New Books In African American Studies

This is part of our Special Series on Third World Nationalism. In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean. Today my guest is Isar Godreau, author of Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico (University of Illinois Press, 2015). The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In Scripts of Blackness, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege white

This is part of our Special Series on Malcolm X and Black Nationalism. In this series, we delve into the background of Malcolm X's action and thought in the context of Black Nationalism, correcting the fundamentally mistaken notion that Malcolm X was a civil rights leader. He certainly did not see himself in that way, and explicitly argued otherwise. This helps us place the Afro-American struggle in its dimensions beyond the current American nation-state, including the Black Atlantic, and beyond. Today, our guest is Jared Ball, co-editor of A Lie of Reinvention: Correcting Manning Marable's Malcolm X (Black Classic Press, 2012). A Lie of Reinvention is a response to Manning Marable’s biography of Malcolm X, A Life of Reinvention. Marable’s book was controversially acclaimed by some as his magnum opus. At the same time, it was denounced and debated by others as a worthless read full of conjecture, errors, and without any new factual content. In this collection of critical essays, editors Jared Ball and Todd St

In The Lonely Letters (Duke UP, 2020), A tells Moth: “Writing about and thinking with joy is what sustains me, daily. It nourishes me. I do not write about joy primarily because I always have it. I write about joy, Black joy, because I want to generate it, I want it to emerge, I want to participate in its constant unfolding.” But alongside joy, A admits to Moth, come loneliness, exclusion, and unfulfilled desire. The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley—writing as A—meditates on the interrelation of blackqueer life, sounds of the Black church, theology, mysticism, and love. Throughout his letters, A explores blackness and queerness in the musical and embodied experience of Blackpentecostal spaces and the potential for platonic and erotic connection in a world that conspires against blackqueer life. Both a rigorous study and a performance, The Lonely Letters gestures toward understanding the capacity for what we study to work on us, to transform u

In Pleasure in the News: African American Readership and Sexuality in the Black Press (University of Illinois Press, 2020), Dr. Kim Gallon examines how Black newspaper editors and journalists created and fostered Black sexual publics during the 1920s and 1930s. She demonstrates that editors strategically elected to publish stories about marital scandals, divorces, homosexuality, and gender non-conformity, imagining that this coverage was a source of pleasure and debate for Black readers. Gallon argues that this editorial practice actually exposed class, gender, and sexuality divisions between different groups of African Americans. At the same time, this coverage revealed the tenuous position of lesbians, gay men, and female impersonators in a public sphere that sometimes silenced and marginalized their voices. Along with advancing racial solidarity, which Gallon takes as the Black presses’ starting point, the press revealed the diversity of Black people and created a discursive space in which sexual knowledge

This episode is part of a Special Series on Malcolm X and Black Nationalism. In this series, we delve into the background of Malcolm X's action and thought in the context of Black Nationalism, correcting the fundamentally mistaken notion that Malcolm X was a civil rights leader. He certainly did not see himself in that way, and explicitly argued otherwise. This helps us place the Afro-American struggle in its dimensions beyond the current American nation-state, including the Black Atlantic, and beyond. Known as 'the angriest black man in America', Malcolm X was one of the most famous activists to ever live. Going beyond biography, Black Minded: The Political Philosophy of Malcolm X (Pluto Press, 2020) examines Malcolm X's philosophical system, restoring his thinking to the pantheon of Black Radical Thought. Michael Sawyer argues that the foundational concepts of Malcolm X's political philosophy - economic and social justice, strident opposition to white supremacy and Black internationalism - are often obscure

A startling and eye-opening look into America’s First Family, Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge (Simon and Schuster, 2017) is the powerful narrative of Ona Judge, George and Martha Washington’s runaway slave who risked everything to escape the nation’s capital and reach freedom. When George Washington was elected president, he reluctantly left his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he took Tobias Lear, his celebrated secretary and eight slaves, including Ona Judge, about whom little has been written. As he grew accustomed to Northern ways, there was one change he couldn’t get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire. Though Ona Judge lived a life of relati

The epic history of African American women's pursuit of political power-and how it transformed America In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All (Basic Books, 2020), acclaimed historian Dr. Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of black women-Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more-who were the vangua

Brandon Mills is the author of The World Colonization Made: The Racial Geography of Early American Empire, published by the University of Pennsylvania Press in 2020. The World Colonization Made explores the beginnings and ends of the colonization movement from the late-18th century to the coming of the Civil War. Mills uses African colonization to explore how ideas of American empire developed during the country’s formative years. From politics to racial ideology, Mills is able to chart a clear history of what the colonization movement in America meant for a diverse group of people in the United States, and how this vision ultimately could not create a nation many hoped it would. Brandon Mills teaches in the Department of History at the University of Colorado Denver.  Derek Litvak is a PhD candidate at the University of Maryland—College Park. His dissertation, "The Specter of Black Citizens: Race, Slavery, and Citizenship in the Early United States," examines how citizenship was used to both bolster the inst

