New Books In African American Studies

The era of the Enlightenment, which gave rise to our modern conceptions of freedom and democracy, was also the height of the trans-Atlantic slave trade. America, a nation founded on the principle of liberty, is also a nation built on African slavery, Native American genocide, and systematic racial discrimination. White Freedom traces the complex relationship between freedom and race from the eighteenth century to today, revealing how being free has meant being white. Tyler Stovall explores the intertwined histories of racism and freedom in France and the United States, the two leading nations that have claimed liberty as the heart of their national identities. He explores how French and American thinkers defined freedom in racial terms and conceived of liberty as an aspect and privilege of whiteness. He discusses how the Statue of Liberty—a gift from France to the United States and perhaps the most famous symbol of freedom on Earth—promised both freedom and whiteness to European immigrants. Taking readers fro

I am delighted to have y’all listen to the conversation I had with three of my favorite historians in all the dad-gum world. January 2021 has been a wild one. Not only did we transition from the Trump era to the Biden era, an attempted coup took place in the US Capitol building that attempted to disrupt the transition of power. In a moment of white supremacist terror, W. E. B. Du Bois’ 1935 Black Reconstruction in America: An Essay Toward a History of the Part Which Black Folk Played in the Attempt to Reconstruct Democracy in America, 1860-1880 was the book I thought appropriate to not only chat about, but see what parallels we can draw from Du Bois’ text to our own era. Along with the process it took to birth Black Reconstruction into the world during the Great Depression AND knee-deep in the Jim Crow era. Welp, I had to ring the A-Team to chat about Du Bois’ gem. The team I assembled consists of Dr. Hilary Green, Dr. Ashleigh Lawrence-Sanders, and Dr. Robert Greene II. Dr. Hilary N. Green is an Associate Pr

In the wake of 2020’s movements for Black Lives and exposed racial disparities in working-class deaths during the COVID-19 pandemic, educational institutions are grappling on a massive level with their role in either reproducing or disrupting entrenched systems of exploitative power. While individual agency in enacting inclusive practices can be limited by these massive, intersecting forces, educators also wield tremendous influence over the forces within the learning environments they create for all students—particularly those who have been historically marginalized in society and schools alike. In Antiracism and Universal Design for Learning: Building Expressways to Learning Success (CAST Professional Publishing, 2020), Andratesha Fritzgerald pairs Universal Design for Learning (UDL)—a framework for embedding options in the methods, materials, assessments and instructional goals that anticipate inevitable learner variability in the classroom—with antiracism, to support educators in effectively honoring the

Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists’ work throughout the black diaspora.  In Black Queer Freedom: Spaces of Injury and Paths of Desire (U Illinois Press, 2020), GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physi

This is part of our Special Series on Malcolm X and Black Nationalism. In this series, we delve into the background of Malcolm X's action and thought in the context of Black Nationalism, correcting the fundamentally mistaken notion that Malcolm X was a civil rights leader. He certainly did not see himself in that way, and explicitly argued otherwise. This helps us place the Afro-American struggle in its dimensions beyond the current American nation-state, including the Black Atlantic, and beyond. Today, our guest is Cedric Burrows, author of The Construction of Dr. Martin Luther King, Jr., and Malcolm X in Composition Textbooks: Rereading Readers, which was his Ph.D. Dissertation at the University of Kansas, available online. While scholars have written about the use of textbooks in writing courses, little attention is paid to how textbooks anthologize writers, especially women and people of color. This study examines the portrayal of Dr. Martin Luther King, Jr., and Malcolm X in composition textbook antholog

For six years, anthropologist and artist Maya Stovall enacted a series of dance performances outside of liquor stores in the McDougall-Hunt neighborhood on Detroit’s east side. Stovall conceptualized these performances as prompts for people that may pass by and as a means to open up space for conversation with Detroit residents.  These filmed performances and the interviews that followed make up Liquor Store Theatre (Duke University Press, 2020). In the book, Stovall probes the historic, economic, and political forces that constructed and shape the city of Detroit. Liquor Store Theatre attends closely to the methods of performance and interviews as they unfold in the author’s pursuit of this project. Stovall’s interlocuters share their perspectives on the changes in the city, the challenges the city faces, as well as their hopes for a future in which they can enjoy the benefits of the city. A native Detroiter herself, Stovall’s artistic ventures turn the lens back on the city itself and center the voices of D

