Decorating Pages

In this episode I speak with Director of Photography Simon Dennis. Simon has been working the last 5 years non stop in Ryan Murphy world and making it look stunning. Growing up outside of London, Simon was making films when he was young like a lot of us. He even admits to making his mom be the gaffer. Starting out making shorts, small films, and then springing into the mainstream with ”Dr. Who”, “Peaky Blinders”, “Pose”, “Politician”, “Hollywood”, “ACS: Versace”, ''Ratched". I worked with him on''ACS: Impeachment” and it was a delight. His new project is the limited series “Candy” which will air on May 9th on Hulu.

"Better Call Saul" - In this episode I chat with Set Decorator Ashley Michelle Marsh of "Better Call Saul". Originally from Oklahoma, Ashley Michelle March moved to Albuquerque, New Mexico to pursue a career in TV and film as a Set Decorator. Starting as an assistant on the film “Observe and Report”, then coordinating on the TV series like “In Plane Sight” and “The Client List” she moved over to Set Dec Buyer on “Better Call Saul”, “The Night Shift” and “Longmire”. Ashley began decorating and jumped into “Mr. Robot”, “The Girlfriend Experience” and films “El Camino”, “The Ultimate Playlist of Noise''. “Better Call Saul” is airing now and Ashley should be very proud of this final season.

In this episode I speak with Set Decorator Kimberly Leonard. Growing up in Los Angeles, and being inspired by her uncle, Donfeld, a costume designer, Kimberly studied design at Parsons and then hit the ground running on features, “Wheel of Fortune”, “Married with Children”, even working in a prop house till finding the set decoration buyer position. Kimberly mastered the position on shows like “Star Trek: Voyager”, "Star Trek: Enterprise’, “Boston Legal”, “Bones”, “Weeds” and more. Kimberly started Set Decorating on the Robin Williams comedy “The Crazy Ones”. Her Set Decorating credits include “Jane the Virgin”, “The Grinder”, “Blindspotting”, ”Counterpart”, “The Mosquito Coast”, and just recently Hulu’s “The Dropout”.

This is part two of my interview with Production Designer Marek Dobrowolski. His new film that has just been released is “I’ll find you” about A Catholic opera singer and Jewish violin virtuoso dream of performing together at the legendary Carnegie Hall in New York City, but the German invasion of Poland tears them apart. Shooting the whole film in his native Poland Marek was able to select historically accurate locations for scenes and give the film its period feel. We also talk about his start as a theater designer which led to a series of nine fairy tale TV movies in a year! We speak about his designs on “Mr. Mercedes”, “Last Action Hero”, “Under the Dome”, “Hitler: Rise of Evil” which he won an Emmy for his designs and more. He is also designing the last season of “The Walking Dead” which was in last week's episode.

In this episode I speak with Production Designer Marek Dobrowolski. Marek has designed a number of historically rich stories that have taken him to locations all around the world. After winning an Emmy for his work on “Hitler: Rise of Evil”, he continued his epic designs with Steven Spielberg’s “Into the West ' which he was also nominated for.His other designs include “The Craft”, “Terminator: The Sarah Connor Chronicles”, “Justified”, “World Without End”, ”The Company”, “Under the Dome”, “The Last Ship”, “Mr. Mercedes”, the current season of “The Walking Dead”. His latest film, “I’ll Find You”, is a wonderful story of love conquering all set in the Nazi background of World War 2. He shares that he got to go home to Poland for filming and was able to have a full Polish crew. He is a wonderful storyteller, as you will hear, sharing about his designs and research for each of these marvelous projects.

In this episode I talk about how to wrap up a show when you are finished shooting. From holding items to the next season, making inventory of your assets, to making it all disappear. The process differs from show to show, if the show is coming back or being wrapped out because it is ending, like a film. Tedious and time consuming for the Set Dec department on every show its a huge part of the job. I also break down the Oscars, and discuss the Oscar for Best Production Design “Dune”.

