New Books In Popular Culture

“Fashion is universal,” writes my guest Kimberly Alexander in her book Treasures Afoot: Shoe Stories from the Georgian Era (Johns Hopkins UP, 2018), “enabling historians across time, place, and culture to form an understanding of the people who made clothes and who wore them. But shoes are different. As shoe scholar June Swann opines, ‘No other garment or accessory maintains the imprint of its wearer–even over long spans of time.’ A shoe molds to the foot and captures a facet of the physical characteristics of its wearer, as well as, by extension, an element of his or her personal history. We can study how much wear occurred and on what part of the shoe, how a shoe was altered or repaired, why a shoe or a pair of shoes were saved and handed down–and, from this, form a idea of the ordinary lives of the people who wore them.”Together Kimberly and I discuss her new book; why shoes are important; why fashion is important; and even how to talk about material culture in class.Al Zambone is a historian and the host

In this this interview, Carrie Tippen talks with Jeanette M. Fregulia about the movements of coffee beans, coffee drinking, and coffee houses from Ethiopia and Yemen, across the Mediterranean region, through Western Europe, and to the Americas. In A Rich and Tantalizing Brew: A History of How Coffee Connected the World (University of Arkansas Press, 2019), Fregulia examines the geographic movements of coffee beans through global trade as well as the social and cultural movements of coffee drinking from a medicine to an aid in religious ritual to an elite domestic drink to a public event in the coffee house. Covering a wide ranging chronology from the sixth century to today, the story of coffee as it moves East to West shares much in common with the movements of other foods like chocolate, sugar, tea, and olives, but Fregulia argues that coffee is unique among global foodstuffs for the way it transformed social structures and social behaviors to become part of the pubic sphere. Fregulia’s history decenters the

Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco (Oxford University Press, 2018) explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbaniza

When Amos Mac and Rocco Kayiatos first launch Original Plumbing in 2009, they created a magazine the world desperately needed: a creative and celebratory biannual publication about trans men, by trans men. For ten years, OP was an inspired response to the lack of meaningful representation of trans lives and culture. Each issue was filled with gorgeous, moving, hilarious, and sexy narratives that pushed back against marginalizing stereotypes. Taken together, these stories met mainstream media’s violence with self-love, dismissal with determination, and repression with resistance.Collecting the best of the magazine’s entire twenty-issue run, Original Plumbing: The Best Ten Years of Trans Male Culture (Amethyst Editions, 2019) is a remarkable full-color archive that includes interviews with trailblazers like Janet Mock and Silas Howard; cutting-edge artwork and photography; mediations on love, relationships, and family; political essays and personal reflections; and much, much more.Learn more about your ad choic

Wrigley Field is one of a handful of sports stadiums to have transcended its athletic purpose to become a true American landmark. Nestled in its neighborhood on the north side of Chicago, the park may be a throwback to a bygone era of baseball, but a recent renovation has positioned it for a long future. Gregory H. Wolf has edited Wrigley Field: The Friendly Confines at Clark and Addison, a new volume from the Society for American Baseball Research (SABR).  Wolf is a professor of German studies and holder of the Dennis and Jean Bauman Endowed Chair in the Humanities at North Central College in Naperville, Ill. He is a member of SABR, for which he has edited nine books.Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

The art and antics of rebellious figures in 1950s American nightlife―from the Beat Generation to eccentric jazz musicians and comedians―have long fascinated fans and scholars alike. In The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground(Johns Hopkins University Press, 2018), Stephen R. Duncan flips the frame, focusing on the New York and San Francisco bars, nightclubs, and coffeehouses from which these cultural icons emerged. Duncan shows that the sexy, smoky sites of bohemian Greenwich Village and North Beach offered not just entertainment but doorways to a new sociopolitical consciousness.This book is a collective biography of the places that harbored beatniks, blabbermouths, hipsters, playboys, and partisans who altered the shape of postwar liberal politics and culture. Throughout this period, Duncan argues, nightspots were crucial―albeit informal―institutions of the American democratic public sphere. Amid the Red Scare’s repressive politics, the urban underground of New Yor

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.Learn more about your ad choices. Visit megaphone.fm/adchoices

Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author and commentator Ilya Ehrenburg published the novel that would give a name to this era, “The Thaw,” which probed the limits of cultural expression, now expanded by Khrushchev’s political pivot.One of the critical hallmarks of The Thaw is an almost immediate deluge of foreign culture into the Soviet Union, which for most of the population was entirely new: in pre-revolutionary Russia, culture was the prerogative of wealthy aristocrats and intellectuals, and for the much of the first three decades of the nascent Soviet state, access to foreign culture was strictly forbidden.  Suddenly, the vast country was flooded with international books, films, paintings, and music.  The impact was seismic, and the reverberations ar

Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. In her book, “Trash,” Censorship, and National Identity in Early Twentieth-Century Germany (Cambridge University Press, 2016), Kara Ritzheimer explains how both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these law

