New Books In Popular Culture

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films. It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murdere

There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar Christopher Pizzino argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best. In Arresting Development: Comics at the Boundaries of Literature (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop cultureR

Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970 (University of Pittsburgh Press, 2016) offers a compelling investigation of Soviet leisure culture. Gleb Tsipursky undertakes an unexpected approach to illuminate some aspects of the USSR history, which have been previously disregarded. Describing leisure activities that were popular in the Soviet Union, Tsipursky contributes to the discussion concerning the shaping of Soviet mentality and consciousness. Briefly describing traditions that the Soviet Union was referring to when devising cultural programs, Socialist Fun focuses on the post-War period and offers a detailed analysis of leisure time activities during the Khrushchev and Brezhnev eras. Considering the developments of cultural programs devised and maintained by Stalin, Khrushchev, and Brezhnev, Tsipursky outlines his theory regarding the development of the Soviet society. Sponsored by the state, the cultural sphere in the USSR appears a part of garde

How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically

Mark Braude’s Making Monte Carlo: A History of Speculation and Spectacle (Simon and Schuster, 2016) tells the captivating story of the rise of Monte Carlo as Europe’s most famous casino-resort from the second half of the nineteenth century to the end of the 1920s. In a series of fascinating chapters, Braude takes readers through the history of this modern, luxury playground, from the legalization of gambling in Monaco in 1855, through a rise of the site in the decades that followed, a period of decline after the First World War, and a revival during the Jazz Age of the interwar years. Throughout, Making Monte Carlo follows the lives of individuals, families, companies, and a larger network of player-consumers, workers, and witnesses. Center-stage are the members of the Blanc family who first opened Le Grand Casino de Monte Carlo in 1858 and controlled the Societe des bains de mers (SBM). The SBM is Braude’s main archival source for the inside story of casino plans, management, and operations

In his new book The Inkblots: Hermann Rorschach, His Iconic Test, and The Power of Seeing (Crown, 2017), Damion Searls presents the first biography of Hermann Rorschach and the history of the Rorschach Test. A story that is largely untold, Searls starts with the childhood of Rorschach and brings readers through his growth as a psychiatrist as he created an experiment to probe the mind using a set of ten inkblots. As a visual artist, Rorschach incorporated his ability to think about visuals and his belief that what is seen is more important than what we say. After his early death, Rorschach’s Test found its way to America being used by the military, to test job applicants, to evaluate defendants and parents in custody battles and people suffering from mental illness. In addition, it has been used throughout advertising and incorporated in Hollywood and popular culture. A tragic figure, and one of the most influential psychiatrists in the twentieth century, The Inkblots allows readers to better understand

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree

Stanley Kubrick is justly considered one of the greatest filmmakers, even with his limited output over his career. The first film he both produced and directed was Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, released in 1964. Mick Broderick has written an extensive overview of the film in his book Reconstructing Strangelove: Inside Stanley Kubrick’s ‘Nightmare Comedy’ (Wallflower Press, 2016). In addition to reviewing the creative, scientific, and political background of the screenplay, he also presents other interesting details, many of them based on his review of Stanley Kubrick’s private archives.Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016 (McFarland, 2017), Sherilyn Connelly examines the long and complex history of Hasbro’s My Little Pony franchise. Since it debuted in the early 1980s, controversy has surrounded My Little Pony. Dismissed as solely toy advertisements and not serious enough, the series has been critiqued since its inception. In her new book, Connelly explores the history of the franchise through four generations of ponies, comparing it to cartoons geared towards boys such as Transformers which, despite their similarity, were largely spared the criticism the ponies generated. The book is a comprehensive examination of the series through Season 5 -Friendship is Magic as well as first three Equestria Girls films. Connelly uses archival research into popular media’s response to the series as well as fan response through listservs, petitions, and fan pages to present a wide-range of information examining the My Little Pony phenomena. In additi

While there are many books that assist the viewer in learning how feature films are made, Bob Moss’s Vibes from the Screen: Getting Greater Enjoyment from Films (MCP Books, 2016) is particularly good at showing the artistry of filmmakers by presenting detailed examples from the best writers, directors, cinematographers, editors, and actors. In this handy guide, Moss draws from his extensive experience in teaching others, teachingseasoned cinephiles and casual viewers alike how to get the most out of the movie experience. Checkout the book’s companion website at www.VibesfromtheScreen.comLearn more about your ad choices. Visit megaphone.fm/adchoices