In this episode I speak with Oscar winning Set Decorator Shane Vieau. Shane’s work has a dynamic effect on screen which you can currently see in his Oscar nominated work on "Nightmare Alley". He has decorated huge films like “The Imaginarium of Doctor Parnassus”, “Dawn of the Planet of the Apes”, “Crimson Peak”, “Suicide Squade”, “xXx: Return of Xander Cage”, “The Shape of Water”(Oscar) and “It: Chapter Two”, He also decorated 2015’s Best Picture “Spotlight”and that lil’ indy film “Juno”.

On this episode I speak with Production Designer Ethan Tobman. Ethan is nominated for and ADG award this year for his design of Taylor Swift’s “All Too Well” in Short Format: Web Series or Music Video. He won the ADG award last year for “Black is King” in the Variety Special category. Ethan studied at NYU where he wrote, directed and production designed a short film at the age of 19 that went to Cannes Film Festival. From there he worked his way up on film to a Production Designer for films, TV  and music videos. Currently airing now on Hulu, Ethan Tobman also Production Designed “Pam and Tommy”. His other projects also include “Free Guy”, Beyonce’s “Lemonade” and “Formation”, multiple videos with Taylor Swift, “The Report”, and the chilling story “Room”.

On this episode I speak with Set Decorator Amber Richards. Amber is a Set Decorator in New Zealand and is nominated for an Oscar this year for her work on “The Power of the Dog”. This film was shoot in New Zealand for Montana by director Jane Campion and is stunning in it's period decor. As I spoke with Amber I got a better sense of how crews work in New Zealand compared to the US. We talk about how the responsibilities of the Set Decorator reach to different decor like wallpaper and hardware in her department. Amber was nominated for an ADG award last year for her work on “Mulan”, a huge scope of sets in that period film also. We discuss how Set Decorators have pieces fabricated for set as she did for “Mulan” and “The Meg”. Amber started as a set dresser on some of the biggest films of our time including “The Lord of the Rings” series, “The Last Samurai”, “King Kong”, “The Chronicles of Narnia”, “Mission Impossible: Fallout”. Amber is currently jumping in on “Sweet Tooth” season 2 on Netflix!

On this episode, I speak to Production Designer Steve Olson, Set Decorator Jerie Kelter and Art Director Raf Lydon. These three are now nominated for an ADG award for their work on “Live in Front of a Studio Audience: “The Facts of Life” and Diff’erent Strokes”. Exciting to hear how these three collaborated to make these iconic sets come back to life. From the linoleum floors, the moldings, and matching furniture to a T! Steve, Raf, Jerie and their crews brought these classic sets back to life and made us remember the design of minicams in the 80’s.

In part two of this interview with director Craig Zisk we speak about how he decides to shoot a scene, and gives a great example of the one-er (scene shot in one take) he did on the show “Smash”. We talk about guest directors being visitors on long running shows and how he works in that environment. The importance of the Tone Meeting with the showrunner. We discuss “Cop Rocks”, “The Larry Sanders Show”, “Brave New World” and “The Looming Tower”. He has been directing for 30 years, and is still excited about every project …I hope I get to work with him again soon.

On this episode I speak with Director, Producer Craig Zisk. Craig has directed over 96 shows in his career jumping back from drama to comedy. He's directed shows like "NYPD Blue", "Alias", "Scrubs", "The Office", "Parks and Rec", "Brooklyn Nine-Nine", "Weeds", "New Girl", "Fear the Walking Dead", "This is Us", "Wu-Tang:An American Saga" and many more. He talks about his college days at USC while being a PA on "Family Ties". An incredible story of how passion and hard work prevail in this industry.

On this episode I’m talking with Set Decorator Sarah McMillan who is Emmy nominated for her work on the riveting limited series “Mare of Easttown”. Sarah’s resume has some real hidden gems like AMC’s “Dispatch’s from Elsewhere”, Netflix’s “Living with Yourself”, the period film “Kill Your Darlings”, and her first Set Decorating job was on Gus Van Sant’s "Last Days". In starting out she set dressed on “The Royal Tenenbaums”! Sarah and I talk about the home town vibes she created in absolute perfect detail in capturing the look of Easttown, a fictional town outside of Philadelphia.

