New Books In Literature

Today I talked to Emma Copley Eisenberg's novel Housemates (Hogarth, 2024). After Bernie’s former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs. What ensues is a journey into the heart of the nation, bringing the housemates into conversation with people from all walks of life—“the absurd dreamers and failures of this wide, wide country”—as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to chase their own ideas and dreams, and to embrace what they are capable of both romantically and artistically. Warm and insightful, Housemates is a story of youth and freedom—a glorious celebration of queer life, and how art and love might save us all. Learn more about your ad choices. Visit megaphone.fm/adchoices Support

What’s the truth and what’s a lie? What’s a memoir, what’s a novel, and what if both are just a series of “prose blocks”? This conversation between Sarah Manguso and Tess McNulty takes up questions of writing and veracity, trauma and memory. Sarah Manguso is the author of nine books, including three memoirs. Her first novel, Very Cold People, was named a finalist for the PEN/Jean Stein Book Award, and her second novel, Liars, is forthcoming. Tess and Sarah discuss how the threshold between truth and fiction is often used to minimize writing by women and how characters can achieve escape velocity against the pull of violence and abuse. We learn that Sarah doesn’t imagine an audience when she writes—instead, writing articulates something felt in the body, something that remains “uncomfortable until it is so articulated.” From the Yankee thrift of book design and the writing of front matter, acknowledgements, and Sarah’s brilliant titles, we move to 70s-era typography and wordplay with the answer to Season 7’s s

Joanna Lowell is known for her witty historical romances set in late Victorian England, a period both undergoing and resisting dramatic social change. Her previous novels in this series pair a young artist from the East End with her tortured muse, a duke; a runaway duchess with an admirably calm young man convinced she is a plant lover like himself; and a reluctant, poverty-stricken art forger with an art critic who is alienated from his aristocratic family. A Shore Thing (Berkley Books, 2024) follows the romantic fortunes of Kit Griffith, a former painter who now makes his living selling bicycles, and Muriel Pendrake—the intrepid, intelligent, world-traveling botanist impersonated in book 2. Muriel has traveled to St. Ives, Cornwall, to collect seaweed—not because that is her own preference, beautiful as some of it is, but because the stodgy male chauvinist in charge of a forthcoming talk that Muriel has agreed to present in New York has declared that no other topic is acceptable for a woman. She travels in

Real Americans (Knopf, 2024) begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster, and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao's Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than it provides answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance--a story of trust, forgiveness, and finally coming home. Exuberant an

Award winning author and short fiction writer, C. J. Spataro's debut novel, More Strange Than True (Sagging Meniscus Press, 2024) takes us in to a world of faeries and what happens when wishes do come true. After an epically shitty day, Jewell Jamieson unknowingly eats a magic-spiked meal and happens also to make a certain wish-and that's why she awakes the next morning to discover her beloved dog Oberon has been transformed into a beautiful naked man in her bed. Conflict ensues when Titania, the impulsive Queen of the Faeries, decides she wants Oberon for herself. Is Oberon simply a man who used to be a dog, or is he somehow something more? When Jewell discovers the answer, she will be faced with a devastating choice. Will she choose to save the man she's grown to love by giving him up, or will she honor his wishes and watch him die? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Bradford Morrow is an American novelist, editor, essayist, poet, and children’s book author. A professor of literature and Bard Center Fellow at Bard College, he is the founding editor of Conjunctions literary magazine. In 2020, he published The Forger’s Daughter, which the New York Times named a “Ten Best Crime Novels of 2020 selection.” His tenth novel, The Forger’s Requiem, will be released early next year. Three essays from the Ways of Water issue are discussed today: Kristin Posehn’s “The Wave Readers” about Marshall Island natives using their intuitive, sensory skillset to navigate far-flung islands that sit only about seven feet above water; Ryan Habermeyer’s “A North American Field Guide to Glaciers,” a futuristic short story with the inklings of being a work of speculative nonfiction; and Heather Altfeld,’s “With Their Feet in the Water and Their Heads in the Fire” about dealing with intense heat, scorpions, and more, in Morocco. In each case, the climate poses unique challenges and lyrical narrative

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle in to her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might dist

Giulia is an orphan who has been cloistered since she was a baby. In 1584, the powerful Medici family demands a test of virility from the Grand Duke of Mantua before his marriage to Eleanora de Medici. Giulia, who knows nothing about the world of men, is offered a dowry and husband in exchange for one night with the prince. She doesn’t know what that night entails, or that the lecherous minister who arranges it will never set her completely free. The Maiden of Florence (Fairlight Books, 2024) is based on a true story. Katherine Mezzacappa is an Irish author currently living in Carrara, northern Tuscany. She holds a BA in History of Art from UEA, an MLitt in English Literature from Durham and a master’s in creative writing from Canterbury Christ Church University. Her debut novel (writing as Katie Hutton), The Gypsy Bride, made the last fifteen in the Historical Novel Society’s 2018 new novel competition. Her short fiction has been short- and longlisted in numerous competitions, and she has been awarded reside

