New Books In Art

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the University of British

In her new book Disaster Drawn: Visual Witness, Comics, and Documentary Form (Harvard UP, 2016), Hillary Chute analyses the documentary power in the comics-form sometimes known as “graphic novels.” Chute is particularly interested in Art Spiegelman’s Maus, Keiji Nakazawa’s I Saw It, and Joe Sacco’s series Palestine, but she also introduces us to the long history of hand-drawn documentation of war-time trauma dating to Goya and Callot. Chute treats comics as a serious literary form that is especially efficacious for representing the act of witness-to-war and those who witness. It is through the power of graphic illustration combined with the written word–the comics-form–that the otherwise unspeakable atrocities of modern war can be conveyed. The book also serves as a primer to the language of comics–words like “gutter” and “tier”–and the craft of decoding comics as practiced by scholars such as Chute. In this interview Chute responded to questions about her path into comics as an academic pursuit, her thou

Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice (Duke University Press, 2015) is a gorgeous book. It’s about light and the practices of self representation in diasporic and Caribbean communities. Krista A. Thompson looks carefully and sees in the glittery surfaces of contemporary art, photographic and video practices in proms and dancehalls, and the visual culture of hip-hop the generative power of alternative modalities of being. Taking us to New Orleans, Jamaica, the Bahamas and on the global hip-hop circuit, this book engages with the discourses of art history and dissolves its Eurocentric bearings.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In her excellent new book The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East (UNC Press, 2015), Kishwar Rizvi, Associate Professor of the History of Art at Yale University, interrogates the interaction of history, memory, and architecture by exploring arguably the most important sacred space in Islam: the mosque. By combining the study of religion, history, and architecture in the most compelling of ways, Rizvi highlights the material and political significance of the mosque as a transnational symbol. While focused on the contexts of Iran, Turkey, Saudi Arabia, and the UAE, the theoretical insights of this richly textured book extend much beyond the contemporary Middle East. In our conversation, we talked about the concept of the transnational mosque, the historicist desires and assumptions that often undergird projects of mosque construction in Muslim societies, the transnational mosque, religious identity and international politics, and ways in which mobile networks

What is cultural taste? How is it formed, imagined and patterned? In Understanding Cultural Taste: Sensation, Skill and Sensibility (Palgrave MacMillan, 2015), David Wright, Associate Professor at the University of Warwick, explores the theories and practices framing cultural taste in contemporary society in order to account for the social role of cultural taste. The book explains how taste is made knowable, through quantification and measurement, moves through an explanation of differing cultural taste patterns, including the all important figure of the omnivore, and narrates the impact of technology on cultural taste. The book accounts for the governing and globalisation of cultural taste, thinking through the rise of cosmopolitan tastes, as well as engaging with ideas about taste and expertise. The book uses a range of examples, including detailed discussions of contemporary art works such as Greyson Perry’s The lovely consensus. Although grounded in sociology, the book speaks to debates, and thus to reade

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensibility of personal liberation. From John Cage, who in 1952 explored the musical possibilities of silence in the composition 4′ 33″ to Chris Burden’s 1974 performance piece Trans-fixed nailing him to a Volkswagen; both challenged the standing categories of art and aesthetics. Two-dozen dramatic vignettes demonstrate the excess of violence, sex, and madness that blurred the boundaries between art, artist and audience. Creatives such as Marlon Brando, Lenny Bruce, Andy Warhol, and Anne Sexton populate his pages. The fascination with excess cut across diverse expressions taking art and audiences into uncharted territories

Today I’m talking with Lynn Gamwell about Mathematics and Art: A Cultural History (Princeton University Press, 2015). This book is a breathtaking combination of scholarship and beauty, tracing the interplay of mathematics and art throughout mankind’s history, East and West. Gamwell is a lecturer in the history of mathematics and science at the School of Visual Arts in New York, and thus she is uniquely positioned to write a book that brings together the two disparate cultures described by C.P. Snow in his 1959 essay. Snow would have appreciated how the author communicates the depth, passion, and beauty that characterize each culture, while describing how each inspires the other. The in-depth discussion is brought to life by 440 stunning artworks and 102 crystal-clear math diagrams. This is a big, beautifully produced book that you will want to place on your coffee table. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.suppor