On today’s podcast, I am chatting with Dorothy Berry, Houghton Library's Digital Collections Program Manager. In it, we discuss why she became an archivist, what digital archivists do, and about the great project she created and is leading at Houghton: Slavery, Abolition, Emancipation, and Freedom: Primary Sources from Houghton Library. Dorothy Berry received her MLS from Indiana University, as well as an MA in Ethnomusicology from the same institution, following a BA in Music Performance from Mills College. Previously she worked as the Metadata and Digitization Lead for Umbra Search African American History at University of Minnesota, as a Mellon Fellow at the National Museum of African American History and Culture, and also as a graduate assistant at the Black Film Center/Archive and the Archives of African American Music and Culture. Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support ou

In Dividing the Faith: The Rise of Segregated Churches in the Early American North (NYU Press, 2020), Richard J. Boles argues that, contrary to traditional American religious historiography, interracial worship was a common and accepted practice in many northern Protestant churches in the seventeenth and early eighteenth centuries. As Northern states outlawed slavery, Christians hardened their stances on segregation and discrimination, leading to racially divided Protestantism in the nineteenth century. Using archival sources from over four hundred congregations, Boles illuminates the complex racial and religious dynamics of the early American north and adds significant understanding to our knowledge of race in American religious history. Lane Davis is a doctoral candidate in the Graduate Program in Religious Studies at Southern Methodist University where he studies American religious history. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surve

Today on New Books in African American Studies I am chatting with Carleton College Assistant Professor of Africana Studies and Political Science Dr. Charisse Burden-Stelly. Dr. Burden-Stelly is a critical Black Studies scholar of political theory, political economy, intellectual history, and historical sociology. On today's episode we discuss Dr. Burden-Stelly's path from graduate school through, teaching, and scholarship as a committed scholar of Black Studies. We also discuss how she plans out her research and writing agenda. Dr. Burden-Stelly is one of my favorite thinkers in Blackademia, and by the end of this episode, you might just say the same thing. Enjoy, New Books in African American Studies family. Adam McNeil is a third-year PhD Student in colonial and American Revolutionary Era Black Women's History at Rutgers University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today I talked to Rachel Berenson Perry about her book The Life and Art of Felrath Hines: From Dark to Light (Indiana University Press, 2019). Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcas

Down the Up Staircase: Three Generations of a Harlem Family (Columbia UP, 2019) tells the story of one Harlem family across three generations, connecting its journey to the historical and social forces that transformed Harlem over the past century. Bruce D. Haynes and Syma Solovitch capture the tides of change that pushed blacks forward through the twentieth century--the Great Migration, the Harlem Renaissance, the early civil rights victories, the Black Power and Black Arts movements--as well as the many forces that ravaged black communities, including Haynes's own. As an authority on race and urban communities, Haynes brings unique sociological insights to the American mobility saga and the tenuous nature of status and success among the black middle class. In many ways, Haynes's family defied the odds. All four great-grandparents on his father's side owned land in the South as early as 1880. His grandfather, George Edmund Haynes, was the founder of the National Urban League and a protégé of eminent black so

This is a Special Series on Third World Nationalism. In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean. Today my guests are Brian Roberts and Keith Foulcher, editors of Indonesian Notebook: A Sourcebook on Richard Wright and the Bandung Conference (Duke UP, 2016). While Richard Wright's account of the 1955 Bandung Conference has been key to shaping Afro-Asian historical narratives, Indonesian accounts of Wright and his conference attendance have been largely overlooked.  Indonesian Notebook contains myriad documents by Indonesian writers, intellectuals, and reporters, as well as a newly rec