Motherlove (Concord Free Press, 2024) is the powerful short-story collection from Jean Trounstine, an acclaimed writer and social-justice activist with a deep knowledge of the US prison system—and its devastating impact on our communities in Massachusetts and beyond. In Motherlove, she turns her sharp eye on an often-forgotten group—the mothers of children who kill. With deft writing and deep empathy, Trounstine explores the stories of ten mothers, each struggling with the aftermath of murder. While fictional, Trounstine’s characters are drawn from her more than thirty years of experience with prisoners and their families, making her stories all the more real and resonant. Jean Trounstine is an author, activist, and educator who has written extensively about the criminal legal system in America. She worked at Framingham Women’s Prison (MA) for a decade, where she directed eight plays for prisoners—resulting in her highly praised book, Shakespeare Behind Bars: The Power of Drama in a Women’s Prison. Her ground

Justin Gardiner is the author of two nonfiction books and a collection of poetry. His most recent title is the book-length lyric essay Small Altars, published by Tupelo Press in 2024. Besides his role as Nonfiction Editor for Southern Humanities Review, Justin is also an Associate Professor at Auburn University. Founded in 1967, SHR considers subject matter both within and beyond the South. The magazine has had Justin Gardiner as its nonfiction editor for the past half decade. Four essays are discussed in the episode, with most of all of them showing evidence of the associative qualities that Gardiner, as a poet, enjoys in whatever genre. In this case, we started with Lisa Greenwell’s essay “Your Soul Doesn’t Need You.” While ostensibly an essay about a carjacking she experienced, it goes wider to consider alike how well both more cognitively based therapy and poetry that speaks to one’s soul can aid recovery. In Leslie Stainton’s “Here with You,” an understanding of how the artist Joseph Cornell’s boxes refl

Building parallels between technology and the human imagination, Masande Ntshanga’s conversation with Magalí Armillas-Tiseyra explains how cities are like machines and how South African history resembles some of the most sinister versions of techno-futurism. Masande is the author of two novels: The Reactive, winner of a Betty Trask Award in 2018, and Triangulum, nominated for the 2020 Nommo Awards for Best Novel in 2020 by the African Speculative Fiction Society. His responses to Magalí’s questions interweave autobiography and history, showing how when you venture into “underwritten spaces” in South Africa, realism starts to seem like speculation. Masande moves from playing bootleg Nintendo and hacking Lego sets in Ciskei, a “homeland” under the apartheid government’s Bantustan system, to data mining and novel writing in the global cities of Cape Town and Johannesburg. All the while, technology is never something “we’re resigned to experiencing” and “endorsing” in fiction—it can be a medium of contemplation a

Joan Leegant’s new story collection, Displaced Persons (New American Press 2024) delves into human stories of living in the 21st century. Characters transform after illness or divorce, move to a new city or a new country, get caught between different cultures and traditions, or stumble into scary situations. People can be resilient about change and might rebuild themselves after loss, suffering, and illness, but they don’t all bounce back with equal fervor. Characters struggle with Jewish identity, family issues, social expectations, and health, and stories are set now and, in the past. Some stories are in the states, others are in Europe and Israel. This is a brave collection during a time when antisemitism is bubbling up again, and memories of times past seem surprisingly current. Joan Leegant’s first book of stories, An Hour in Paradise: Stories (W.W. Norton, 2003), won the PEN/New England Book Award and the Edward Lewis Wallant Award, and was a Finalist for the National Jewish Book Award and a Barnes & No

Failed Pitbull impersonator Ismael Reyes--you can call him Izzy--might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull's legal team and living in his aunt's garage-turned-efficiency, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana. When Izzy's efforts lead him to the tank that houses Lolita, a captive orca at the Miami Seaquarium, she proves just how powerful she and the water surrounding her really are--permeating everything from Miami's sinking streets to Izzy's memories to the very heart of the novel itself. What begins as Izzy's story turns into a super-saturated fever dream as sprawling and surreal as the Magic City, one as sharp as an iguana's claws, and as menacing as a killer whale's teeth. As the truth surrounding Izzy's boyhoo