Roberta Wue‘s new book brings readers into the world of late Qing Shanghai, a center of art, culture, and entertainment. As artists fled to the city after the Taiping Rebellion, they helped create new ways of being an artist that emerged from new kinds of relationships between them, their audiences, and their work. Art Worlds: Artists, Images, and Audiences in Late 19th-Century Shanghai (University of Hawaii Press, 2014) focuses on Ren Bonian (1840-1895), a celebrated painter of the Shanghai School, and his circles and audiences. The chapters each use a particular medium or format to explore the changing landscape of the arts in Shanghai, from painted fans and fan shops, to advertisements and mass media (including an interesting account of art world activism around famine relief), to illustrated books and periodicals (including inserts accompanying the Dianshizhai huabao), to portraits of members of the art world (including a truly amazing image of a man about to butcher a dog). It is a fascinating and beauti

What are the alternatives to the current neo-liberal cultural settlement prevailing in much of the global north? In To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution (PM Press, 2015), Rebecca Gordon-Nesbitt, from The Centre for Cultural Change, argues that this question can be addressed by learning from the cultural policy of the Cuban revolution. The book draws on a wealth of archival material, coupled with the theoretical framework of Marxist Humanism, to give a detailed picture of the revolutionary period on the island and chart the lessons from that era. The book introduces the key policy documents and events, along with examples from a variety of cultural forms, including a detailed engagement with the role of film and cinema in the revolutionary era. The book will be essential reading for cultural studies and cultural policy scholars, alongside anyone seeking an alternative vision of culture’s social role. Learn more about your ad choices. Visit megaphone.fm/adch

Megan Prelinger‘s beautiful new book brings together the histories of technology and visuality to ask the question, “What cultural history of electronics can be extrapolated from a close look at the associated graphic art?” Inside the Machine: Art and Invention in the Electronic Age (W. W. Norton, 2015) treats the commercial and advertising art of the mid-twentieth century as an archive to explore the social and cultural engagement with electronics technologies during a particularly vibrant moment for the American graphic commercial arts. Incorporating text and image as sources to be read, Prelinger’s book moves from the beginnings of FM technology and vacuum tubes, to televisions and quartz crystals, to transistors and circuit boards, to digital computing and into space. Of special interest is the attention Prelinger pays to to the importance of graphic designers and staff artists at major labs and research centers. The book models an innovative and inspiring way to read graphic images as historical document

Ink landscape painting was distinctive to the Song dynasty, and the Northern Song period was a special time for the medium. By the tenth century, this kind of painting emerged as a “scholars’ category” whose “values were especially worthy of support” in critical scholarly discourse, according to Ping Foong‘s fascinating new book. Bringing together paintings, poems, colophons, texts about painting, and other sources, Efficacious Landscape: On the Authorities of Painting at the Northern Song Court (Harvard University Asia Center, 2015) looks carefully at the imperial establishment’s efforts “to cultivate the genre of ink landscape painting and its iconography as a dynastic project.” In a story that focuses on Shenzong’s favorite painter: Guo Xi (after 1000-ca. 1090), Part I of The Efficacious Landscape brings readers into the spaces of the Song imperial city and their political connotations, from a careful exploration of the political import of the paintings decorating the walls of the Hanlin Institute, to a re

How has American cultural and artistic policy changed over the last 25 years? Performing Policy: How Contemporary Politics and Cultural Programmes Redefined US Artists for the Twenty-First Century (Palgrave, 2014) explains the process of policy-making, funding models, NGOs and specific places that have shaped the current cultural settlement in the USA. Paul Bonin-Rodriguez’s book uses examples of policy reports, theatre and cross-arts organisations, as well as drawing on debates about creative platemaking. The multi-disciplinary approach allows Performing Policy to speak directly to the history of arts funding, in the context of the U.S.’s culture wars, as well as to the contemporary question of the role and purpose of the artist in society, along with how those artists might be educated. The book will be important reading for cultural policy and arts management students, as well as those in cultural studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium

As demographic trends continue to mark the so-called “Latinization” of the U.S., pundits across various media outlets struggle to understand the economic, cultural, and political implications of this reality. In popular discourse, Latinoas/os are often referred to as a monolithic group in terms of cultural practices, voting patterns, and consumer preferences. Of course, Latinas/os are one of the most diverse ethnic groups in the U.S., comprising more than 14 nationalities (including indigenous groups) with variances in language, cultural practices, and political attitudes that mirror their geographic distribution. In Thirteen Ways of Looking At Latino Art (Duke University Press, 2014) the accomplished essayist and cultural commentator Ilan Stavans enters into conversation with the distinguished philosopher Jorge J.E. Gracia around 13 pieces of Latina/o art in order to excavate the underpinnings of Latina/o identity and culture. Each work of art provides the impetus for lively exchanges between Stavans and Gar