Groove Theory: The Blues Foundation of Funk (University Press of Mississippi, 2020) by Tony Bolden, an Associate Professor of African and African American Studies at the University of Kansas, and author of Afro-Blue: Improvisation in African American Poetry and Culture (University of Illinois Press, 2003), is a history of funk artists such as George Clinton who developed a new aesthetic style through the Black Arts Era of the 1960s and 1970s. Bolden defines these artists such as Clinton as Gil Scot Heron of the band The Last Poets as “organic intellectuals” who helped fashion a new Black aesthetic in their development of funk music and culture. The book has an “Introduction” section, six concise chapters, including an extensive notes section and selected bibliography. Bolden’s main premise is that “blues and funk are not just musical forms; they are interrelated concepts. And blues is “like the nucleus” of rock as well as rhythm and blues, which includes soul and funk” (4). In many respects, the text is a his

We so often take our senses as natural, but perhaps we should understand them as historically situated. Sensory Experiments: Psychophysics, Race and the Aesthetics of Feeling (Duke University Press, 2020) allows us to reconsider the history of psychophysics and psychology through the lens of sensory studies and to rethinking science in the context of racial capitalism. Breathing new life into nineteenth century psychophysics, Erica Fretwell presents a history of how science, technology, and literature came together to both reinforce and challenge racial boundaries.  While each central chapter of Sensory Experiments deals with the recognized five senses, Fretwell also writes short intervals, or what she calls intervals, on the synthesis of particular senses (for instance, color and sound or mouthfeel). The synthesia assumed in these intervals challenge the hierarchy of senses often assumed by scientists during this time period. Through examining these scientific models of sense and sensitivity, Fretwell provid

Revolution Or Death: The Life of Eldridge Cleaver (Lawrence Hill Books, 2020) is a remarkable biography that examines the notorious Black revolutionary meticulously within the context of his changing times. Charismatic, brilliant, and courageous, Eldridge Cleaver built a base of power and influence that struck fear deep in the heart of White America. It was therefore shocking to many left-wing radicals when Cleaver turned his back on Black revolution, the Nation of Islam, and communism in 1975. How can we make sense of Cleaver's precipitous decline from a position as one of America's most vibrant Black writers and activists? And how do his contradictory identities as criminal, party leader, international diplomat, Christian conservative, and Republican politician reveal that he was more than just a traitor to the advancement of civil rights? Author Justin Gifford obtained exclusive access to declassified files from the French police, the American embassy, and the FBI, as well as Kathleen Cleaver’s archive, to

The Peculiar Afterlife of Slavery: The Chinese Worker and the Minstrel Form (Stanford University Press, 2020) explores how antiblack racism lived on through the figure of the Chinese worker in US literature after emancipation. Drawing out the connections between this liminal figure and the formal aesthetics of blackface minstrelsy in literature of the Reconstruction and post-Reconstruction eras, Caroline H. Yang reveals the ways antiblackness structured US cultural production during a crucial moment of reconstructing and re-narrating US empire after the Civil War. Ultimately, The Peculiar Afterlife of Slavery shows how the Chinese worker manifests the inextricable links between US literature, slavery, and empire, as well as the indispensable role of antiblackness as a cultural form in the United States. Dr. Caroline Yang is an Associate Professor in the Department of English at the University of Massachusetts Amherst. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. S

Pauulu’s Diaspora: Black Internationalism and Environmental Justice (University Press of Florida, 2020) by Quito Swan is an enchanting, magisterial, broadly researched monograph that illuminates the social life of Black Power politics across the African diaspora from the 1950s through the 1980s. Told through Bermudian activist and engineer Pauulu Kamarakafego’s life, Swan takes readers on a journey through Black radical diaspora in the Caribbean, the United States, western, eastern, and southern Africa, and Oceania. A global history of Pan-African organizing, Swan examines various dimensions of Black radicalism, and importantly demonstrates the centrality of environmental activism to Black Power and anticolonial politics. As Swan reconstructs this complex web of global Black radicalism, he also uncovers the ways that Black activists and organizations pivoted in response to international networks of Western surveillance and subterfuge. Readers come to appreciate how Black radicalism shaped anticolonial indepen

The town of Pinhook in Missouri was founded in the 1940s by southern Black farmers who were looking for land that they could purchase and own in the face of limited options. It was low land that was often flooded, but the farmers were able to clear it and successfully farm it for decades to come while building up a small town. However, in 2011, after heavy rains and historic flooding, the U.S. Army Corps of Engineers decided to breach the Birds Point levee. Pinhook, directly in the flood zone, was completely destroyed. David Todd Lawrence and Elaine Lawless, in their book When They Blew the Levee: Race, Politics, and Community in Pinhook, Missouri (University Press of Mississippi, 2018), document the narratives of the town’s former residents which counter the official story from the U.S. Army Corp of Engineers - that the levee breach was a success story of saved lives and property. Winner of the 2019 Chicago Folklore Prize, the book offers a vivid portrait of the town’s efforts to rebuild and maintain their c

