New Books In Popular Culture

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime. Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960

One of the major aspects of the popular film industry are the fans who want to collect material related to their favorite films, actors, and actresses. While this has become generally easier in the age of the Internet, there is a long history of people who literally spent their entire lives gathering things. In his new book Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics (University Press of Mississippi, 2018), Anthony Slide presents an overview of these collectors, as well as how the hobby began.Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Ark Encounter: The Making of a Creationist Theme Park (NYU Press, 2018), James Bielo, Assistant Professor of Anthropology at Miami University, goes behind the scenes at Grant County, Kentucky’s creationist theme park, which opened in July 2016. Entertainment has long been understood as important aspect of Christianity in the US, but the theme park, which includes a re-creation of Noah’s ark, provides a striking setting through which to ask questions such as how creationists present their beliefs to the broader public. Ark Encounter is, in part, a workplace ethnography, which describes the entwined conceptual and aesthetic work through which the park’s design team imagine how to most effectively and playfully communicate a controversial religious perspective. Bielo’s findings are situated in discussion with other groundbreaking anthropological work on how categories such as ‘fundamentalist’ have been constructed over time, perhaps most notably Susan Harding’s scholarship. While the whole book

How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to rea

Jack Benny was one of the first crossover stars in broadcast comedy, rising from the vaudeville circuit to star in radio, film, and television. Kathryn Fuller-Seeley chronicles Benny’s career in her book, Jack Benny and the Golden Age of American Radio Comedy (University of California Press, 2017). The book recently received a Special Jury Prize from the Theatre Library Association. Kathryn Fuller-Seeley is Professor of Communication at the University of Texas at Austin. She is also the author of various books on film history, including At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture (Smithsonian Institution Press, 1996). Learn more about your ad choices. Visit megaphone.fm/adchoices

What do Shakespeare and superheroes have in common? A penchant for lycra and capes? A flair for the dramatic? Well, according to Shakespeare scholar, English Professor and comic-book fan Jeffrey Kahan, the connection between Batman and the Bard runs much deeper. In his new book, Shakespeare and Superheroes (ARC Humanities Press, 2018), Kahan argues that Shakespeare’s work and the popular superhero comics of the past century are actually engaged in a meaningful dialogue with each other. Rather than simply exploring the influence of Shakespearean drama on the superhero genre or analysing the many comic-book adaptations of Shakespeare’s plays, Kahan instead tackles the much more profound question of how these diverse canons engage with broader philosophical and cultural issues. In doing so, he draws highly original parallels between their respective ethical and epistemological stances. Over the course of three chapters, Kahan dissects the shared approach to issues of morality and free will evidenced in Hamlet an

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with

In The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value, and its status as either “goods” or “garbage”—have been at the heart of American cultural discourse for centuries, and reached a particularly fevered pitch in the 1980s. Bookended by Jimmy Carter’s “Crisis of Confidence” speech in 1979 and George H. W. Bush’s 1989 inaugural address, both of which lamented the apparent spiritual failings of materialism while at the same time avoiding a full condemnation of the same, Jelfs frames the 1980s as the “Age of Neoliberalism.” This period saw the resurgence of market-based responses to a series of crises, including oil price shocks and inflation. In this context, Jelfs examines texts as wide-ranging as political speeches, films, photography and other visual arts, and novels, using them to explore the particular nuances of American cultural discours

If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now. Deborah Jaramillo, Associate Professor of Film and Television at Boston University, is the author of a new book called The Television Code: Regulating the Screen to Safeguard the Industry (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence.Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Waterlow’s new book It’s Only a Joke, Comrade! Humour, Trust and Everyday Life Under Stalin (1928-1941) (CreateSpace, 2018) delves into the previously understudied realm of humor in the Stalinist period, exploring how average citizens used humor to understand the contradictions of their daily reality and to relieve the stress caused by Stalinist policies. By looking at the way Soviet leaders such as Kirov and Stalin were mocked he notes how people subversively commented on policies that left them hungry and poorly clothed, joking for example that after Kirov’s murder they would dine upon his brains, or how Stalin rid himself of pubic crabs by announcing he would create a crab collective farm, causing them to flee.  Jokes also touched on policy issues such as five-year plans, repression and even the Molotov-Ribbentrop pact, showing how people thought about these issues and discussed them among their cohort. Additionally, jokes revealed the intersectionality of new Soviet and older value systems as peo

How can human rights campaigns function in consumer and celebrity society? In The Mass Appeal of Human Rights (Palgrave Macmillan, 2019), Joel Pruce, assistant professor in political science at the University of Dayton, explores this question through the framework of the Frankfurt School’s critical theory. Rich with examples and detailed histories of the evolution of both human rights campaigns and celebrity and consumerist practices, the book challenges us to rethink contemporary political movements. Including critical discussions of Amnesty International, Save Darfur, Paris Hilton, Pussy Riot, and Live8, the book is essential reading for anyone concerned with how to change the world for the better, rather than just for the benefit of celebrity and consumer capitalism.Learn more about your ad choices. Visit megaphone.fm/adchoices