One of the most notable African American intellectuals of his generation, Lawrence Reddick helped to spearhead the early Black history movement, served as the second curator of the Schomburg Library during the 1930s, guided the Southern Christian Leadership Conference during the Cold War, mentored Dr. Martin Luther King, Jr. throughout his entire public life, and played a major role in the Black Studies movement of the late 1960s and early 1970s. A lifelong Pan-Africanist, Reddick also fought for decolonization and Black self-determination alongside key Black diasporic politicians and critical thinkers such as Kwame Nkrumah, Nnamdi Azikiwe, and W.E.B Du Bois. Beyond participating in these interconnected struggles, Reddick helped to document and interpret them for Black and white audiences alike. In The Scholar and the Struggle: Lawrence Reddick's Crusade for Black History and Black Power (University of North Carolina Press, 2020), David A. Varel recovers Reddick's compelling story and reveals the many essenti

In Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of

During the eighteenth century, hundreds of thousands of free descendants of Africans in Mexico faced a highly specific obligation to the Spanish crown, a tax based on their genealogy and status. This royal tribute symbolized imperial loyalties and social hierarchies. As the number of free people of color soared, this tax became a reliable source of revenue for the crown as well as a signal that colonial officials and ordinary people referenced to define and debate the nature of blackness. Taxing Blackness: Free Afromexican Tribute in Bourbon New Spain (University of Alabama Press, 2019) examines the experiences of Afromexicans and this tribute to explore the meanings of race, political loyalty, and legal privileges within the Spanish colonial regime. Norah L. A. Gharala focuses on both the mechanisms officials used to define the status of free people of African descent and the responses of free Afromexicans to these categories and strategies. This study spans the eighteenth century and focuses on a single ins

Placing the West's failure to acknowledge the Haitian Revolution--the most successful slave revolt in history--alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history. Trouillot, Silencing the Past: Power and the Production of History (Beacon Press, 1995) is a modern classic. It resides at the intersection of history, anthropology, Caribbean, African-American, and post-colonial studies, and has become a staple in college classrooms around the country. In a new foreword, Hazel Carby explains the book's enduring importance to these fields of study and introduces a new generation of readers to Trouillot's brilliant analysis of power and history's silences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Blood on the River: A Chronicle of Mutiny and Freedom on the Wild Coast (New Press, 2020), historian Marjoleine Kars tells the story of a massive eighteenth-century slave rebellion in the Dutch colony of Berbice (in present-day Guyana). Drawing on some nine hundred pages of interrogation transcripts and letters that provide rare first person accounts from enslaved African-born rebels, Kars chronicles how nearly 5,000 of the total enslaved population held onto Berbice for over a year holding onto 135 plantations. Sorting through the competing political visions of the various African-born slave rebels, Kars provides an intimate look into a people demanding freedom and trying to figure out what that can mean to them.  Sharika Crawford is an associate professor of history at the United States Naval Academy in Annapolis and the author of The Last Turtlemen of the Caribbean: Waterscapes of Labor, Conservation, and Boundary Making (University of North Carolina Press, 2020). Learn more about your ad choices. Visit

In The Haitians: A Decolonial History (UNC Press, 2020), leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915. The Haitians (UNC Press, 2020) also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo--the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompa

The Antebellum Origins of the Modern Constitution: Slavery and the Spirit of the American Founding (Cambridge University Press, 2020) argues that conflicts over slavery and abolition in the early American Republic generated a mode of constitutional interpretation that remains powerful today: the belief that the historical spirit of founding holds authority over the current moment. Simon J. Gilhooley traces how debates around the existence of slavery in the District of Columbia gave rise to the articulation of this constitutional interpretation, which constrained the radical potential of the constitutional text. To reconstruct the origins of this interpretation, Gilhooley draws on rich sources that include historical newspapers, pamphlets, and congressional debates. Examining free black activism in the North, abolitionism in the 1830s, and the evolution of pro-slavery thought, this book shows how in navigating the existence of slavery in the District and the fundamental constitutional issue of the enslaved's p