Some of America's most pressing civil rights issues--desegregation, equal educational and employment opportunities, housing discrimination, and free speech--have been closely intertwined with higher education institutions. Although it is commonly known that college students and other activists, as well as politicians, actively participated in the fight for and against civil rights in the middle decades of the twentieth century, historical accounts have not adequately focused on the roles that the nation's college presidents played in the debates concerning racism. Based on archival research conducted at a range of colleges and universities across the United States, The Campus Color Line: College Presidents and the Struggle for Black Freedom (Princeton UP, 2020) sheds light on the important place of college presidents in the struggle for racial parity. Focusing on the period between 1948 and 1968, Eddie Cole shows how college presidents, during a time of violence and unrest, strategically, yet often silently,

The Color of Creatorship: Intellectual Property, Race, and the Making of Americans  (Stanford University Press, 2020) by Anjali Vats is an intricate and meticulously researched text on intellectual property history, race, and citizenship from the 1790s to the present. This is a complex narrative that engages multiple fields of knowledge including rhetoric, history, communication studies, law, and critical race theory. With a focus on race and neo-coloniality in American intellectual property law, Vats argues that intellectual property and citizenship “have evolved and continue to evolve—in deeply intertwined and raced ways” as demonstrated in racial scripts or narratives about creators and infringers (2). In her history of intellectual property, Vats focuses on copyright, patent, and trademark discourses in her intricate analysis of how ideas about creator, citizenship, race and nation unfold over time. The text includes an “Introduction” that discusses intellectual property as “a set of rhetorics” about citi

This is a Special Series on Malcolm X and Black Nationalism. We delve into the background of Malcolm X's action and thought in the context of Black Nationalism, correcting the fundamentally mistaken notion that Malcolm X was a civil rights leader. He certainly did not see himself in that way, and explicitly argued otherwise. This helps us place the Afro-American struggle in its dimensions beyond the current American nation-state, including the Black Atlantic, and beyond. Today, our guest is Clayborne Carson, author of Malcolm X: The FBI File, originally published in 1991, with the 2nd edition republished in 2012 by Skyhorse Publishing. The FBI has made possible a reassembling of the history of Malcolm X that goes beyond any previous research. From the opening of his file in March of 1953 to his assassination in 1965, the story of Malcolm X’s political life is a gripping one. Shortly after he was released from a Boston prison in 1953, the FBI watched every move Malcolm X made. Their files on him totaled more t

When did Black Americans move from stalwart party of Lincoln Republicans to dedicated New Deal Democrats? How did a group of self-organized Black economists, lawyers, sociologists, and journalists call out inequality in the New Deal and push President Franklin Delano Roosevelt to consider the relief of Black Americans? Dr. Jill Watt’s The Black Cabinet: The Untold Story of African Americans and Politics During the Age of Roosevelt (Grove Press, 2020) traces the origins of a group of self-organized Black men led by a remarkable Black woman to answer these questions and help readers reflect on parties, policy, data, and diversity in American politics. The book is divided into three periods – tracing two versions of the Black Cabinet. Early in the century, a group of African-American office holders who had come to Washington, DC as appointees of President Theodore (Teddy) Roosevelt) began meeting regularly for “talkfests” at an upscale black-owned DC restaurant. When they started meeting in 1908, most Black Amer

Why did the Founding Fathers fail to include blacks and Indians in their cherished proposition that “all men are created equal”? Racism is the usual answer. Yet Nicholas Guyatt argues in Bind Us Apart: How Enlightened Americans Invented Racial Segregation (Basic Books, 2016) that white liberals from the founding to the Civil War were not confident racists, but tortured reformers conscious of the damage that racism would do to the nation. Many tried to build a multiracial America in the early nineteenth century, but ultimately adopted the belief that non-whites should create their own republics elsewhere: in an Indian state in the West, or a colony for free blacks in Liberia. Herein lie the origins of “separate but equal.” Essential reading for anyone hoping to understand today's racial tensions, Bind Us Apart reveals why racial justice in the United States continues to be an elusive goal: despite our best efforts, we have never been able to imagine a fully inclusive, multiracial society. 1619, Revisited by Ni

No Future in this Country: The Prophetic Pessimism of Bishop Henry McNeal Turner by Andre E. Johnson, an Associate Professor of Rhetoric and Media Studies at the University of Memphis, and Director of the Henry McNeal Turner digital humanities project, is a rhetorical history that details the public career of Bishop Henry McNeal Turner with an emphasis on the trajectory of Turner’s thinking as a pessimistic prophetic persona “within the lament tradition of prophecy” (14). Turner’s role as a Bishop in the African American Episcopal Church and his political leadership in the African American community from 1896 to 1915 is the focus of Johnson’s narrative. This text is a follow up to the author’s previous work The Forgotten Prophet: Bishop Henry McNeal Turner and the African American Prophetic Tradition (Lexington Books, 2014). Johnson’s book begins with an “Introduction” section and includes six chapters with a “Conclusion.” In this rhetorical history, Johnson contextualizes and analyzes some of Turner’s key sp