New Books In Popular Culture

We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Edited by Nicholas Baer of the University of Chicago, Maggie Hennefeld of the University of Minnesota, Twin Cities, Laura Horak, and Gunnar Iversen, both of Carelton University, Unwatchable (Rutgers University Press, 2019) is interesting on both an academic and popular level.Learn more about your ad choices. Visit megaphone.fm/adchoices

Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In Fernando Orejuela and Stephanie Shonekan's collection of essays, Black Lives Matter and Music: Protest, Intervention, Reflection (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among sc

What does it mean to be famous on the Internet? How do people become Internet celebrities, and what can that celebrity be used to do? Dr. Crystal Abidin offers anthropological insight into these questions in her book Internet Celebrity: Understanding Fame Online (Emerald Publishing, 2018). Drawing on case studies from around the world, Dr. Abidin identifies the qualities that contribute to the making of internet celebrity. She explains how some internet celebrities become professional influencers and explores the global implications of the influencer industry. This accessibly written book is aimed at popular audiences and will be indispensable for undergraduate courses about digital culture, for academics who want a clear and cogent introduction to internet celebrity, and for anyone who wants to understand the online worlds in which we increasingly live.Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis.Lear

In Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London, 1884-1914 (Wayne State University Press, 2018), Vivi Lachs, social and cultural historian, Yiddishist, performer, and associate research fellow at Birkbeck, University of London, looks at London's Yiddish popular culture. She positions it in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture. This book breaks lots of new ground, and is an exciting, entertaining and revealing peek into this vibrant and noisy world.Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the demise of the Soviet Union in 1991, conspiratorial thinking has taken deep root in contemporary Russia, moving from the margins to the forefront of cultural, historical, and political discourse and fueled by centuries-long prejudices and new paranoias. In his characteristically witty, irreverent style, Eliot Borenstein (Professor of Russian & Slavic Studies, Collegiate Professor in the Faculty of Arts and Sciences, Acting Chair of East Asian Studies, and Senior Academic Convenor for the Global Network at New York University), draws on popular fiction, television, internet, public political pronouncements, religious literature, and other materials to trace the origins, history, and modern manifestations of Russian konspirologiia in Plots Against Russia: Conspiracy and Fantasy after Socialism (Cornell University Press, 2019). We discuss popular conspiracy theories such as the Harvard Project and the Dulles Plan, why and how conspiratorial thinking has flourished in post-Soviet Russia, the dynamics

Racquel J. Gates’ new book, Double Negative: The Black Image and Popular Culture (Duke University Press, 2018), interrogates understandings of African-American representations on screen.  This book is an important analysis of the concepts of negative and positive representations, especially in regard to the narrow space that these binary classifications create. Gates takes on not only the concept of representation, but also the texts where the images are presented, leading the reader through a variety of popular culture venues. Double Negative presents a careful typology of negativity, with extensive and diverse examples of each distinct variation. This analysis also integrates texts that are often dismissed or undermined. Instead, Gates provides valuable and nuanced interpretations of genres, reclaiming popular culture artifacts that are often excluded from scholarly or critical analysis. Gates explores many of the less respectable images and presentations of African-Americans, considering not only the

The story of popular entertainment in American immigrant communities is only just beginning to be told. Chinatown Opera Theater in North America by Nancy Yunhwa Rao from University of Illinois Press (2017) addresses the history of Cantonese Opera performed in Chinatowns in cities across North America with a primary focus on San Francisco, New York City, and Vancouver during the 1920s. Using a wealth of archival material, including extensive records from the U.S. Immigration Service, Rao provides an enormous amount of information about the theaters, companies, performers, and repertoire of this operatic genre. She contextualizes the performance of Cantonese Opera within the cultural life of Chinese communities, explains the print materials and recordings that circulated the music, and details the significant impact that exclusionary governmental immigration policies had on this theatrical tradition and Chinese immigrants in Canada and the United States. Rao’s book not only offers information about this perform

On this episode of the New Books Network, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Michael Mario Albrecht (he/his)--to discuss a sweeping exploration of masculinity, economic crisis, and some of the great television shows of the last decade: Masculinity in Contemporary Quality Television from Routledge Press in 2015. Drawing upon studies of contemporary television programs, including popular series viewed internationally such as Mad Men, The League, Hung, Breaking Bad, Louie, and Girls, this book explores the ways in which popular cultural texts address widely circulating discourses of the ostensible ’crisis of masculinity’ in contemporary culture. A rich study of masculinity and its representation in contemporary television, the book will appeal to scholars and students of cultural and media studies, popular culture, television studies and cultural sociology with interests in gender, masculinities, and sexuality.Learn more about your ad choices. Visit megaphone.fm/ad

Today we are joined by Ron Keurajian, author of the book Baseball Hall of Fame Autographs: A Reference Guide (Second Edition)(McFarland, 2018). Keurajian is a commercial banker by trade but has spent 35 years documenting and cataloging autographs. This second edition, which expands on his original 2012 work, contains more than 100 new pages of information, and he analyzes 988 autographs. That includes autographs and forgeries of every baseball Hall of Famer, from Hank Aaron to Robin Yount. Keurajian also devotes a chapter to autographs of the top 50 players not in the Hall Fame, plus a chapter about the signatures of the infamous 1919 Black Sox who fixed the 1919 World Series. Digging into probate, court, military and deed records in more than 30 states, Keurajian provides historical perspective behind every autograph. He does not mince words when it comes to exposing forgeries and backs up his assertions with evidence. Many of the autographs shown in the book are reproduced from the Hall of Fame archives and