In this episode, Jenna Tang shares with us her translation of Lin Yi-Han's Fang Si-Chi's First Love Paradise: A Novel (HarperVia, 2024), one of the most iconic works of Taiwan's #MeToo movement. Thirteen-year-old Fang Si-Chi lives with her family in an upscale apartment complex in Taiwan, a tightknit community of strict yet doting parents and privileged children raised to be ambitious, dutiful, and virtuous. She and her neighbor Liu Yi-Ting bond over their love of learning and books, devouring classic works--Proust, Gabriel García Márquez, the very best Chinese writers. Yet, it is their lack of real-world education that makes them true kindred spirits. Si-Chi's innocence is irresistible to Lee Guo-hua, a revered cram literature teacher and serial predator who lives in her building. When he offers to tutor the academic-minded girls for free, their parents--unaware of Lee's true nature--happily accept. While Yi-Ting's studies with Lee are straightforward, Si-Chi learns about things no one teaches them in school

Emily Pacheco speaks with writer and researcher Jessica Kirkness about her memoir, The House with All the Lights on: Three Generations, One Roof, a Language of Light (Allen & Unwin, 2023). Jessica has published in Meanjin and The Conversation, as well as other outlets. Her PhD focused on the ‘hearing line’: the invisible boundary between Deaf and hearing cultures. She is also a teacher of nonfiction writing at Macquarie University in Sydney, Australia. The House With All The Lights On explores linguistic and cultural dynamics within Deaf-hearing families. Jessica shares her experience having Deaf grandparents and navigating the cultural borderline between Deaf and hearing cultures. It is a wonderful memoir about family, the complexities of identity, and linguistic diversity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “Symphony of the South,” a short story by Tahir Annour that appears in The Common’s most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of Forgive Me, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year. Mayada Ibrahim is a literary translator based in Queens, New York, with roots in Khartoum and London. She works between Arabic and English. Her translations have been nominated for the Pushcart Prize and published by Archipelago Books, Dolce Stil Criollo, and 128 Lit. She is managing editor at Tilted Axis Press. ­­Read “Symphony of the South” in The Common at t

From the author of Sea Change comes Green Frog: Stories (Vintage, 2024) a short story collection that explores Korean American womanhood, bodies, animals, and transformation as a means of survival. Equal parts fantastical--a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death--and true to life--a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death--the stories in this collection are hopeful and heartbreaking, full of danger and full of joy. Chung is a master at capturing emotion, and her characters--human and otherwise--will claw their way into your heart and make themselves at home. Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract

In 2007 Ukraine, following the death of her husband, Yefim Shulman, Nina finds a letter he wrote to the KGB confessing the secret he’d kept for over 50 years. If it came out that his unit was wiped out and he was taken as a prisoner of Germany during WWII, he would have been considered a traitor to the USSR. After surviving the Red Army, Nazi prison camps and forced labor, Yefim decides to keep the secret of his survival, and invents a story for his wife and children. In the post-war regime, the wrong lie can mean exile or death, and when years later, his presence is demanded by the KGB, he knows that it’ll be easier for him and his family if he’s completely honest. Your Presence Is Mandatory (Bloomsbury, 2024) is a story of Jewish survival, Russian deception, secrecy, and societal disfunction, and the struggle of Ukrainians to endure another war. Sasha Vasilyuk is a journalist and author who grew up in Ukraine and Russia before immigrating to the U.S. at the age of 13. She has an MA in Journalism from New Yo

What if the January 6, 2021 Insurrection had been successful? A tale of what was, what could have been, and what still could be? 1/6: The Graphic Novel (Sun Print Solutions, 2023) chillingly illustrates how close we came to authoritarian rule in America and the threats to our democracy that we still face. In the tradition of speculative fiction from George Orwell’s 1984 to Margaret Atwood’s Handmaid’s Tale to the Twilight Zone, it explores themes of autocracy, scapegoating, strategic disinformation, and more, all told through a compelling, character-driven story. Drawing on real-life events, 1/6 travels the road that led from back-room meetings, white supremacist rallies, and the Four Seasons Landscaping parking lot to a violent attack on the Capitol that left several Americans dead and shook our nation to its core. It then imagines a world in which the events of that day turned out very differently. 1/6 is for lovers of graphic novels, lovers of speculative fiction, lovers of politics, and lovers of our demo

Few destinies are more challenging than life in the orbit of a man obsessed with expanding his power at all costs. Such is the fate endured by Ivan Ivanovich (Ivan the Young), eldest son of Russia’s Ivan III (r. 1462–1505) and the narrator of A. Engels’s novel, A Fool for an Heir. While his father focuses on extending his reach into neighboring principalities and overcoming the legacy of a brutal civil war, little Ivan dreams of becoming a hero like those in the chronicles he reads with his tutor. The sudden, violent death of the boy’s mother forces him into the world of men, where he masters the skills of sword and bow, as well as the art of command. Yet even as Ivan marries and has children of his own, he remains in his father’s shadow. Appalled by the older Ivan’s attacks against other lands—including some ruled by members of his own family—and by the cruel suppression of dissent both there and at home, Ivan the Younger increasingly feels driven to defend his father’s victims, especially one whom he sees a