What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballet

The television comedies of the 1960s set in the American South epitomize American innocence. But in their original historical, social, and commercial context, their portrayals of southern life and their omissions of political events and people of color raise questions about how these television programs have been embraced, then and now. How were these shows a response to the Red Scare of the 1950s? Why did they become hits? What insights can they give us to contemporary questions about media portrayals of rural America?Sara K. Eskridge is the author of Rube Tube: CBS and Rural Comedy in the Sixties (University of Missouri Press, 2019). As this book was published, she was a professor of history at Randolph Macon College in Ashland, Virginia. She has since been appointed as a professor at Western Governors University.Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. His website is www.nathanbierma.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One.Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned aga

Brian Cremins' book Captain Marvel and the Art of Nostalgia (University Press of Mississippi, 2017) explores the history of Billy Batson, a boy who met a wizard that allowed him to transform into a superhero. When Billy says, “Shazam!” he becomes Captain Marvel. Cremins explores the history of artist C.C. Beck and writer Otto Binder’s Captain Marvel comic book character who outsold Superman comics in the 1940s. Examining the Golden Age of comics in the United States, Cremins addresses the careers of Beck and Binder, Captain Marvel, and the ways in which they influenced comic fandom in the 1960s.Focusing on the relationship between comics and nostalgia, Cremins examines the origins of Billy Batson and Captain Marvel. Captain Marvel and the Art of Nostalgia details the lives of Beck and Binder, the lawsuit filed against Fawcett Comics that eventually ended Captain Marvel and Fawcett Comics, and the role of World War II and the nostalgia of American soldiers and civilians in Captain Marvel’s popularity. He also

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews Dr. Clare Daniel (she/hers)--Administrative Assistant Professor of Women’s Leadership at Tulane University--on her judicious new book Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era from University of Massachusetts Press (2017). Mediating Morality is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996. Daniel argues that these domains of public thought have merged to reconstruct teen pregnancy as a privatized and deeply personal issue of moral failure--what Daniel, following Lauren Berlant, describes as intimate citizenship--rather than symptomatic of ineffective policies that reproduce racist, classist, and sexist structu

In her book, American Girls and Global Responsibility: A New Relation to the World during the Early Cold War (Rutgers University Press, 2017), Jennifer Helgren traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts. Helgren shows how anxieties about nuclear warfare led educators, psychologists, and government groups to encourage girls to develop their “natural” skills as nurturers and caretakers and become homemakers to the world. These organizations taught girls to understand their responsibility to their family, nation, and globe as united, and girls between 10 and 17 years old promoted democratic education, global citizenship, and intercultural tolerance. Using girls’ essays in magazines like Seventeen alongside their personal letters, pen pal exchanges, and oral histories, Helgren demonstrates that girls internalized an internationalist etho

In Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons (University Press of Mississippi, 2019), Dr. John Etty explains how Krokodil magazine provided a venue in which the state, the the magazine’s editors, and readers all participated in defining what it was permissible to laugh at in the USSR. A standard view of Krokodil as propaganda would suggest that the magazine largely functioned as an arm of state ideology. In some cases, Krokodil did serve this function, but more often than not, its contents were the product of a process of co-creation, with all three groups playing a creative role in producing the magazine’s contents. With an engaging mix of visual analysis and theoretical sophistication, the author provides a window into everyday reading materials consumed by Soviet citizens.Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include

Mark D. White's new book Batman and Ethics (Wiley Blackwell, 2019) focuses on the comic book character Batman, particularly from the early 1970s through 2011, exploring Batman’s motivations, his mission, aspects of the mission that do not always work together, and how Batman implements and executes his mission. This book aims at two goals, one goal is situating Batman, and how he operates, within the utilitarian and deontological schools of philosophical thought, the other goal is to encourage the reader to consider the contradictions that we all face in our decision making by taking us through so many of the conflicts that arise within the Batman oeuvre. While the book focuses specifically on the comic book version of Batman, the many other forms of Batman are lurking in the background, since the cinematic and televisual Batman comes from the original comic book source material. The moral conflicts that Batman repeatedly faces remain part of the enduring understandings of the character, and Batman and Ethics

One of my talking points when hanging out with my fellow diplomatic historians is the painful absence of scholarship on Hawaii. Too many political histories treat Hawaii’s statehood as a kind of historical inevitability, an event that was bound to pass the moment the kingdom was annexed. As I would frequently pontificate, “nobody has unpacked the imperial history of the islands in sufficient detail, nor the fact that their political fate diverged sharply from a number of other possessions.” For better and for worse, Sarah Miller-Davenport has robbed me of this particular talking point by writing a new book on the process of Hawaiian statehood, American imperialism and its relationship to mainland politics and society shortly after statehood. Gateway State: Hawai’i and the Cultural Transformation of American Empire (Princeton University Press, 2019) takes a close look at some of the narratives that have grown up around the islands and unpacks them. She notes that the process of becoming a state was not a foreg

As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broad

In 2012 George Lucas shocked the entertainment world by selling the Star Wars franchise, along with Lucasfilm, to Disney. This is the story of how, over the next five years, Star Wars went from near-certain extinction to the release of a new movie trilogy, two stand-alone films, and two animated series. In Star Wars after Lucas: A Critical Guide to the Future of the Galaxy(University of Minnesota Press, 2019), Dan Golding examines the current status of Star Wars, as well as the similarities and differences between the old and the new. His book is a great mix of both academic and popular that will give readers a useful sense of Lucas’ creation.Learn more about your ad choices. Visit megaphone.fm/adchoices