New Books In Art

That games, particularly video games, could be viewed as art should come as no surprise. And yet, a debate exists over what is and should be considered art with respect to games. In his new book, Works of Game: On the Aesthetics of Games and Art (MIT Press, 2015), John Sharp offers context for the discussion of games and art. To do so, Sharp presents case studies of “Game Art,” “Art Games,” and “Artists’ Games” in an explication of three communities of practice that provide the foundation for the discussion of games and art. Game Art examines the use of games as tools for the creation of art. Sharp, then, examines the Art Game movement that pushes video games into the domain of other humanistic art forms. Finally, Artists’ Games examines the use of video games as an artistic medium that combines the aesthetics of artists and game developers. Sharp also discusses the potential for the the merging of the values of traditional artists and gaming communities. Learn more about your ad choices. Visit megaphone.fm/a

Reading Winnie Wong's new book on image production in Dafen village will likely change the way you think about copying, China, and the relationship between them. Based on fieldwork that included artist interviews, studio visits, and participant observation alongside local officials, bosses, interpreters, foreign artists, buyers, and traders, Van Gogh on Demand: China and the Readymade (University of Chicago Press, 2014) takes readers into the production of images in a village in Shenzhen. After establishing what we're talking about when we talk about "copying" and "copies" in this context, Wong guides us through a series of media and spaces that collectively upend several assumptions that are often brought to understanding Dafen and its painters specifically, and copying and creativity in China more broadly. Indeed, understanding what Dafen painters are not is a crucial first step toward understanding what is happening in their work and home lives. Dafen painters, we learn, are not "especially unfree victims"

Caricaturing Culture in India: Cartoons and History in the Modern World (Cambridge University Press, 2014) is a wonderful piece of visual anthropology by Ritu Gairola Khanduri, which uses the history of cartoons, from colonial to current times, to talk about various aspects of Indian society from the state, to political society to modernity. Through archival material and fascinating discussions with cartoonists, the book reveals the various ways in which cartoons talk in India, past and present.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome (Penn State University Press, 2014), Melissa Dabakis takes readers on an unexpected journey from Boston to Rome to discover multiple American women sculptors working in studios, winning public commissions, and earning artistic renown in the mid-19th Century. The book navigates through the worlds of sculpture, feminism, American and Italian politics, slavery and abolition, expatriate circles, Roman culture, and Italian independence struggles. Dabakis illuminates the critical period from 1850 to 1876 when American women sculptors not only forged professional artistic careers but also participated in and impacted feminist and abolitionist movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Kristina Kleutghen‘s beautiful new book offers a fascinating window into the culture of illusion in China in the eighteenth century and beyond. Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palaces (University of Washington Press, 2015) guides readers into the scenic illusions of the Qing dynasty, focusing on pictorial illusions and the technologies that helped create and contextualize them in high Qing palaces, and especially under the reign of the Qianlong emperor (r. 1736-95). Imperial Illusions describes and explains a range of visual images and objects that were meant to trick the eye and delight the viewer, from illusionistic murals in tombs and temples, to massive wall- and ceiling-mounted paintings, diagrammed treatises on optics and vision, copperplate engravings, and more. Not only do these illusions help us understand Qianlong – especially when read alongside his poems – but they also inform a broader history of Sino-European artistic and technological exchange and help broaden the

Ann C. Pizzorusso‘s new book is a wonderfully creative and gorgeously illustrated meeting of geology, art history, and Renaissance studies. Arguing that understanding Italy’s geological history can significantly inform how we see its art, literature, medicine, architecture, and more, Tweeting Da Vinci (Da Vinci Press, 2014) takes a deeply interdisciplinary approach to engaging the cultural history of Italy from the Etruscans to Da Vinci and beyond. The chapters explore the significance of volcanic activity, cave geology, lightning, gemstones, the healing powers of amber, underwater cities, and much more as they inform how we understand the histories of painting, religious practice, entombment, and the work of authors including Virgil, Dante, and Leonardo Da Vinci, among others. A pair of chapters focuses particularly closely on demonstrating how analyzing Da Vinci’s art from the perspective of geology and botany has helped to identify and authenticate his work and that of his students. Enjoy! Here’s the webs

Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013) by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individua

Steven Shaviro‘s new book is a wonderfully engaging study of speculative realism, new materialism, and the ways in which those fields can speak to and be informed by the philosophy of Alfred North Whitehead. While The Universe of Things: On Speculative Realism (University of Minnesota Press, 2014) will satisfy even advanced scholars working on “object-oriented ontology” and related issues, it’s also a fantastic introduction for readers who have never heard of “correlationism” or panpsychism, don’t quite understand what all of the recent humanities-wide Whitehead-related fuss is all about, and aren’t sure where to begin. After a helpful introduction that lays out the major terms and stakes of the study, seven chapters each function as stand-alone units (and thus are very assignable in upper-level undergrad or graduate courses) while also progressively building on one another to collectively advance an argument for what Shaviro calls a “speculative aesthetics.”The Universe of Things emphasizes the importance of

