there’s Prince. To help us understand the roots of the punk and hardcore scene, we invited author/writer/KFAI DJ Cindy “Cyn” Collins, who recently released Complicated Fun: The Birth of Minneapolis Punk and Indie Rock, 1974-1984 to talk the early years and bands like The Suicide Commandos and The Suburbs. Returning is Michelle Leon, former Babes In Toyland bassist and author of I Live Inside: Memoirs of a Babe In Toyland to give us insights on the various famous (and infamous venues) and more, along with record producer, engineer, singer-songwriter and t