Ryan Garton is a Set Designer who has worked on shows TV shows like “Banshee”, “Sleepy Hollow” and “Scorpion”, his work can recently be seen in the film “The Prom” and I’ve been working with him for the past year on “American Crime Story: Impeachment”.  Ryan has a gift for creating gorgeous virtual renderings of the sets he designs. These days with our schedules being so tight and revisions constantly coming at you, a Set Designers job has become more demanding. Ryan and I also have a deep love for the Real Housewives franchises. We talk some gossip and rate the homes and decor of some of the Real Housewives.

On this episode I speak with Director Michael Uppendahl. Michael has an very interesting story of how he got into directing that intertwines passion, talent and good old fashion luck. He is an award winning theater director and has been directing hugely acclaimed TV series like "Walking Dead", "Madmen", "Turn", "Legion", "Castle Rock", "Hunters", "Hollywood", "Ratched", "Fargo" and I am currently working with Michael on "American Crime Story: Impeachment". I was just delighted when I learned he had directed an episode in this past season of "Fargo" that was shot in black and white. It's a beautiful hour of television. With Emmy voting going on till June 30th please consider Michael’s work on "Fargo", "Ratched" and "Hollywood".

On this episode I speak with Production Designer Kalina Ivanov about her design of the 50's noir series "Lovecraft Country". Studying theater at NYU lead Kalina to storyboarding for films such as "Silence of the Lambs", "Quiz Show", "Sleepers" and more. Kalina transitioned to Production Designing films that range from comedies like "The Best Man", "Uptown Girls", and "Long Shot", to the TV musical "Smash", dramas such as "Rabbit Hole", "The Conspirator", the series "Kings", and Netflix's "Seven Seconds". Kalina's Production Design also won an Emmy award for HBO's "Grey Gardens".

On this episode I am airing an interview I did last month with my alma mater Jefferson University. They have a great online series of webinars of how-to's from some of their alumni in their speciality fields. You can check out other webinars on their website jefferson.edu. In this webinar give tips on staging your home for selling from a set decorators design eye. Very grateful that I was considered for the series and hope that it was helpful. If you would like to watch the slide show for this episode you can find it on the Jefferson University YouTube channel and soon on the Decorating Pages YouTube channel.

The ADG awards are this Saturday, April 10th, which lets me celebrate the nomination of my friend Shaun Page for his work on "Wheel of Fortune". "Wheel of Fortune" is nominated for an ADG Award in the Variety, Reality or Competition category. We speak about the nominated sets and how the show being on for 35 years and being nominated now is such a special accomplishment. Shaun also manages to flips houses on the side, how he does that and work full time on this iconic show I have no idea.

In this part two interview with Production Designer Jim Bissell we throw back to "The Twilight Movie". His feelings about designing CGI heavy films like "300" and "Jumanji", working six times with director George Clooney including "Confessions of a Dangerous Mind"and "Good Night and Good Luck". His love of "The Spiderwick Chronicles", designing of a 5 million dollar parking garage for "Mission Impossible: Rouge Nation" and how he basically invented computer PreVis on "The Boy Who Could Fly". He also gives us some great insight into his recent film that he is nominated for an ADG award “The Midnight Sky”

It’s been a goal to speak with Jim Bissell since starting this podcast because on my wish list of designers and decorators I wanted to selfishly interview people who inspire me and inspire the world of cinema and tv. Jim Bissel has so many films that I cherish that of course I’m a total dork in this interview. He has a fascinating origin story that put him in the sights of Stevan Speilberg on one of his first films E.T. We talk about comparing his spaceship design from E.T. to The Midnight Sky. He reveals some Easter eggs from ET and The Rocketeer. The magic of trashing the house in Harry and the Hendersons. He won an Emmy Award in 1980 for his work on Palmerstown, U.S.A. followed by a BAFTA nomination for production design on Steven Spielberg's E.T. the Extra-Terrestrial. He has a Oscar nomination for Good Night and Good Luck. Three ADG nominations, and the ADG Lifetime Achievement Award in 2015, which.. He’s going strong, he might need another one.