In Riffs & Meaning: Manic Street Preachers and Know Your Enemy (Headpress, 2018), Stephen Lee Naish tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influences, as well as its mixed reception by critics and fans alike, inspired Naish to uncover the ways in which the album’s subversion of expectations ultimately benefitted the work, allowing for a reconsideration if its impact. Riffs & Meaning contains musical histories of the band, including their launch of Know Your Enemy at a concert in Havana, Cuba; track-by-track analyses of the studio version of Know Your Enemy, along with the B-sides; interviews with fans about their feelings towards the record; and a discussion of the ways in which this release informed the band’s future musical directions. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues

Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught

In Off the Cliff: How the Making of ‘Thelma & Louise’ Drove Hollywood to the Edge (Penguin, 2018), Becky Aikman explores the making of Thelma & Louise, a 1991 film that challenged traditional Hollywood culture. The film cast two women as the stars, running from their lives and the law. An outlaw film that was a long shot, but became one of the most influential films of the past 30 years. Aikman tells the story of how Callie Khouri wrote a script that she worked to see come to the big screen. Off the Cliff goes behind the scenes, examining how Khouri’s script got to Ridley Scott, how they found one studio—Pathé—to back it, and how through a series of sometimes lucky and very fortunate events came together to create this lasting feminist film milestone. Aikman draws on interviews with the actors, writers, and filmmakers to tell the story of Thelma & Louise. Aikman’s work is an in-depth exploration into every aspect of Thelma & Louise, from getting the movie off the ground, actor audi

Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year.  The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the University of Wisconsin-Madison Library. It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, James P. Leary.  Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the S

Leopard print has a long history, as Jo Weldon shares in her new book, Fierce: The History of Leopard Print (Harper Design, 2018). In her illustrated text, Weldon chronicles the history of leopard print, situating it throughout popular culture. Starting in the early 1900s, Weldon examines the mass production of textiles and changes in the fashion industry to bring about the use of prints, colors, and patterns giving women more opportunities to use daring styles. In addition to fashion, Weldon explores influential individuals who changed popular culture with their choices in couture. Weldon’s book combines historical information about fashion, distinguishing features of large cats and large cat prints, and full color images of the compelling textile and its wearers. She argues that leopard print has been a powerful statement for women throughout history, adapting and changing to different fashion trends and technological advancements. Weldon’s book is a vivid illustration of a fashion statement that has not go

Gaming has increasingly become part of mainstream culture, from the continued rise of console and PC gaming to the emergence of eSports. Gaming culture has also come under more scrutiny to the non-gaming public. The #Gamergate controversy showed the ugly side of gaming culture, and how gender is imbued within this culture. Gaming culture, as Professor Megan Condis argues, is a masculine institution. Within gaming, masculinity is not only favored but shapes a policing discourse that maintains gender boundaries. Additionally, the masculine politics of gaming culture has found cultural salience in our current political environment. By acting as trolls and using memes—two aspects key to gaming culture—the alt right uses these features of online culture toward their political ends. This book provides a much-needed gendered analysis of gaming culture. For those who consider themselves avid gamers to those who have never picked up a video game in their life, Megan Condis’ Gaming Masculinity: Trolls, Fake Geeks, and

In The Blue Series: The Story Behind the Color (Third Man Books, 2017), Ben Blackwell invites readers behind the scenes for the making of Third Man Records’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician, and producer Jack White—formerly of the White Stripes—TMR has released dozens of Blue Series singles by an eclectic group of artists, including Beck, Dwight Yoakam, Wanda Jackson, Stephen Colbert, Insane Clown Posse, and Tom Jones. Beginning with a foreword by Rolling Stone senior writer David Fricke, and an interview with White, Blackwell includes artist accounts, biographical information, and recording credits for 40 7-inch singles. The Blue Series also features an interview with Jo McCaughey who shot the photos for each release, as well as the recollections of some of the songs’ key session players. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the A

Ever go backpacking through Europe? In Backpack Ambassadors: How Youth Travel Integrated Europe (University of Chicago Press, 2017), Richard Ivan Jobs traces the postwar cultural history of the making of Europe through the stories and perspectives of the young people who moved across the continent’s borders. A history of European integration from the end of the Second World War to the 1992 Treaty of Maastricht, the book emphasizes the roles that young people played in postwar recovery and reconciliation efforts, their participation in Europeanization, the upheavals of 1968, and the ways that young people’s movements were circumscribed by the Cold War and transformed by its end. Backpack Ambassadors examines the emergence of a “community of practice” defined by young people themselves, a community complicated by gender, class, race, and other differences. While youth are the key agents in this history, the book also considers the policies, programs, and regulations of the states that sought to encourage and ma

Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potentia