In Mozlandia: Morrissey Fans in the Borderlands (Headpress, 2016), Melissa Hidalgo examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical performers to come out of the Manchester music scene. Yet, for the past three decades, Morrissey has made a name for himself as a solo performer, with committed and passionate fans across the world. As a solo performer, Morrissey has a larger fan base in borderland cities such as Los Angeles, the focus of Hidalgo’s work. In Mozlandia, Hidalgo deftly unpacks fandom, specifically as it plays out with Chicano/a, Latino/a, and Mexican fans. Hidalgo presents the ways in which fans contribute to the Morrissey community through MorrisseyOke, tribute bands, radio shows, plays and other literary tributes. By situating her work in the borderland city of Los Angeles, Hidalgo is able to present what a fan community looks like and the variety of ways fan culture is ena

Calamity Jane was a celebrity of the 19th century American West, yet the woman portrayed in the newspapers and dime novels was one very different from the actual person. In The Life and Legends of Calamity Jane (University of Oklahoma Press, 2014), Richard Etulain sorts through over a century of fiction and half-truths to uncover who Calamity Jane was in real life. Born Martha Canary, she was orphaned at a young age and left to provide for her siblings. Working a variety of jobs, she came to Deadwood in 1876, where she soon received national press attention both for her unusual persona and her brief association with “Wild Bill” Hickok. Yet these accounts were usually more fabrication than fact, and often did not reflect the difficult circumstances of her life. Suffering from alcoholism, she lived an itinerant and unstable existence, one in which her drinking impeded her efforts to provide for herself and her daughter and led to her early death. Etulain’s biography gets to the truth of Calami

For more than 50 years, Huntsville prison put on an annual rodeo throughout the month of October to entertain prisoners, locals, and visitors from across the nation. In his new book Convict Cowboys: The Untold History of the Texas Prison Rodeo (University of North Texas Press, 2016), Sam Houston State University criminal justice and criminology professor Mitchel Roth explores the history of the rodeo. The Texas Prison Rodeo began as a small event intended to serve essentially as recreation for prisoners, but grew into an important fundraiser and a nationally known show. It included a range of traditional rodeo events and contests, but also added other acts drawn from various forms of American popular entertainment as cultural sensibilities and prisoner interests changed. The rodeo was, in some ways, one of the more positive aspects of an otherwise brutal and underfunded prison system. Inmates were able to win prizes and interact with the free world, and the proceeds from the rodeo helped provide services the

The original script was sold to a major Hollywood studio virtually overnight; the screenwriter was working as a pool boy and driver for the producer; the director was considered an acid freak by the studio heads; the star was a 74-year-old actress who didn’t know how to drive a car. The film flopped upon release but later became one of the great cult successes of all time. The unlikely creation of Harold and Maude, shot guerrilla-style in the San Francisco Bay Area by a crew of “New Hollywood” filmmakers in the winter of 1971, is the subject of James A. Davidson’s Hal Ashby and the Making of Harold and Maude (McFarland, 2016). James A. Davidson has written a number of articles for Images Film Journal and Taste of Cinema and is co-owner of Second Sight Video & Multimedia. He lives in Reno, Nevada. Jasun Horsley is the author of Seen & Not Seen: Confessions of a Movie Autist and several other books on “extra-consensual perceptions.” He has a weekly podcast called The

In Nerd Ecology: Defending the Earth with Unpopular Culture (Bloomsbury Academic, 2016), Anthony Lioi examines literature, film, television, and comics through an ecocritical study of nerd culture. Lioi explores Star Trek, The Hunger Games, The Matrix, Lord of the Rings, Buffy the Vampire Slayer, Firefly, Green Lantern, and X-Men, among others to trace the history of nerd culture and how it intersects with ecocritical themes. Lioi’s work seeks to define and situate the nerd in the current landscape of popular culture and the refuge of science fiction for nerds. Through an ecocritical and postmodern lens, Lioi notes the importance of popular cultural texts in creating nerd alliances and the importance of the stories of nerd culture to embody planetary defenders. Well-researched and strongly theoretically-based, Nerd Ecology is a new take on examining the world of the nerd and popular culture as ethical and moral spaces to examine ecology. Rebekah Buchanan is an Assistant Professor of English at Western