While many are familiar with the call for ‘One Love’ from the music of Bob Marley they more than likely know little about the tradition that this message is rooted in. In Rastafari and the Arts: An Introduction (Routledge, 2015), Darren Middleton, Professor of Religion at Texas Christian University, introduces his readers to Rastafari through the creative expressions of its members in literature, art, film, and music. He traces the development of the tradition in Jamaica and abroad, including Ghana, Britain, and Japan, as well as highlighting key narrative, doctrinal, social, and ethical teachings. In our conversation we discussed Haile Selassie, Rastafari and Gender, the literary tradition of insiders and outsiders, the notion of Babylon, the great masters of dub poetry, including Mutabaruka and Benjamin Zephaniah, documentary film, the role of reggae and Rastafari in Japanese culture, ethnographic work in Ghana, British Rastas, Bob Marley, and the commodification of Rastafari. Learn more about your ad choic

Prague, according to Derek Sayer, is the place “in which modernist dreams have time and again unraveled.” In this sweeping history of surrealism centered on Prague as both a physical location and the “magic capital” in the imagination of leading surrealists such as Andre Breton and Paul Aluard, Sayer takes the reader on a thematic journey from the beginning of the 20th century to the immediate post-war era. In this interview, Sayer talks about why surrealism – and, more importantly, why Prague – is central to understanding the 20th century and modernism. Through works of literature and works of architecture, Sayer demonstrates how Czech modernists pluralized visions of what modernist art should be. These Czech artists and architects were largely ignored in post-World War II exhibitions and histories of surrealism and modernism. With this book, Derek Sayer returns them to their proper place in the narrative. Prague, Capital of Twentieth Century: A Surrealist History (Princeton University Press, 2013) receiv

Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becom

Nick Sousanis‘s new book is a must-read for anyone interested in thinking or teaching about the relationships between text, image, visuality, and knowledge. Unflattening (Harvard University Press, 2015) uses the medium of comics to explore “flatness of sight” and help readers think and work beyond it by opening up new perceptive possibilities. It proposes that we think about unflattening as a “simultaneous engagement of multiple vantage points from which to engender new ways of seeing,” and beautifully embodies what it can look like to make that happen. Readers will find thoughtful reflections on the possibilities and constraints afforded by working and thinking with different kinds of verbal and visual language, including a consideration of comics as “an amphibious language of juxtapositions and fragments,” and some wonderful work on storytelling and imagination. The book includes a wonderful “Notes” section that offers some background on the inspiration behind many of the images (including Flatland, Calvino

As Meryle Secrest notes in the introduction to her new book, Elsa Schiaparelli: A Biography (Knopf, 2014),”The most extraordinary fashion designer of the twentieth century is now just a name on a perfume bottle.” Were it not a book about Schiaparelli, it’s a sentence many people might assume was being applied to Coco Chanel, for Chanel looms large as the fashion designer of the last century. But Schiaparelli was, as Secrest reveals, more than a fashion designer: she was an artist. And, through her collaborations with SalvadoreDali, Jean Cocteau, Man Ray and others, she was in the vanguard of surrealism and transformed women’s fashions into an art form. Who was Schiap? It’s hard to know. But then we can never know everything about another person, which iswhat makes reading biography so beguiling: the illusion that we could. It’s a circumstance Secret openly acknowledges. “A great many aspects of Elsa Schiaparelli’s life will probably never be known,” Secrestwrites. “She was not much of a letter writer… If she

Greg Barnhisel‘s new book, Cold War Modernists: Art, Literature, and American Cultural Diplomacy (Columbia UP, 2015) examines how modernism was defanged, re-packaged, and resold during the Cold War. Barnhisel, an Associate Professor at Duquesne University, reveals that–from its incendiary beginnings–modernism was made safe for the bourgeois West thanks to the intervention of unlikely contributors like the CIA, the Department of State, and even major corporations. Barnhisel’s extensive archival research unearths the thinking that went into the repurposing of modernism to support American cold-war ideology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Jerzy Grotowsky and Tadeusz Kantor were influential in avant-garde theater in the West in the 1960s and 1970s, receiving high critical regard despite the fact that audiences could not understand the Polish language of the performances. In The Post-Traumatic Theatre of Grotowski and Kantor: History and Holocaust in ‘Akropolis’ and ‘Dead Class’ (Anthem Press, 2014), Magda Romanska bridges the disciplinary divides between theater studies and Slavic studies, between the history of Poland in the twentieth century and the history of avant-garde theatre, to place these works in a Polish and international context. Romanska asserts that critics and audiences in West, while appreciating the theater productions of Grotowski’s Akropolis and Kantor’s Dead Class, missed the “obscure, difficult, multi-layered, funny-sounding Polish glory, with all of the complex and convoluted contextual and textual details” of these works. She traces the Polish cultural and literary roots and the Jewish history and culture on which Kantor