I love picking up a historical monograph in which the footnotes count for a quarter or more of the total pages. Most students don’t share this strange love of mine. I’m therefore always trying to figure out ways to bring in other sorts of works that will engage students without giving up anything in terms of historical richness or depth of thought. To this end, I often assign “graphic histories” in my classes (aka comics). One that I recently used in class, and was deeply impressed with, was Gene Luen Yang‘s Boxers & Saints (First Second, 2013). This informative, thought-provoking, and deeply moving graphic history is set during the “Boxer Rebellion” (1898-1900), a massive anti-foreign and anti-Christian movement that rocked northern China. Each of the two volumes of this work focus on a different character, one an anti-Christian and anti-foreign Boxer leader, and the other a Chinese convert to Catholicism. Skillfully weaving these stories together, Gene Luen Yang provides a fascinating meditation on war, the

Daniel Margocsy‘s beautiful new book opens with a trip to Amsterdam by Baron Zacharias Conrad von Uffenbach, and closes with a shopping spree by Peter the Great. These two trips bookend a series of fascinating forays into the changing world of entrepreneurial science in the early modern Netherlands. Commercial Visions: Science, Trade, and Visual Culture in the Dutch Golden Age (University of Chicago Press, 2014) considers scientific knowledge as a commodity, looking carefully at how the growth of global trade in the Dutch Golden Age shaped anatomy and natural history as commercial practices. Margocsy argues that commercialization stimulated “a debate over the epistemological status of visual facts in natural history & anatomy,” transforming the concept of visual representation in the process. While learning about these debates and transformations, readers are guided on a tour through a world of seashells, forgeries, and wax-filled cadavers, evidence of a commercially-driven proliferation of ways to represent

Carolyn L. Kane’s new book traces the modern history of digital color, focusing on the role of electronic color in computer art and media aesthetics since 1960. Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code (University of Chicago Press, 2014) places color at the center of media studies, exploring some amazing works of art and technology to understand the changing history of the relationship between color as embodied in machine code and screen interface. Using a methodology called “media archaeology” that is informed by the work of Foucault, Nietzsche, Kittler, Heidegger, Stiegler, and others, Chromatic Algorithms traces a transformation of color from optics to algorithms.  The chapters trace a history of synthetic color in Western aesthetics and philosophy, the rise of Day-Glo, the aesthetics of color in video art from the 1960s and 1970s, the technology of color TVs, the connection between color and notions of transcendence and utopia, “democratic color” and Salvador Dalí’s

Joan Kee‘s new book is a gorgeous and thoughtful introduction to the history of contemporary art in Korea. Contemporary Korean Art: Tansaekhwa and the Urgency of Method (University of Minnesota Press, 2013) traces the creation, promotion, reception, and rhetoric of the work produced by a constellation of artists creating large, mostly abstract paintings in neutral colors from the mid-1960s to the mid-1970s. Kee opens up these works for readers by offering close readings of many important paintings and objects. In doing so, she teaches us how to see these works as methods, showing us how to visualize labor and process in an aesthetic product and pointing out ways that tansaekhwa artists were visualizing conceptions of time, space, materiality, and the agency of the viewer. Contemporary Korean Art also considers tansaekhwa in relation to the global circulation and translation of information about the art world beyond Korea, and explores how the postwar Korean art world dealt with the legacies of empire, nationa

Seeking to fill the gap in scholarship focused on African American artisans in the American South, Catherine W. Bishir uses the very specific location of New Bern, North Carolina to “dig a deep hole” and produce a longitudinal study of black artisans that moves chronologically from the colonial period, through the early national period to the period following the Civil War. Crafting Lives: African American Artisans in New Bern, North Carolina, 1770-1900 (University of North Carolina Press, 2013) looks at how artisans, enslaved and free, negotiated a complex social landscape that relied on their skills but circumscribed their lives. Specifically, Bishir examines the broader American artisan-citizen identity, the hallmarks of which are independence, mastery and self-determination and how the racial mores of the South made the enactment of this identity a problematic proposition for black artisans in New Bern despite its relatively lenient racial laws. Learn more about your ad choices. Visit megaphone.fm/adchoic

Lara Netting’s new book explores the life, career, and work of one man as a window into the history and associated practices of “Chinese art” during a period of massive transformation in the China of the late nineteenth and early twentieth centuries. While reading A Perpetual Fire: John C. Ferguson and His Quest for Chinese Art and Culture (Hong Kong University Press, 2013), we journey along with John C. Ferguson as he navigates through a complex and fascinating world of government officials, art dealers, scholars, and museums in China and the US. Ferguson gradually became embedded in a social web whose connections made it possible for him to transform from a minister’s son in rural Ontario to a world-class collector, dealer, and scholar of Chinese art while the very notion of “Chinese art” was still emerging and being debated. Netting’s book charts the early development of Ferguson’s relationships with key figures in the political and social landscape of Qing and Republican China, tracing the ways that these