Kevin Smokler’s new book, Brat Pack America: A Love Letter to 80s Teen Movies (Rare Bird Books, 2016)is what everyone in their 40s who loved watching movies as they were growing up wants it to be. In Brat Pack America, Smokler takes readers on a journey through the fictional and sometimes not so fictional towns created throughout the teen movies of the 80s. Smokler gives readers a tour through America and the important locations that have endured over time in the hearts and minds of movie fans. Smokler looks at John Hughes America and Shermer, Illinois as well as memorable places such as Hill Valley, California and Astoria, Oregon. Brat Pack America is full of facts about 80s teen movies and the locations fans have come to know and love. But, Smokler also pushes beyond fandom, examining why these places have become so important to the fans of these films of this decade. Well researched and engagingly written, Brat Pack America is a book that brings back memories of those films we know and love. Rebekah

The term historical fiction covers a wide range from what the mystery writer Josephine Tey once dubbed “history with conversation” to outright invention shading into fantasy. But behind every story set in the past lies the past itself, as re-created by scholars from the available evidence. This interview features Helen Rappaport, whose latest work reveals the historical background behind the Masterpiece Theater miniseries Victoria, due to air in the United States this month. Rappaport served as historical consultant to the show. The Queen Victoria who gave her name to an age famous for a prudishness so extreme that even tables had limbs, not legs, is nowhere evident in Rappaport’s book, the television series, or the novel by Daisy Goodwin, also titled Victoria, that gave rise to the series. Victoria: The Heart and Mind of a Young Queen (Harper Design, 2017) explores in vivid, compelling prose the letters, diaries, and other documents associated with the reign of a strong-minded, passionate,

The real story behind the origin of gangsta rap is difficult to discern. Between the bombastic rhetoric and imagery, the larger-than-life characters, and the subsequent success of many of the individuals, it is hard to know exactly what to believe. Ben Westhoff’s new book, Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur and the Birth of West Coast Rap (Hachette Books, 2016), sets the record straight with a clear account of the rise and dissolution of N.W.A., the founding of Death Row Records, and the events that led up to the deadly beef between Tupac Shakur and Notorious B.I.G. Based on scores of interviews with the principals, Westhoff provides a definitive account of 1990s gangsta rap’s birth and growth. It offers clarity on the confusing turn of events and explores in rich detail the murders of Tupac and Biggie. Westhoff’s book also provides a great opportunity to reflect on the legacy of gangsta rap, especially after the film Straight Outta Compton and the

Carroll Pursell‘s From Playgrounds to PlayStation: The Interaction of Technology and Play (Johns Hopkins University Press, 2015) explores how play reflects and drives the evolution of American culture. Pursell engagingly examines the ways in which technology affects play and play shapes people. The objects that children (and adults) play with and play on, along with their games and the hobbies they pursue, can reinforce but also challenge gender roles and cultural norms. Inventors who often talk about “playing” at their work, as if motivated by the pure fun of invention have used new materials and technologies to reshape sports and gameplay, sometimes even crafting new, extreme forms of recreation, but always responding to popular demand. Drawing from a range of sources, including scholarly monographs, patent records, newspapers, and popular and technical journals, the book covers numerous modes and sites of play. Susan Raab is president of Raab Associates, an internationally recognized age

How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professor of Cultural History at the University of Birmingham,tells the fascinating and complex story of Netley Lucas, a character whose fragmented and complex story offers clues to the social changes of the period. Netley’s career as confidence trickster, fraudulent journalist and editor, and creator of counterfeit royal biographies, forms the basis of an engagement with anxieties over class boundaries, the reassertion of social norms, and the nature of the historical source. The book is resplendent with a complex cast of characters and offers a rich portrait of the period. Houlbrook raises the question of how to tell the story of the trickster, if it is possible to capture a life of half-truths and duplicity, and the struggle of historical practice, ultimately causing us to question the possibility of history its