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge. You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/ Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices w

Claire Pamment’s book Comic Performance in Pakistan: The Bhānd (Palgrave Macmillan, 2017) is a fantastic new book centered on the Punjabi folk art of the Bhānd, or comic performance. Pamment explores the history and present of the Bhānd and Bhānd artists through a thoroughly interdisciplinary lens that engages performance studies, ethnography, history, and the study of Religion. In our conversation on this wonderful new book, we talked about the pre-colonial Islamicate and colonial history of the Bhānd, the way in which this genre complicates the boundaries of Hindu and Muslim folk art, the manner in which the bhānd has disturbed and unsettled class and gender hierarchies in Pakistan, the political work of the bhānd, and the bhānd in the era of satellite television. This lyrically written book on a long-running and hugely important tradition of Islamicate humor will interest much scholars of Islam, South Asia, Anthropology, and Performance Studies.SherAli Tareen is Associate Professor of Religious Studies at

Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore. This “animal that thrives on excess,” as Suk-Young Kim puts it (p. 6) is more than just music, however, as it offers us a way of looking at a host of fascinating and important subjects in politics, economics, anthropology and performance studies.Suk-Young Kim's book K-Pop Live: Fans, Idols, and Multimedia Performance (Stanford University Press, 2018) transports us into K-pop's dizzying world of production, consumption, participation and neoliberal commerce. As well as navigating the geopolitical and technological conditions that have enabled K-pop’s emergence and success, Kim takes us up close to the fans and stars themselves through her ethnographic work at gigs, conventions and TV recordings. Combining all the passion of a true fan with clear-headed analysis of postmodern subjects' interactions with big business and the state, this is a must-read for anyone curious about con

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself.Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surround

Reece Peck's Fox Populism: Branding Conservatism as Working Class (Cambridge University Press, 2019) offers a unique argument of why the Fox News Channel has been both a commercial successful and wielded enormous political influence. Peck focuses on the importance of the tabloid sensibilities and populist style of Fox News. He traces the history of Fox's counter-elite brand from Murdoch to O’Reilly to Hannity. Using the network's coverage of the economic recession as a case study, Peck shows how producers and hosts how use style to frame news events and create a coalition of working-class and business-class people.Peck is assistant professor of media culture at College of Staten Island, City University of New York.Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens after you die? The book brings together fascinating theological and religious studies perspectives on a controversial yet pervasive idea: reincarnation. An estimated 1 on 5 Americans subscribe to this belief, despite their religious background. Why is this? What are the philosophical, spiritual, pragmatic merits of subscribing to reincarnation? What about the pitfalls?  Does believing in reincarnation counter Christian teachings? Is it a uniquely Hindu practice? Join us as we explore these and other questions with Dr. Jeffrey D. Long, Professor of Religion and Asian Studies at Elizabethtown College (PA) and editor of the open access peer-reviewed book Perspectives on Reincarnation: Hindu, Christian, Scientific(MDPI Books, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Alexander Langlands is a British archaeologist, historian, writer, and broadcaster.  His most recent book, Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts, was published by Norton to great acclaim in 2017 and has just been reissued as a paperback.  Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago. Our modern understanding of the term, Langlands argues, is at some remove from its original meaning.  When it first began to appear in the writings of Anglo-Saxons, the term referred to “power or skill in the context of knowledge, ability, and a kind of learning” (17). In Cræft, Langlands combines scholarly research with personal anecdotes as he discusses a range of pursuits which he himself has undertaken, including hay-making, hedgerow planting, dry wall building, and roof thatching.Folklorist Millie Rahn describes Cræft as follows: “This beautifully-written book is

How can insights from psychoanalysis help us understand digital culture? in Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2018), Jacob Johanssen, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the Embarrassing Bodies television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies.Learn more about your ad choices. Visit megaphone.fm/adchoices

Women get into stripping for money, writes Dr. Bernadete Barton, and the experience the girls have throughout their career in exotic dancing varies. Dr. Barton uses Stripped: More Stories from Exotic Dancers, Completely Revised and Updated Edition (NYU Press, 2017) to take readers inside countless strip bars and clubs, from upscale to back road and specialty lap dancing, table dancing, topless only, and peep shows, to provide up close and personal exposure to the lives of exotic dancers. Join us as Dr. Barton takes a no holds barred approach to explaining the transformation of the strip club since the original publication of this research, the change in behavior both male and female patrons show in the clubs, and the the impact technology has had on strip clubs. Dr. Barton also gifts us with a sneak peek of her newest book project on the effects of raunch culture beyond the walls of the strip club.Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting

On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. Bradford Vivian (he/his) of Penn State University on his fabulous new book Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how.Learn more about your ad choices. Visit megaphone.fm/

On this episode of the New Books Network, Lee Pierce (she/they) interviews Dr. Kendall Phillips (he) of Syracuse University on his fabulous new book A Place of Darkness: The Rhetoric of Horror in Early American Cinema (University of Texas, 2018). In it, Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity. Dr. Phillips discusses the unique role of Universal Studio’s 1931 Dracula, the turning point of the Phantom’s revelation in The Phantom of the Opera, and what horror was before it was horror. Along the way, Dr. Phillips discusses how shifts in filming technologies and international politics at the turn of the century forged a distinctly American identity based upon incredulousness, narrative depth, and rationality. Learn more about your ad choices. Visit megaphone.fm/adchoices