It is a rare event when a dissertation focused on a single work yields a rich and fruitful account of an entire period. James Nisbet‘s new book, which began as a study of Walter De Maria’s 1977 Land Art work TheLightning Field, does just this by ranging freely across a wide variety of art works, practices, and attitudes from the formative decades of the environmental movement and of postwar American art. Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s (MIT Press, 2014) traces the shifts in ecological thinking and artistic practice during this period, and makes a convincing case for an ecological reading of many of its landmark works. What makes this book particularly fun, though, is the sheer strangeness of the works Nisbet discusses, many of them only briefly considered in the critical literature. From Allan Kaprow’s Yard (a gallery environment filled with tires), to psychedelic happenings, Peter Hutchinson’s bread scatter on the edge of a volcano, 2001: A Space Odyssey, Robert Barr

Craig Clunas‘s new book explores the significance of members of the imperial clan, or “kings” in Ming China. A king was established in a “state” (guo), and mapping the Ming in terms of guo‘s is a way of mapping Ming space in units that had centers, but not boundaries. (In having many guo‘s, the Ming thus had many centers.) A wonderfully and productively revisionist account of Ming history and its artifacts, Screen of Kings: Royal Art and Power in Ming China (University of Hawaii Press and Reaktion Books, 2013) explores this poly-centric kingly landscape as evidenced by documentary and archaeological traces of material production, while paying special attention to the history of practices that did not leave abundant traces. In doing so, Clunas shifts our attention in several ways. In addition to reorienting our focus to kingly figures in the Ming (an often-overlooked but deeply significant historical group), Screen of Kings also moves us away from the oft-trod historiographical territory of the Jiangnan region

In Omar W. Nasim‘s new book, a series of fascinating characters sketch, paint, and etch their way toward a mapping of the cosmos and the human mind. Observing by Hand: Sketching the Nebulae in the Nineteenth Century (University of Chicago Press, 2013) examines the history of observation of celestial nebulae in the nineteenth century, exploring the relationships among the acts of seeing, drawing, and knowing in producing visual knowledge about the heavens and its bodies. Observing by Hand treats not just published images, but also argues for the centrality of “working images” to the histories of science and observation, paying special attention to personal drawings in private notebooks as instruments of individual and collective observation. Nasim’s approach blends the history and philosophy of science in a study that informs the histories of astronomy, images, and paperwork, and that emphasizes the importance of the philosophy of mind and its history in shaping this heavenly narrative. His transdisciplinary a

The pages of Matthew C. Hunter‘s wonderful new book are full of paper fish, comets, sleepy-eyed gazes, drunk ants, and a cast full of fascinating (and sometimes hilarious) members of the experimental community of Restoration London. Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London (University of Chicago Press, 2013) maps the visual traces of drawing, collecting, and building practices between 1650 and 1720 to narrate the emergence of a particular kind of intelligence that was formed by visualization techniques. Hunter’s book pays close attention to the work of Robert Hooke while situating Hooke within a community of painters, architects, writers, customs brokers, telescope makers, and other fashioners of early modern experiments of all sorts. A significant contribution to both the histories of science and of art, Wicked Intelligence pays equal attention to the flat spaces of the imaged page and the built spaces of the museum, the city, and the “laboratory of the mind.” It is

Beautiful Geometry (Princeton UP, 2014), by the mathematician prof. Eli Maor and the noted artist Eugen Jost.  It’s a fascinating collaboration which helps to bridge the gap deplored by C. P. Snow in his classic The Two Cultures.  If you’re a lover of geometry, you’ll find some of your favorites depicted here – as well as a number of theorems that will undoubtedly be new to many readers (including the interviewer).  Each result is accompanied by an original work of art by Eugen Jost.  It’s fascinating not only to read about some of the more piquant results in a field (geometry) that is more than 2,500 years old, but just as delightful to see how these results inspire the creativity of an artist.  If you come for the geometry, you’ll certainly stay for the artwork – and if your interest is in art, you’ll be intrigued by how a presumably dry subject such as geometrical theorems can give birth to works of exquisite beauty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becomin

In the field of children’s programming, few people- with the possible exception of Fred Rogers- are as beloved as Jim Henson, a contributor to Sesame Street and Saturday Night Live, but most famous for his creation of the Muppets. And yet, he’s remained an enigmatic figure in the years since his death. People remember the Muppets and they remember Jim, but they don’t know much about him. Jim Henson: The Biography (Ballantine Books, 2013), by Brian Jay Jones is thus an effort to correct that and to pin down the puppeteer: as a man, a husband, a father, and an innovator. For, with the passage of time, we’ve come to take the Muppets and their maker rather for granted. They’ve been around for over fifty years so it’s easy to forget they had to be invented. It’s equally easy to forget how ground-breaking an invention- along with Henson’s other innovations- they were. As Jerry Juhl, the first official employee of Muppet’s Inc., reminds us in Jim Henson: “This guy was like a sailor who had studied the compass and